Whilst on a quick 'back of the fag packet' calc looking at optimal acoustic treatment - I would agree and not expect diffusion to be a big deal here due to the size and volumes involved - however to simply dismiss the results & concept when presented with graphed measurements is rather dogmatic. In addition to the over-ear headphone previously mentioned you can also see internal diffusion inside the JBL Paragon speaker system - so it is not a completely new idea.Sorry that's what you got out of that whole thing. you should reread what I've written as your statements are factually incorrect. It could very easily be viewed in an entirely different light. I've gotten a few PMs saying the exact opposite thing... initially I was just hoping to correct an error regarding basic acoustics by the designer that could actually help him in the future, then it went to exposing predatory sales tactics. Some people appreciated it, others won't. Much like bright earbuds. It depends on what side of the wall you are on.
I would have also preferred @RikudouGoku to not use the word "diffusion" unless he had a theoretical and measured basis for changes being the direct result of diffusion (hard to conduct for buds - pressure / reverb times) - whilst @RikudouGoku graphs do indicate an FR difference we are unsure why that difference is seen or how it would be repeatable or amendable according to a diffusion model. Without being able to measure the diffusion effect are we not problematically asking him to measure bud technicalities? The purported benefits of the Soundsphere Rikubuds Gen 3 system are said to be mainly soundstage related and I was unaware there was hard and fast rules to interpreting FR for soundstage...
Moreover, correct me if I am mistaken, but isnt your historical stance that bud makers should not give away their secrets - something you actively campaigned against @WoodyLuvr for when he enquired about the results of a graph you published...???
Further, before making any conclusions I would urge you to:
1) Consider the idea of quarter wavelength rules/impact and how that applies to positioning of a diffuser/absorber including it's angled positions.
In room acoustics, it is preferred to capture/fit all of the wavelength (rarely done in practise as hard to get rooms around the 60foot mark) within the space. When that is not possible quarter wavelength rules apply as they still cover the amplitude impact due to their shape. Fitting the wavelength in the space provides fully optimal performance in negating the residual effect that would otherwise occur in timing/phase - but as buds are minimum phase transducer these issues do not hold such importance.
https://www.acousticfields.com/quarter-wavelength-rule-applies-room-acoustics/
2) Understand what are the targeted wavelengths to be diffused. No one should be looking to diffuse full spectrum as previously suggested - diffusion is traditionally used for mids to low treble whilst absorption (itself questionable if used in isolation) for bass (as a generalized rule)
3) Understand the materials used here and how that density affects the diffusion/absorption
4) Account for QRD & similar design principles - how that can create diffusion differences (including to FR) dependant on size, positioning and structure as well as use of pipes & resonators as evident in this prototype
https://www.subwoofer-builder.com/qrd.htm
5) the use of curved space has also been shown to affect diffusion/absorption - and here the diffusor sits inside a curved shell with the diffusors themselves also angled.
https://www.sciencedirect.com/science/article/abs/pii/S0003682X17303146
Throughout you have not asked @RikudouGoku if the desired affect is targeted for specific frequencies yet you talked about 20khz frequencies and modals - whilst statistical models not modals are mainly used in audio for anything other than low frequencies. If (and I am not making a definitive answer for @RikudouGoku just a potential thought experiment) @RikudouGoku is purporting to use these nubs akin to an 'air' diffusor (like how EST are referred to as 'air drivers') targeted at higher frequencies (unusual to do & harder to diffuse) and using the quarter frequency rule (standard procedure in small spaces) inside a resonator (standard procedure for small spaces) which contains damping/tuning material, QRD and different shell densities - It becomes a novelish idea which has some mathematical feasability (though far from optimal) that there could be an effect -
20khz = 17mm wavelength or 4.25mm quarter wavelength
19khz = 18mm wavelength or 4.5mm quarter wavelength
18khz = 19mm wavelength or 4.75mm quarter wavelength
17khz = 20mm wavelength or 5.00mm quarter wavelength
Etc...
And that is solely in air - something that is not the case in this prototype as other materials and nub placement patterns are used. Whether this is audible - a different arguement...
I appreciate you bringing a theoretical basis into this discussion but you have made a jump from optimal generalized theory to saying something doesn't work at all (though I see you have now upon reflection walked that and a few other early accusations back) when you have not looked at the individual circumstances, wider acoustic studies and @RikudouGoku statements to the contrary. Yes the labelling as 'diffusion' is likely to be technically incorrect at worst and whilst the buds themselves could be great regarding SQ - regarding diffusion they can only be said to be incomplete at best - yet you compound these measurement drawbacks by labelling something as snake oil which assumes persuasive intentions to knowingly tell an untruth in order to provide a gain for personal service - without knowing @RikudouGoku motivations or reasoning. In life I personally find it best to not automatically attribute something you may not fully understand (someone else's buds & design) or something @RikudouGoku may have made an accidental error in attributing an effect to (that is impossible to measure in this circumstance) to malice. This, as @o0genesis0o, kindly alluded to is the logical fallacy of affirming the consequent - and is logic 101.