Ah, I missed that. I don't recall seeing it anywhere.
It's right on your conformation email.
Ah, I missed that. I don't recall seeing it anywhere.
Hello all. I’ve been lurking here for a while, have spent hours and hours researching various headphones, and have decided to jump in with both feet. Based on the appeal of DIY and what I have been able to read so far, this thread seemed to be the best place to land. I apologize in advance for a lengthy initial post. I appreciate the collective knowledge and passion represented here, look forward to participating, and hope that I can make meaningful contributions as well.
My fascination with headphones began when a musician let me hear a set of electrostatic headphones, and when I discovered Koss Pro 4A headphones when I was in college in early seventies. Thanks to an engineer who trained me about the effects of SPL amplitude and length of exposure during those years, and the use of hearing protection at loud concerts and during firearm use, my audiologist was recently surprised at how good my hearing still is. He printed a copy of the results. I highly recommend having this done, as it gives you a frame of reference with which to make more objective audio equipment selections.
My kids in recent years have been in band so I have had frequent exposure to a variety of live instruments and performances. This has rekindled my interest in duplicating these dynamics with recorded music. Since a majority of my listening time is late at night when others have gone to bed, headphones were the natural choice in the quest for realistic music reproduction.
My listening preferences have always leaned toward accuracy and reference, however I have found that some of the most technically accurate headphones can be clinical and sometimes fail to capture the realism and passion of the live event. My focus generally is on a headphone that reveals every detail within the music production, and one that adds as little coloration throughout the spectrum as possible, i.e. flat frequency response.
Headphones I have owned include the following:
Koss Porta Pro - Classic for a reason, very enjoyable listening.
Grado SR80 - original model, enjoyed many hours listening with these until they were DOA after someone stepped on them. I wish I had known about this site; could have probably salvaged them or even improved them. I immensely enjoyed the sonic signature per the Grado reputation for midrange, but lowest octave bass was missing, highest end treble was not to my expectation.
Sony MDRV6 - I found these to be durable, good reference oriented headphones for a reasonable price, but somewhat clinical in nature. Easy to see why they are prevalent as a work horse in many studios and professional applications.
Shure SRH940 - I have enjoyed these headphones quite a bit and for a closed headphone I am pretty happy with these. The narrow soundstage, characteristic of many closed headphones, and lack of body in the lowest bass registers, are the main drawbacks for me on these.
Audio Technica ATH-R70X - Ran across these NIB from a guy who won them in a golf tournament, and after watching Lachlans review of these, I figured I couldn’t go wrong for two bills. I was right. The resolution of these are great, and detail and layering even in complex passages is exceptional. Presentation rolls off a bit in the upper octaves which renders cymbals etc. as accurate but not lifelike, and I prefer a little more weight in the lowest octave, but these are exceptionally good phones.
Still in search of audio realism, I auditioned as many headphones locally as I could and discovered that price does not necessarily correlate to quality. After exhaustive research here and on other sites, the headphones of the most interest to me were the Sound Magic HP200, Shure SRH1840, Hifiman HE400S, Oppo PM3, Grado SR225e, and Alessandro MS2. I was unable to audition any of these but the SR225e (and the SR325e so I have to interpolate what I would think the MS2 would sound like based on reviews). I actually preferred the SR225e.
So this is how I wound up here. When I started reading that many of the modded phones were equalling or surpassing higher end Grados and other premium headphones, building a set of headphones became very appealing. The headphones considered were falling into the $200-500 range, so I decided to redirect these resources to building headphones instead. And hopefully make a few new friends along the way. So yesterday I pulled the trigger on a pair of the V6 Magnums.
I’m starting a business so my recreation time is limited. I have only been able to read a few hundred (lol) of the Grado related mod threads, just scratching the surface. I found that much of the info in some of the threads was out of date, with versions of various offerings no longer available, or the principals involve had moved to other interests.
So that the cumulative knowledge and experience here is preserved, and so my build may be of benefit to others researching the same subject, I hope that I can document as I go along. Due to my time constraints I will need help identifying the current vendors and availability for each of the primary components. I’ll also try to identify my thought process for each choose. I hope the information provided above will serve as context for others to interpret how relevant my decisions might be to their preferences.
Drivers.
I feel great about the V6 Magnums given the excellent reputation of the previous versions, how they compare to other respected drivers, and the focus on constant improvement. Availability of these newest drivers was key to my decision to build. Just like how a car can only be as good as its engine, headphones can fundamentally only be as good as the driver itself, and its execution. I have emailed Symphones to get their recommendation for associated components.
Cups.
Auditioning the SR225e vs the SR325e was revealing to me. I found the 325’s to be too hot on the high end which I think to some degree is a function of the metal cups. I certainly like the look of machined metal, but acoustically I’m not so sure.
My son plays a Gibson SG guitar with a mahogany body and oiled finish. We have noticed how rich in timbre this guitar sounds compared to many others. I think that the finish makes a difference, as well as the wood itself. If an oiled mahogany finish can make that much difference to a guitar pickup, it stands to reason that'd oiled mahogany cup with its natural damping might pair well with headphone drivers. I like to source mahogany cups unfinished if possible. Other woods used with musical instruments may be interesting as well.
I read several threads, where spacing within the cup was critical to soundstage, but I never came away with an understanding of what the optimal spacings were considered to be.
Pads
Of course these are new drivers, and the cups selected will affect the sound, but any observations about pads used with previous versions, or general observations about the various pads is welcome.
Headband assembly.
The least durable part of my SR80 was it gimbal assembly, a price paid for light weight. Worst case an SR60 could be purchased new or preferably used, but it would be nice to find a more durable headband assembly. I saw posts early in the thread about an aluminum gimbal assembly, but I did not determine if it was still available. A real leather headband is desirable for comfort, any sourcing or alternatives would be appreciated.
Cables.
The low cost alternative would be to use cables from an SR60, perhaps along with the headband assembly. Or headband and upgraded Grado cable from newer e series might be cost effective. This is an area where I would really need help and benefit of experience. The engineer in me is skeptical about many of the esoteric claims by some cable manufacturers. However, as noted with the wood and finish of the guitars, sometimes noticeable differences are not easily quantified. So I would have to depend on recommendations and experience with proven cable solutions, with a focus on function primarily.
I hope to contribute to the momentum of this thread, but can certainly start a separate thread if it is felt this thread is not the best place for this discussion.
Thanks in advance for any help and suggestions, and also for any contributions you have already made that have been beneficial to me already.
Hello all. I’ve been lurking here for a while, have spent hours and hours researching various headphones, and have decided to jump in with both feet. Based on the appeal of DIY and what I have been able to read so far, this thread seemed to be the best place to land. I apologize in advance for a lengthy initial post. I appreciate the collective knowledge and passion represented here, look forward to participating, and hope that I can make meaningful contributions as well.
My fascination with headphones began when a musician let me hear a set of electrostatic headphones, and when I discovered Koss Pro 4A headphones when I was in college in early seventies. Thanks to an engineer who trained me about the effects of SPL amplitude and length of exposure during those years, and the use of hearing protection at loud concerts and during firearm use, my audiologist was recently surprised at how good my hearing still is. He printed a copy of the results. I highly recommend having this done, as it gives you a frame of reference with which to make more objective audio equipment selections.
My kids in recent years have been in band so I have had frequent exposure to a variety of live instruments and performances. This has rekindled my interest in duplicating these dynamics with recorded music. Since a majority of my listening time is late at night when others have gone to bed, headphones were the natural choice in the quest for realistic music reproduction.
My listening preferences have always leaned toward accuracy and reference, however I have found that some of the most technically accurate headphones can be clinical and sometimes fail to capture the realism and passion of the live event. My focus generally is on a headphone that reveals every detail within the music production, and one that adds as little coloration throughout the spectrum as possible, i.e. flat frequency response.
Headphones I have owned include the following:
Koss Porta Pro - Classic for a reason, very enjoyable listening.
Grado SR80 - original model, enjoyed many hours listening with these until they were DOA after someone stepped on them. I wish I had known about this site; could have probably salvaged them or even improved them. I immensely enjoyed the sonic signature per the Grado reputation for midrange, but lowest octave bass was missing, highest end treble was not to my expectation.
Sony MDRV6 - I found these to be durable, good reference oriented headphones for a reasonable price, but somewhat clinical in nature. Easy to see why they are prevalent as a work horse in many studios and professional applications.
Shure SRH940 - I have enjoyed these headphones quite a bit and for a closed headphone I am pretty happy with these. The narrow soundstage, characteristic of many closed headphones, and lack of body in the lowest bass registers, are the main drawbacks for me on these.
Audio Technica ATH-R70X - Ran across these NIB from a guy who won them in a golf tournament, and after watching Lachlans review of these, I figured I couldn’t go wrong for two bills. I was right. The resolution of these are great, and detail and layering even in complex passages is exceptional. Presentation rolls off a bit in the upper octaves which renders cymbals etc. as accurate but not lifelike, and I prefer a little more weight in the lowest octave, but these are exceptionally good phones.
Still in search of audio realism, I auditioned as many headphones locally as I could and discovered that price does not necessarily correlate to quality. After exhaustive research here and on other sites, the headphones of the most interest to me were the Sound Magic HP200, Shure SRH1840, Hifiman HE400S, Oppo PM3, Grado SR225e, and Alessandro MS2. I was unable to audition any of these but the SR225e (and the SR325e so I have to interpolate what I would think the MS2 would sound like based on reviews). I actually preferred the SR225e.
So this is how I wound up here. When I started reading that many of the modded phones were equalling or surpassing higher end Grados and other premium headphones, building a set of headphones became very appealing. The headphones considered were falling into the $200-500 range, so I decided to redirect these resources to building headphones instead. And hopefully make a few new friends along the way. So yesterday I pulled the trigger on a pair of the V6 Magnums.
I’m starting a business so my recreation time is limited. I have only been able to read a few hundred (lol) of the Grado related mod threads, just scratching the surface. I found that much of the info in some of the threads was out of date, with versions of various offerings no longer available, or the principals involve had moved to other interests.
So that the cumulative knowledge and experience here is preserved, and so my build may be of benefit to others researching the same subject, I hope that I can document as I go along. Due to my time constraints I will need help identifying the current vendors and availability for each of the primary components. I’ll also try to identify my thought process for each choose. I hope the information provided above will serve as context for others to interpret how relevant my decisions might be to their preferences.
Drivers.
I feel great about the V6 Magnums given the excellent reputation of the previous versions, how they compare to other respected drivers, and the focus on constant improvement. Availability of these newest drivers was key to my decision to build. Just like how a car can only be as good as its engine, headphones can fundamentally only be as good as the driver itself, and its execution. I have emailed Symphones to get their recommendation for associated components.
Cups.
Auditioning the SR225e vs the SR325e was revealing to me. I found the 325’s to be too hot on the high end which I think to some degree is a function of the metal cups. I certainly like the look of machined metal, but acoustically I’m not so sure.
My son plays a Gibson SG guitar with a mahogany body and oiled finish. We have noticed how rich in timbre this guitar sounds compared to many others. I think that the finish makes a difference, as well as the wood itself. If an oiled mahogany finish can make that much difference to a guitar pickup, it stands to reason that'd oiled mahogany cup with its natural damping might pair well with headphone drivers. I like to source mahogany cups unfinished if possible. Other woods used with musical instruments may be interesting as well.
I read several threads, where spacing within the cup was critical to soundstage, but I never came away with an understanding of what the optimal spacings were considered to be.
Pads
Of course these are new drivers, and the cups selected will affect the sound, but any observations about pads used with previous versions, or general observations about the various pads is welcome.
Headband assembly.
The least durable part of my SR80 was it gimbal assembly, a price paid for light weight. Worst case an SR60 could be purchased new or preferably used, but it would be nice to find a more durable headband assembly. I saw posts early in the thread about an aluminum gimbal assembly, but I did not determine if it was still available. A real leather headband is desirable for comfort, any sourcing or alternatives would be appreciated.
Cables.
The low cost alternative would be to use cables from an SR60, perhaps along with the headband assembly. Or headband and upgraded Grado cable from newer e series might be cost effective. This is an area where I would really need help and benefit of experience. The engineer in me is skeptical about many of the esoteric claims by some cable manufacturers. However, as noted with the wood and finish of the guitars, sometimes noticeable differences are not easily quantified. So I would have to depend on recommendations and experience with proven cable solutions, with a focus on function primarily.
I hope to contribute to the momentum of this thread, but can certainly start a separate thread if it is felt this thread is not the best place for this discussion.
Thanks in advance for any help and suggestions, and also for any contributions you have already made that have been beneficial to me already.
I like HD414 pads personally, but I"m definitely in the minority.
I also prefer the quarter modded Sennheiser pads. Is there anyone that still sell these ready modded and dyed black? Originally got mine from Soloz Audio, but he's no longer in business.
Yeah, I'm thinking of giving RIT black dye a shot. I have read that some people use the dye then they use this stuff called Retayne to keep the pads black. I noticed that they make a special RIT dye now for synthetical materials. I might try this too but...I don't want to blow too much money on the endeavor haha.
I also prefer the quarter modded Sennheiser pads. Is there anyone that still sell these ready modded and dyed black? Originally got mine from Soloz Audio, but he's no longer in business.
Is that "Shrikepc" perhaps? I also contacted him a while back and about a week ago again via ebay.
Wayhay! Just got my tracking number for my V6 drivers. They're on their way (and from Canada, no less...).
Wayhay! Just got my tracking number for my V6 drivers. They're on their way (and from Canada, no less...).
Same!