Battle Of The Flagships (58 Headphones Compared)
Jan 17, 2013 at 2:48 AM Post #2,401 of 5,854
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I never understood the vocal vs instrumental forward backwards thing.  We do know that both vocals and the majority of instruments' sound occupy the mids?  Shouldn't the larger treble spike on the HE-400 compared to the HE-500 give the HE-400 more vocal presence, since people like to complain about it having too much sibilance?  
tongue.gif
  Sibilance is a vocal trait, no?

"The mids" is a huge overgeneralization though, our human hearing is honed in on midrange frequencies so it distinguishes between details in the midrange much more succinctly than in the bass or treble, so just saying A and B both occupy the mids doesn't mean much.
 
A big part of human vocals is upper midrange~lower treble, which is much less represented in instrumental sounds except maybe stringed instruments, or digital instruments like electric guitars.
 
Other instruments more bracket the bass~lower mids (all kinds of drums, bass guitar, and beat-producing instruments) and treble (snares, cymbals, etc etc), these are unaffected by HE400's colouration so they blast at full force. So in the end the vocals get pushed back in music that has a whole ensemble of instruments.
 
Jan 17, 2013 at 3:02 AM Post #2,402 of 5,854
I think you might be over-generalizing things too, though.  All the harmonics that make up the distinct and defining sound characteristics of vocals and instruments are within the upper-midrange.  So if the vocals are recessed in this fashion, then so are many of your instruments.
 
In fact, the majority of fundamentals for most instruments and vocals usually end at around 1khz.
 
 
I still can't say I've magically heard a headphone that puts 'vocals ahead of instruments' within a certain song, unless the mixing of the song made it that way.  I've heard the HD650, and never did I hear the vocals magically become up-front compared to the rest of the background instruments in a song.
 
My experience with HE-400 is just that its upper-midrange reduction causes for less energy to songs.  That's been about the extent of it in my experience.  Snare and kick drum are one of the most affected instruments of the HE-400 btw.  The majority of their snap and slap lies in the 5khz area.
 
Jan 17, 2013 at 3:08 AM Post #2,403 of 5,854
This has been linked a few times around here. Make sure to roll over the pertinent areas.
 
Generally, if the human voice range (fundamentals mostly in the lower end of midrange) is emphasized (~n-shaped curve) or at least not de-emphasized/recessed (~u-shaped curve), it will get more attention since our hearing is attuned towards voices/language anyway. Of course, any instruments that are mainly situated in that same range will also be emphasized, which is the reason that same kind of headphone is particularly suited for certain genres.
 
(P.S.: That won't magically bring the voices "to the front" since a lot depends also on the mix, "soundstage" in general and other factors. But it certainly helps)
 
Jan 17, 2013 at 3:15 AM Post #2,404 of 5,854
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I think you might be over-generalizing things too, though.  All the harmonics that make up the distinct and defining sound characteristics of vocals and instruments are within the upper-midrange.  So if the vocals are recessed in this fashion, then so are many of your instruments.
 
In fact, the majority of fundamentals for most instruments and vocals usually end at around 1khz.
 
 
I still can't say I've magically heard a headphone that puts 'vocals ahead of instruments' within a certain song, unless the mixing of the song made it that way.  I've heard the HD650, and never did I hear the vocals magically become up-front compared to the rest of the background instruments in a song.
 
My experience with HE-400 is just that its upper-midrange reduction causes for less energy to songs.  That's been about the extent of it in my experience.  Snare and kick drum are one of the most affected instruments of the HE-400 btw.  The majority of their snap and slap lies in the 5khz area.

I guess I'm just trying to interpret what I hear lol. Like you said, HE400's colouration causes it to sound laid-back and removes a lot of the forwardness, so instruments and vocals that are typically forward because of that band of frequencies will be laid-back, however other instruments that are predominantly in other frequencies will not be pushed back. The end result is some things are underrepresented while others aren't, in this case vocals are pushed back while drums/basslines aren't, hence my (and all other HE400 owners') experience.
 
It's all relative though, so it might not sound "off" on its own, but would be clearly different in presentation when A/Bd against something e.g. HE500 that objectively is more forward.
 
Jan 17, 2013 at 4:49 AM Post #2,405 of 5,854
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I guess I'm just trying to interpret what I hear lol. Like you said, HE400's colouration causes it to sound laid-back and removes a lot of the forwardness, so instruments and vocals that are typically forward because of that band of frequencies will be laid-back, however other instruments that are predominantly in other frequencies will not be pushed back. The end result is some things are underrepresented while others aren't, in this case vocals are pushed back while drums/basslines aren't, hence my (and all other HE400 owners') experience.
 
It's all relative though, so it might not sound "off" on its own, but would be clearly different in presentation when A/Bd against something e.g. HE500 that objectively is more forward.

I guess ill start saving for the HE-500 right away jsut in case.
I own the HE-400 but some things it has are nto "exactly" the way i like them. Ill have to see if another hp like the HD600 could have that apart from the HE-500, as for me, the HE-500 would be a rather large investment (1 month salary that is).
 
However if i do decide to get the HE-500 i guess ill be selling the HE-400...
 
Jan 17, 2013 at 2:12 PM Post #2,409 of 5,854
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I found the LCD-3s smoother and not as etched in the treble (in comparative terms only...definitely not in absolute terms) as the LCD-2 rev.2s. Overall that gave an impression that the LCD-2s were brighter (and conversely the LCD-3s darker...but quite a bit smoother). Throw in better detail retrieval and imaging on the LCD-3s and they are my second favourite headphones I've ever heard.

Hmmm, thanks:)
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I never understood the vocal vs instrumental forward backwards thing.  We do know that both vocals and the majority of instruments' sound occupy the mids?  Shouldn't the larger treble spike on the HE-400 compared to the HE-500 give the HE-400 more vocal presence, since people like to complain about it having too much sibilance?  
tongue.gif
  Sibilance is a vocal trait, no?

It depends on the voice and instrument, but generally a recessed midrange will bring vocals backward and a forward midrange will bring vocals forward.  Although many instruments are also midrange focused, the overtones of the most vocals are extremely mid focused and this can sometimes have an impact whereas an instrument may have more upper harmonics.
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DavidMahler, what you think about dt880 and amb beta 22? 
 
Do they sound good?

I haven't heard that pairing so I'm not sure, but I think it would be good.
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Any chance of seeing how the Paradox compares?

It's gotten a lot of requests.  We shall see, though it was not at the top of my list
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Wow...Great read!

thank you!
 
Jan 17, 2013 at 2:26 PM Post #2,410 of 5,854
Just want to say thanks again David!
 
The LCD-2 just came out on top of the HD800 to my ears - I don't have the money to support the HD800 like it truly needs, but it is quite difficult to build a good rig around the HD800...
 
 
Jan 17, 2013 at 3:57 PM Post #2,411 of 5,854
I agree that the differences between cables, amps, dacs and tubes are exaggerated on head-fi.  It's too bad because a lot of people spend the big bucks and then wonder what happened, if anything.  For the noob, it can take a while to figure out how much and when to filter out the hyperbole.

Yeah, meets usually turn into gabfests so they are of limited value.  I've had good success at trying out cans via amazon.  Great return policy.  I've spent money but I didn't have to keep every single headphone I listened to.

Good post.

Am sorry to say it..but when i went from the mstage to my 337 with the tubes i now have it was almost astouning how big of a difference the soundquality upgrade was.. Okay i admit..the 337 and he500 are known to be one of the best pairs around..but still.. With the right and reasonable investment in ur rig u do get better sound quality.. In my case i couldnt and didnt wanna belive it at first...as in my eyes the mstage was excellent already with the he500.
Problem is..when u start..its sometimes hard to know when to stop.. :wink:
 
Jan 17, 2013 at 4:17 PM Post #2,412 of 5,854
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Am sorry to say it..but when i went from the mstage to my 337 with the tubes i now have it was almost astouning how big of a difference the soundquality upgrade was.. Okay i admit..the 337 and he500 are known to be one of the best pairs around..but still.. With the right and reasonable investment in ur rig u do get better sound quality.. In my case i couldnt and didnt wanna belive it at first...as in my eyes the mstage was excellent already with the he500.
Problem is..when u start..its sometimes hard to know when to stop..
wink.gif

 
 
I have 3 amps here and 2 on the way that says - "Says Who"? 
very_evil_smiley.gif

 
Jan 17, 2013 at 4:26 PM Post #2,413 of 5,854
David, have you heard Hifiman HE5LE? Ive spent some time with it and these still surprise me after few months. They also scale very good with better equipment and I dont know wheres the end of their potential. I would like to hear more opinions vs highlt praised HE500 which I never heard. HE5LE look to me like forgotten diamond a little.
 
Jan 17, 2013 at 4:29 PM Post #2,414 of 5,854
I have 3 amps here and 2 on the way that says - "Says Who"? :veryevil:

:D well..one guy on the last meet i attended called my 337: the mighty 337.. And that was with the svetlana tubes in it and not the 5998's i have now..and he was referring to the way how he drove the he500 and even the he6 perfectly..soundwise
I tried almost all bursons and musical fidelity's amps even a violectric v200 and two woo audio's and for my ears and some others also on the meet..the 337 sounded best ( even being one of the cheapest of them all) with the he500.. And on a review i read the reviewer stated the 337 and 339 were one of the best amps for the he500 he heard. :wink:
But first of all its ofcourse all personal..and second.am sure there are better amps..but am sure they will be much much more expensive.. As the 337 is a steal for what he offers.. Imho :D
 
Jan 17, 2013 at 4:58 PM Post #2,415 of 5,854
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David, have you heard Hifiman HE5LE? Ive spent some time with it and these still surprise me after few months. They also scale very good with better equipment and I dont know wheres the end of their potential. I would like to hear more opinions vs highlt praised HE500 which I never heard. HE5LE look to me like forgotten diamond a little.

 
 
HE-5LE  IMO  In Short:
 
Better bass response and just a better overall tonal balance.    
 

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