Lothar101
New Head-Fier
Does anyone make shells larger than the MX500 ones for people with large ears?
At aliexpressTry this
I prefer the Ling or other similar size bell shapes (around 14.5-15mm drivers mostly) because they fit like the pk shells but allow better space in the chamber for SQ.no way, i (and my large ears) like the MX500 shell better. overall more versatile sound possibilities than the yuin's
Months ago I promised on the EA group to do a write up comparing the K's 500, 600, and Samsara editions. I neglected to follow through because of a combination of busyness and laziness. But now, just for @mbwilson111 and @HungryPanda, here is the long overdue comparison of (what used to be) K's Earphones TOTL models:
K's Highend (or at least they were when I bought them and neglected to write this up) Shoot Out!
Under consideration:
⦁ K's 600 Ohm
⦁ K's 500 Ohm
⦁ K's 300 Ohm, Samsara edition
Soundstage: Winner is 600!
⦁ 500: Good
⦁ 600: Excellent
⦁ Samsara: Very good
Imaging: Very tight race, but winner is Samsara!
⦁ 500: Good
⦁ 600: Excellent
⦁ Samsara: Excellent - slight edge over 600
Build/aesthetics: Winner is Samsara!
⦁ 500: Nice cable that is comparable to the Samsara's, though the braids are tighter
⦁ 600: Thinner than the 500 and Samsara, appears fragile
⦁ Samsara: Excellent - looks sturdy and expensive
Notes from specific test tracks: All tracks were of at least CD quality, with two (Radiohead and Soggy Bottom Boys) at 24bit/96kHz. Source: PC (Tidal or JRiver) > McIntosh D1100 > Cavalli Audio Liquid Gold > earbuds
⦁ Nuggets by Mura Masa: This is my test track for thumpy bass. The 600 win here for being impactful, with the Samsara a close second. The bass on the 500 is thumpy and clear, but not particularly impactful. Vocals sound best on the Samsara; on the 500 they are a bit thin. Percussion is a tad siblant on the 500.
⦁ The System Only Dreams in Total Darkeness by The National: The 600 is the winner here. The trumpets and guitars sound a little sloppy and slow on the 500. Details are noticeable with the 600 that were missing with the 500. The Samsara has a more forward and full sound, which sacrifices some detail but makes for a more emotional presentation.
⦁ Paranoid Android by Radiohead: The 600 and Samsara have good imaging and soundstage. Once again, the 600 are more detailed whereas the Samsara is more musical. Vocals sound recessed on the 500 by comparison, and the treble seems overly emphasized.
⦁ A Man of Constant Sorrow by The Soggy Bottom Boys: The detailed presentation of the 600 works well with this track; the strings are plucky and life-like. Instrumental details are sacrificed for more emphasis on vocals with the Samsara. The 500 sound muffled by comparison.
⦁ Call It What You Want by Taylor Swift: (Don't laugh, I like this song.) I don't like the way her albums are mastered; they are loud and sound sibilant with many buds. I am very sensitive to treble, and this track was too bright with the 500. The presentation of the 600 is closer to neutral, while the Samsara emphasizes the bass slightly.
Conclusions:
The K's 500 are a visually appealing set of buds that are a nice introduction for those wishing to sample the K's high end lineup without springing for their TOTL models. In my opinion (YRMV), the 600 and Samsara editions outperform the 500s, though in different ways: the 600 are more accurate and detailed, while the Samsaras have a more fun and engaging presentation.
All three models have a respectable sound stage and the accurate placement one should expect at their price point. For portable use, the 500 or Samsara are recommended over the 600. The Samsara is best suited to listening in a noisy environment.
Is Vido using mx500 shells?Personally, I'm just jealous that many on this forum can comfortably wear MX500 shells and basically anything below it--because MX500 shells offer the highest potential sound quality in this form factor currently. I really only like PK shells. Also, whatever the shell is in the MX760 graphenes work for me as well. Everything else is a little too big and gets annoying after awhile.
Yes.Is Vido using mx500 shells?
It was always coming, it just took along time to hit land because this Jersey resident has been too busy with work to propel it along. But it WAS always building power and steam and gathering more impressions on it’s journey.well i guess the K's wave is back?
BookmarkMonths ago I promised on the EA group to do a write up comparing the K's 500, 600, and Samsara editions. I neglected to follow through because of a combination of busyness and laziness. But now, just for @mbwilson111 and @HungryPanda, here is the long overdue comparison of (what used to be) K's Earphones TOTL models:
K's Highend (or at least they were when I bought them and neglected to write this up) Shoot Out!
Under consideration:
⦁ K's 600 Ohm
⦁ K's 500 Ohm
⦁ K's 300 Ohm, Samsara edition
Soundstage: Winner is 600!
⦁ 500: Good
⦁ 600: Excellent
⦁ Samsara: Very good
Imaging: Very tight race, but winner is Samsara!
⦁ 500: Good
⦁ 600: Excellent
⦁ Samsara: Excellent - slight edge over 600
Build/aesthetics: Winner is Samsara!
⦁ 500: Nice cable that is comparable to the Samsara's, though the braids are tighter
⦁ 600: Thinner than the 500 and Samsara, appears fragile
⦁ Samsara: Excellent - looks sturdy and expensive
Notes from specific test tracks: All tracks were of at least CD quality, with two (Radiohead and Soggy Bottom Boys) at 24bit/96kHz. Source: PC (Tidal or JRiver) > McIntosh D1100 > Cavalli Audio Liquid Gold > earbuds
⦁ Nuggets by Mura Masa: This is my test track for thumpy bass. The 600 win here for being impactful, with the Samsara a close second. The bass on the 500 is thumpy and clear, but not particularly impactful. Vocals sound best on the Samsara; on the 500 they are a bit thin. Percussion is a tad siblant on the 500.
⦁ The System Only Dreams in Total Darkeness by The National: The 600 is the winner here. The trumpets and guitars sound a little sloppy and slow on the 500. Details are noticeable with the 600 that were missing with the 500. The Samsara has a more forward and full sound, which sacrifices some detail but makes for a more emotional presentation.
⦁ Paranoid Android by Radiohead: The 600 and Samsara have good imaging and soundstage. Once again, the 600 are more detailed whereas the Samsara is more musical. Vocals sound recessed on the 500 by comparison, and the treble seems overly emphasized.
⦁ A Man of Constant Sorrow by The Soggy Bottom Boys: The detailed presentation of the 600 works well with this track; the strings are plucky and life-like. Instrumental details are sacrificed for more emphasis on vocals with the Samsara. The 500 sound muffled by comparison.
⦁ Call It What You Want by Taylor Swift: (Don't laugh, I like this song.) I don't like the way her albums are mastered; they are loud and sound sibilant with many buds. I am very sensitive to treble, and this track was too bright with the 500. The presentation of the 600 is closer to neutral, while the Samsara emphasizes the bass slightly.
Conclusions:
The K's 500 are a visually appealing set of buds that are a nice introduction for those wishing to sample the K's high end lineup without springing for their TOTL models. In my opinion (YRMV), the 600 and Samsara editions outperform the 500s, though in different ways: the 600 are more accurate and detailed, while the Samsaras have a more fun and engaging presentation.
All three models have a respectable sound stage and the accurate placement one should expect at their price point. For portable use, the 500 or Samsara are recommended over the 600. The Samsara is best suited to listening in a noisy environment.
Thank you, that makes me feel happy. I want to contribute here.Bookmark
The overall sound of K's earbuds are very good, but I still think that K's earbuds have some peak at high mid and vocal that cause some flare to my ears (the K's 300 Samsara improved compare to the K's 500 but it still remain). Same with the Sennheiser MX985.Months ago I promised on the EA group to do a write up comparing the K's 500, 600, and Samsara editions. I neglected to follow through because of a combination of busyness and laziness. But now, just for @mbwilson111 and @HungryPanda, here is the long overdue comparison of (what used to be) K's Earphones TOTL models:
K's Highend (or at least they were when I bought them and neglected to write this up) Shoot Out!
Under consideration:
⦁ K's 600 Ohm
⦁ K's 500 Ohm
⦁ K's 300 Ohm, Samsara edition
Soundstage: Winner is 600!
⦁ 500: Good
⦁ 600: Excellent
⦁ Samsara: Very good
Imaging: Very tight race, but winner is Samsara!
⦁ 500: Good
⦁ 600: Excellent
⦁ Samsara: Excellent - slight edge over 600
Build/aesthetics: Winner is Samsara!
⦁ 500: Nice cable that is comparable to the Samsara's, though the braids are tighter
⦁ 600: Thinner than the 500 and Samsara, appears fragile
⦁ Samsara: Excellent - looks sturdy and expensive
Notes from specific test tracks: All tracks were of at least CD quality, with two (Radiohead and Soggy Bottom Boys) at 24bit/96kHz. Source: PC (Tidal or JRiver) > McIntosh D1100 > Cavalli Audio Liquid Gold > earbuds
⦁ Nuggets by Mura Masa: This is my test track for thumpy bass. The 600 win here for being impactful, with the Samsara a close second. The bass on the 500 is thumpy and clear, but not particularly impactful. Vocals sound best on the Samsara; on the 500 they are a bit thin. Percussion is a tad siblant on the 500.
⦁ The System Only Dreams in Total Darkeness by The National: The 600 is the winner here. The trumpets and guitars sound a little sloppy and slow on the 500. Details are noticeable with the 600 that were missing with the 500. The Samsara has a more forward and full sound, which sacrifices some detail but makes for a more emotional presentation.
⦁ Paranoid Android by Radiohead: The 600 and Samsara have good imaging and soundstage. Once again, the 600 are more detailed whereas the Samsara is more musical. Vocals sound recessed on the 500 by comparison, and the treble seems overly emphasized.
⦁ A Man of Constant Sorrow by The Soggy Bottom Boys: The detailed presentation of the 600 works well with this track; the strings are plucky and life-like. Instrumental details are sacrificed for more emphasis on vocals with the Samsara. The 500 sound muffled by comparison.
⦁ Call It What You Want by Taylor Swift: (Don't laugh, I like this song.) I don't like the way her albums are mastered; they are loud and sound sibilant with many buds. I am very sensitive to treble, and this track was too bright with the 500. The presentation of the 600 is closer to neutral, while the Samsara emphasizes the bass slightly.
Conclusions:
The K's 500 are a visually appealing set of buds that are a nice introduction for those wishing to sample the K's high end lineup without springing for their TOTL models. In my opinion (YRMV), the 600 and Samsara editions outperform the 500s, though in different ways: the 600 are more accurate and detailed, while the Samsaras have a more fun and engaging presentation.
All three models have a respectable sound stage and the accurate placement one should expect at their price point. For portable use, the 500 or Samsara are recommended over the 600. The Samsara is best suited to listening in a noisy environment.
Honestly, they are not my all time faves. Cypherus is. K’s is second......or maybe I don’t own enough of another manufacturer’s products to make a fair statement there. They are certainly a brand that I am loyal to. As are VE and Wilsounds.The overall sound of K's earbuds are very good, but I still think that K's earbuds have some peak at high mid and vocal that cause some flare to my ears (the K's 300 Samsara improved compare to the K's 500 but it still remain). Same with the Sennheiser MX985.
So they never get to my top favorites.