Well then I suppose I should give my impressions on the Elrog and Takatsuki tubes this far.

I'll start off by saying, both these tubes are in a league of their own, they don't do anything wrong. It's more a case of personal preference and what they do, more right, for you.
So far I've got 86 hours on the Takatsuki's, 300b's, 274b's and TSRP. 10 hours on the Elrogs, Mullard Metal Bases and a different set of TSRP's. Not quite as much as I hoped for, but works ramped up again, back to doing weekends and 10 hour days :/
Starting with the Elrog's, they're a nice clean sounding tube, on the warmer side of neutral but not too far off. Compared to the Takatsuki's they're a bit more forward in presentation, the leading edge of the notes are quicker and note decay isn't as long. The frequency response is tilted slightly in favour of the upper treble and highs, not a shrill or overly bright tube. But the slight skew to the Elrog does make it seem like details are more present. Bass is extended, a little bit on the lighter side but it still has presence. Some of the things that I've found the Elrog to do especially well is electric guitars, especially distortion on them. To do that right you need an amp that's quick and clean, so it's purely from the recording and guitar, not decay stacking ontop of itself. Now the Elrog does that right it presents nice clean distortion, heavy guitar rifts sound aggressive and grutal without loosing any technical prowess.
Another thing they do well is electronic music, sure you don't get as much bass as the Takatsuki of SERP but the speed and clarity renders all of the electronic effects perfectly.
So onto the Takatsuki, the words that come to mind when listening to them are; rich, euphonic, weighty, musical and sophisticated. Compare to the Elrog the soundstage is widened and deepened giving the music a grand scale to it. The bass is extended, weighty, quick and impactful. Speed isn't far behind the Elrog, it may even be on par, the Euphony and richness of the tube make it a bit hard to compare though. Decay on notes is longer, notes trail off into the background wonderfully, female vocals, jazz, classical or instrumental, this tube absolutely shines. It's incredibly musical and involving. Now I said it seemed like the Elrog drew more detail, the fact of the matter is the Takatsuki draws out more actual detail and dynamics, but the larger soundstage and euphonic voicing it leads to a more musically involving listen, but if you focus on the details things you've never heard in the mix before jump out at you.
I'm not really sure how I'd describe the tonal balance, it's all done well, bass is the fullest and weightiest I've heard, mids are lush and full, highs are crisp and extended. It doesn't leave me, personally, wanting anything more musically.
While the Elrog does have an edge rendering guitars and textures due to a lack of decay and euphony plus it's more immediate voicing, the Takatsuki's hold up fine for rock, metal and electronic. It's just presented in a different way, rock and metal, for guitar solos the euphony adds another layer of depth to the sound and drums have more impact. For electronic, my god the bass, not just quantity but quality, weighty, fast and textured. The Takatsuki renders bass better than the elrog.
Well for me overall I prefer the Takatsuki, the Elrog are still an impressive tube and will continue seeing use, but I feel myself gravitating to the Tak's more often than not.
Keep in mind I've still got a lot of burn in to do on each set of tubes so things could change later down the track. Also of note I'm using the tubes in a 234 with abyss headphones. The music I listen to is a bit of everything, classical, jazz, instrumental, female vocal, rock, metal, electronic and J-Pop, really what every I feel like at the time.
Hope that read was entertaining and informative enough, and as always feel free to ask me any questions you may have
