DavidMahler
Headphoneus Supremus
- Joined
- Jul 8, 2007
- Posts
- 4,124
- Likes
- 352
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I think the HD600 sound noticeably better with the foam
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either one will "do"
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The D2000 is a great one too. I've personally owned the 5000 and 7000 as well. The D2000 definitely has its merits apart from those two, but I liked the 7000 best.
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I will definitely check em out at some point.
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For classical, the HD800 or HE-6 should be an upgrade. If you go a Stax route, you will probably hear a quicker decay, although I don't think that the SR007's for instance are better than either the HD800 or HE6.
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Lots of talk about the HE400, I definitely would like to add them at some point soon.
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Thanks, David. I bought an used HD 600 two years ago with the foam removed on both sides. I thought its a bit bright and fatiguing without the foam.
I think it's time to bring my HD600 back to the Sennheiser office to get the foam back into the headphone. I'm excited on how good it would be with the foam back into its place.
I think the HD600 sound noticeably better with the foam
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Seems like we have very similar tastes. I want an SR009 and Orpheus now.
either one will "do"
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Hey David, wonderful write-up. I originally used your Top 20 list back in 2010 to get my DT-880/250, HD-650 (Thanks to DaveDerek), a prototype HE-6 and HE-5, D-7000, AKG-501 and 702 in my collection. My personal fave is the ATH-AD2000.
However, I am inclined to agree that since then, the newer flagship models I have heard at meets are significantly better in various ways, especially the HE-6 and LCD-3, when properly driven. The fact you have several high quality sources and amplifiers to work with allows you to find the best qualities of the ones that come out to the forefront of the pack. I daresay its a gestalt one must take into consideration when looking at the rankings you have made.
Once again, a truly herculean and much needed effort....so warm thanks are due.....
The D2000 is a great one too. I've personally owned the 5000 and 7000 as well. The D2000 definitely has its merits apart from those two, but I liked the 7000 best.
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I will not be original - David, thank you, it was epic!
BTW, LFF,s Paradox definitely deserved to be on your radar - insane price/performance, maybe even better than HE-500 (I have both)
I will definitely check em out at some point.
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Thank you for the response, sir. I own the T1 and am pretty happy with them for classical (and other well recorded music). I was just trying to see if, short of the top-tier Stax, Sennheiser, and Sony, I should switch to the likes of an HD800 or HE6. That would be more or less a lateral move I guess?
For classical, the HD800 or HE-6 should be an upgrade. If you go a Stax route, you will probably hear a quicker decay, although I don't think that the SR007's for instance are better than either the HD800 or HE6.
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Exactly. You're looking at the same graph you posted earlier. Which is precisely why you can't trust frequency response. Decay time, transient speed, distortion etc all have something to do with the sound signature that just the FR can't represent. I'm not trying to say you should go HE-400, but merely pointing out the flaw in relying on FR graphs so heavily. I'd totally keep the LCD-2 if I had it.
Lots of talk about the HE400, I definitely would like to add them at some point soon.
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David, in honor of this excellent review, I will pull out some Mahler and listen to some great classical music today. Since I'm at work I'll be using the T5p's, not quite flagship, but close enough.
Thanks for all the work on this.