Hi guys!
Tell me if there is a big difference in the sound delivery of the ps100-500, in comparison with the ps100-260? In ps100-260, I liked that the sound is similar to ks K300, but with better mids and slightly less pronounced highs .... Is this the sound in ps 100-500? Or is it better to choose the Yinman 600?
P.S. Again, I like the sound of ks K300 and ps100-260. Player ibasso dx160. Music happy hardcore, eurodance, techno, hardstyle
I haven't tried the PS100-260 (to be sure, you're talking about the Puresounds, right?), but i have the 500 (classic) and tried the Yinman 600.
The PS100-500 is really close in sound to the ATH R70X, with slight difference in smaller stage size and a bit more forward mid. Yinman 600 has a more warmer and safer tuning. both have similar level of SQ. it also has a better cable and removable too.
Concur with @chinmie whom offers great advice when it comes to PureSounds 醇声 and Yinman 音曼 (aka Longyao-Yinman 龙谣音曼).
PureSounds 醇声 PureTone - All Models c2016-2019
In 2018 the company PureSounds 醇声 rebranded themselves as "PureTone 醇声" a simple variation of the exact same Chinese name "PureSounds".
2016 - Puresounds 醇声 PS100-64; 64Ω (aka PureTone)
2016 - PureSounds 醇声 PS100-150; 150Ω (aka PureTone)
2016 - PureSounds 醇声 PS100-260; 260Ω (aka PureTone)
2016 - PureSounds 醇声 PS100-500 / PS100-500P; 500Ω (aka PureTone)
2016 - PureSounds 醇声 PS100-600 / PS100-600S; 600Ω @ 93dB/mW (aka PureTone)
2018 - PureTone 醇声 PT1; 32Ω (aka "PureSounds")
2018 - PureTone 醇声 PT2 ; 32Ω (aka "PureSounds")
2018 - PureTone 醇声 PT3; 32Ω (aka "PureSounds")
2018 - PureTone 醇声 PT6; 32Ω (aka "PureSounds")
2018 - PureTone 醇声 PT8; 32Ω (aka "PureSounds")
2018 - PureTone 醇声 PT9; 150Ω (aka "PureSounds")
2018 - PureTone 醇声 PT22; 32Ω (aka "PureSounds")
2019 - PureTone 醇声 PT8Pro; 64Ω (aka "PureSounds")
2019 - PureTone 醇声 PT9Pro; 150Ω (aka "PureSounds")
Now back to the
PureSounds 醇声 PS100 Series...
Yinman 音曼 600 (Yinman 音曼 2.0 醇净 600) have been said to be warmer than the PureSounds 醇声 PS100 Series and being the closest in sound to the PureSounds 醇声 PS100-600 model. Ksearphone 凯 K300 Samsara (Reincarnation) 轮回 v1 & v2 (300Ω) are probably a bit more lively than the smoother balanced (neutral-sounding) PureSounds... I'll let @chinmie "chime in" on that (no pun intended there). Like the Yinman 音曼 600, the PureSounds 醇声 PS100-600/600S requires a healthy power source to really shine (meaning they should be amp'd).
Yinman 600 (neutral warm)
PureSounds PS100-500 (neutral bass)
PureSounds PS100-600 (neutral sub-bass)
Ks K300 Samsara (neutral warm)
One must note that besides the "normal" aka "unbalanced" (3.5mm) and "balanced" (2.5mm; 3.5mm, & 4.4mm) versions of the PureSounds 醇声 PS100-500 and PS100-600, PureSounds also offered two (2) different tunings: "pop" (vocals) and "classic" (classical). Many will say that of any "house sound" tunings, these were/are probably the most noticeably different and perhaps also the reason why many have found them not very responsive to EQ (though one could argue that they really don't need it ). The PS100-500 runs more neutral than the PS100-600 and depending on the tuning version has an emphasis on mid-vocals ("pop") or mid-instruments ("classic") while the PS100-600 is slightly warmer with even deeper sub bass and again with either the "classic" or "pop" tuning emphasis in the mids.
PureSounds 醇声 PS100 Series - All Versions c2016-2017
PS100-64Ω (108 dB/mW)
PureSounds PS100-64Ω Unbalanced 3.5mm aka "Normal"
PS100-150Ω (108 dB/mW)
PureSounds PS100-150Ω Unbalanced 3.5mm aka "Normal"
PS100-260Ω (102 dB/mW)
PureSounds PS100-260Ω Unbalanced 3.5mm aka "Normal"
PureSounds PS100-260Ω "Balanced" 2.5mm
PS100-500Ω (95-96 dB/mW)
PureSounds PS100-500Ω (PS100-500 // PS100-500C) "Classic" tuning; Unbalanced 3.5mm aka "Normal"
PureSounds PS100-500P "Pop" tuning; Unbalanced 3.5mm aka "Normal"
PureSounds PS100-500Ω (PS100-500 // PS100-500C) "Classic" tuning; "Balanced" 2.5mm
PureSounds PS100-500P "Pop" tuning; "Balanced" 2.5mm
PureSounds PS100-500Ω (PS100-500 // PS100-500C) "Classic" tuning; "Balanced" 3.5mm
PureSounds PS100-500P "Pop" tuning; "Balanced" 3.5mm
PureSounds PS100-500Ω (PS100-500 // PS100-500C) "Classic" tuning; "Balanced" 4.4mm
PureSounds PS100-500P "Pop" tuning; "Balanced" 4.4mm
PS100-600Ω (93 dB/mW)
PureSounds PS100-600Ω (PS100-600) "Classic" tuning; Unbalanced 3.5mm aka "Normal"
PureSounds PS100-600S "Pop" tuning; Unbalanced 3.5mm aka "Normal"
PureSounds PS100-600Ω (PS100-600) "Classic" tuning; "Balanced" 2.5mm
PureSounds PS100-600S "Pop" tuning; "Balanced" 2.5mm
PureSounds PS100-600Ω (PS100-600) "Classic" tuning; "Balanced" 3.5mm
PureSounds PS100-600S "Pop" tuning; "Balanced" 3.5mm
PureSounds PS100-600Ω (PS100-600) "Classic" tuning; "Balanced" 4.4mm
PureSounds PS100-600S "Pop" tuning; "Balanced" 4.4mm
The "Classic" and "Pop" tuning versions are indicated with a "Ω" or a "C" and a "P" or a "S".
The "Classic" (aka "Classical") version (PS100-500/500C/500Ω/600/600Ω), without the "S-Tuning", are known to be smoother (more mellow and laid-back) with a slight emphasis on the middle to upper mid-range to better capture instruments.
The "Pop" (aka "Vocals") version (PS100-500P/600S) uses a "P" or a "S" representing PureSounds' dynamic "pop-vocals" tuning system (called "S-Tuning") achieved via an added driver damper which offered a more dynamic presentation and a more detailed (sharper) lower mid-range to better capture vocals.
Really, the only true way to know if it is the "Pop" tuned version ("P" or "S") is by the white-colored serial number bar code sticker that they affix on the back of the box.
For example, the PS100-500 and PS100-600 models, the "Classic" version is indicated as PS100-500Ω or PS100-600Ω and the "Pop" version as PS100-500P or PS100-600S... everything else is exactly the same.
PS100-600 examples: "S" or "Pop" Version c2017 (left pic); "Classic" Version c2016 (right pic)