Thanks! I'll be quite happy if the WA5 can compete with these other amps. Before you've posted I have read your comparison of these amps in driving the HE-6, which is insightful. What would you say might be the WA5's flaws or areas needing improvement? Am I right to say, comparing the WA5 and GSX, the WA5 has more impact but less soundstage, and less smoth transients (ie translating into less detail)? Which has a more lush or smooth midrange? What do you mean by an impressive "focus" with the WA5? Also what tubes are you using?
Sorry for the deluge of questions but I haven't found a person on this forum who is still active and who has lived with the WA5 long enough with other amps to give impressions. Of course I do appreciate that we have different ears, different tubes and cables, but one's opinion is a nice starting point to get to the next stop in the journey
I had planned on comparing these amps paired with the HE-6. Here is a rough draft:
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The GS-X Mark2 produced a smooth and well-articulated sound with silky transients and plenty of inner details with nary a trace of sibilance, hardness or glare. The feathery light and silky smooth transients of the GS-X Mk2 must be heard to be believed. The focus and imaging is very natural (neither forward nor recessed) and the soundstage was the largest I ever heard from the HD800 and HE-6 endowing the sound with the presence, air and layers of live music. The bass was tight and solid with tremendous impact. The greatest strength of the GS-X Mk2 is its ability to perform well with all kinds of headphones and all kinds of music.
With the Bakoon HA-21, the HE-6 sounded remarkably free as well of the hardness and glare often heard with other amps. There was plenty of bass with the HE-6 for Jazz and classical music, but I wished for a tad more impact here with rock music—this was a real surprise for a solid-state design; perhaps a bigger power supply is needed here but that may be quibbling. Where the Bakoon truly excelled was in the warm but also vividly detailed midrange. This is an uncanny sound quality that I have not heard from any other amps. If you like to hear warm vocals with vivid and rich details and smooth transients (guitars, violins…), this amp is ideal for you. The excellent way the Bakoon rendered female voices in particular is entrancing.
The Woo WA5 delivered a smooth midrange with outstanding presence thanks to a forward imaging and very tight focus. This sound was remarkably free of the hardness or glare usually associated with the HE-6. The bass, at once tight and weighty, a rare combination, was delivered with an authority that will rock your socks off. This was truly a match made in heaven for rock. Jazz- and Chamber-Music lovers will have much to like about the HE-6/Woo WA5 pairing as well. (upgraded parts + $1500 for Upgraded Royal Princess 300B tube and Princess 274B rectifier Tubes)
With the EAR HP-4, the HE-6 also produced a musical sound free of hardness and glare. The focus of the HE-6, typically a little fuzzy, became pin-point sharp here; the center image was also pushed a little forward to give a greater presence to vocals, similar to the beautiful results with the Woo WA5. In general, there was also increased air around the instruments and enlarged soundstage to improve the 3-D illusion. Surprisingly for tube design, while the bass was well controlled (read tight), very dynamic and perfect for classical music, it was not ideal for rock where a bid less control and perhaps more weight (mid-bass bloom) is desirable. Overall, the sound was detailed and dynamic, but also so open and relaxed that I frequently forgot to focus on it and was simply enjoyed the music. That’s the ultimate compliment I can give for an audio gear.
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That's about as far as I got.
Cheers!