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100+ Head-Fier
The more we need your review or your deeper thoughts on these
I read about oxygen-free copper:There is more to cables than impedance.
Even among copper cables there is an audible difference between copper and occ copper.
With higher end resolving iems, this is stark. Not just a little difference here and there,
We don't really understand how electric fields generated by movement of current through metals affects sound, or the structure of the metal itself, or vice versa.
The science is in its infancy.
In short, in my humble opinion, trust your ears over anything else.
Where to get these in Canada - this is the only source I can find.Pioneer CH3: First Impressions
These arrived earlier today and I've put a couple hours on them listening to tracks from Supertramp (Crime of the Century and Rudy), Michael Jackson (P.Y.T.), Dillon Francis (Look At That Butt and We The Funk), among others. Take this with a grain of salt as per usual when it comes to first impressions. Source is my Asus FX53V with the Radsone ES100 running amping duties via USB.
Build and Comfort:
These are lean but lengthily (comparatively) measuring in at 6mm in circumference at their widest (nozzle is ~5.5mm) and 17mm long. The shells are extremely lightweight being made from aluminum and are composed of two parts; the front portion being bare silver, the rear painted black. Protruding out of the rear portion is a long, flexible strain relief done up similarly to the classic Yahama EPH-100. Like many other Japanese products I have, the cable is a traditional, fairly thin rubber-sheathed affair with a tiny, well-relieved 90 degree angled jack. Not the sort of cable that will last long with someone that doesn't take care of their gear. Comfort is outstanding. Given the small size and light weight, these disappear in the ear. Really nice to wear, though there is a fair of cable noise when wearing them cable down.
Sound:
U-shape with a touch of warmth and some kick in the treble. Seems like a reasonably traditional Japanese tune to me. Treble has some nice shimmer on cymbals that i'm sure will irritate those of you sensitive to those regions, just like my precious, the JVC HA-FXH30. I like it. They show off tons of detail and come across really clear and crisp with a lot more air between notes than I was expecting from such a tiny driver (5.5mm graphene coated). Sounds really nice with the mellow cymbals, piano and strings on 'Crime of the Century'. Mids are set back slightly, similar in presence to the Final E2000 but a bit more forward. Vocals are well weighted without coming across too thin or dense and display a fair bit of texture, as heard on Calyx & TeeBee's "Long Gone". They're not quite as clear as the E2000 though. I wasn't expecting much from the low end given the CH3 uses some of the smallest drivers I've come across, but it can kick pretty well. Sub-bass isn't particularly prominent but it extends well enough to give you some physical feedback. Overall bass quantity is less than the E2000, and much less than the FXH30 with a better mid-/sub-bass balance than either imo. It seems to display that "need it when it's asked for, stays out of the way when not" quality. On Getter's "Headsplitter" or Evil Nine's "Black Brad Pitt" the bassline that carries the track does just that. On Havok's "Covering Fire" it plays more of a support role. Sound stage seems good too with a rounder presentation than the narrow but deep FXH30.
So Far:
I'm pretty satisfied. They seem to display traits of both the FXH30 and E2000 which are some of my fav budget iems, but with a more reserved low end and in a smaller, more comfortable shell. The cable is underwhelming and sub-bass extension could be better but given the driver size I'm willing to give that a pass esp. given they extend as well as they do.
Pioneer CH3: First Impressions
These arrived earlier today and I've put a couple hours on them listening to tracks from Supertramp (Crime of the Century and Rudy), Michael Jackson (P.Y.T.), Dillon Francis (Look At That Butt and We The Funk), among others. Take this with a grain of salt as per usual when it comes to first impressions. Source is my Asus FX53V with the Radsone ES100 running amping duties via USB.
Build and Comfort:
These are lean but lengthily (comparatively) measuring in at 6mm in circumference at their widest (nozzle is ~5.5mm) and 17mm long. The shells are extremely lightweight being made from aluminum and are composed of two parts; the front portion being bare silver, the rear painted black. Protruding out of the rear portion is a long, flexible strain relief done up similarly to the classic Yahama EPH-100. Like many other Japanese products I have, the cable is a traditional, fairly thin rubber-sheathed affair with a tiny, well-relieved 90 degree angled jack. Not the sort of cable that will last long with someone that doesn't take care of their gear. Comfort is outstanding. Given the small size and light weight, these disappear in the ear. Really nice to wear, though there is a fair of cable noise when wearing them cable down.
Sound:
U-shape with a touch of warmth and some kick in the treble. Seems like a reasonably traditional Japanese tune to me. Treble has some nice shimmer on cymbals that i'm sure will irritate those of you sensitive to those regions, just like my precious, the JVC HA-FXH30. I like it. They show off tons of detail and come across really clear and crisp with a lot more air between notes than I was expecting from such a tiny driver (5.5mm graphene coated). Sounds really nice with the mellow cymbals, piano and strings on 'Crime of the Century'. Mids are set back slightly, similar in presence to the Final E2000 but a bit more forward. Vocals are well weighted without coming across too thin or dense and display a fair bit of texture, as heard on Calyx & TeeBee's "Long Gone". They're not quite as clear as the E2000 though. I wasn't expecting much from the low end given the CH3 uses some of the smallest drivers I've come across, but it can kick pretty well. Sub-bass isn't particularly prominent but it extends well enough to give you some physical feedback. Overall bass quantity is less than the E2000, and much less than the FXH30 with a better mid-/sub-bass balance than either imo. It seems to display that "need it when it's asked for, stays out of the way when not" quality. On Getter's "Headsplitter" or Evil Nine's "Black Brad Pitt" the bassline that carries the track does just that. On Havok's "Covering Fire" it plays more of a support role. Sound stage seems good too with a rounder presentation than the narrow but deep FXH30.
So Far:
I'm pretty satisfied. They seem to display traits of both the FXH30 and E2000 which are some of my fav budget iems, but with a more reserved low end and in a smaller, more comfortable shell. The cable is underwhelming and sub-bass extension could be better but given the driver size I'm willing to give that a pass esp. given they extend as well as they do.
The west? Which west , which brands...If there is a change in sound in a headphone or IEM it should be measurable and quantifiable.
I'm all for people spending money the way they want. But we should also as a community and consumers suppose try to figure out what the industry is trying to sell us and where the truth actually lies.After all the industry has a financial incentive to sell us more goods. A lot of what we perceive to be audible changes from could be expectation bias and placebo ( https://www.ncbi.nlm.nih.gov/m/pubmed/21730857/).
Back on topic, any new iems from the west? Seems to be only chi-fi pushing new models
Where to get these in Canada - this is the only source I can find.
Thanks a bunch and good luck with your recovery (these fluctuations bite).Visions.ca has them on for 28 CAD right now; here. Going to be sending them a message because they dropped the price a good 20 CAD the day after I bought them during their Black Friday sale...
Na that cable looks like the same cable on the DMG. I guarantee it isn't. That is an Ibasso in house made cable. They aren't gonna use a $20 cable on one of their earphones.
Just know your DMG sonics are restricted due to the stock cable. I have them in my ears as I type with the stock cable and it is torturous. IT don't sound bad per se but I know how these sound with a better cable and lets just say once you actually try a nicer cable on these your in for a nice surprise.
From the IT01s pic, If you look at the cores on here. You can see the strands of SPC tightly coiled. Stock cable on the DMG does not use all these coils. It is a simple stright dual thicker cores on the DMG. And I am willing to bet of low quality. You can readily buy the DMG cable on aliexpress for $20. The IT01s cable will be vastly superior and will come in balanced too.
They are less than $30 unless you have to import from somewhere. Interested if they clear up some with more hours on them.
Almost grabbed a pair when they where $20 on Amazon recently. Still only $26.99 though there is a damaged box pair for $19-ish on US Amazon atm.
I ordered a $9 copper cable from the same seller where @Dsnuts got his $45 cable from. And I wonder whether there is an audible difference - maybe there is (difference in shielding...). Copper is copper! Unless one prefers copper with "terroir" that is coming out of a specific copper mine, let's say in Canada or Mongolia.
For example, I like this mining operation for optimizing my output impedance...
But any of these mines will also host silver and zinc .
P.S. Excuse my lame jokes, I am a geologist.
They're plenty clear. Not veiled or anything. I paid 48 CAD and am happy with the buy, though less so now that Visions.ca has the real sale going on right now...
I just submitted my order and threaten everybody with my review. Thanks again for the tip. The Hifi Walker A1 had similar weird fluctuations.They're plenty clear. Not veiled or anything. I paid 48 CAD and am happy with the buy, though less so now that Visions.ca has the real sale going on right now...