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(I got the impression) it seems to do more with the connector impedance and the cable type (shielding)... Not just omgrcaisevilandletsinrfi
as for sonic benefit of ACSS - what is it? Are you sure the 100-db- of thd+n of the analog section (incl will transducers) won't negate it anyway
, reducing it to a moot marketing point ?
Cables- there are some RCA cables sold by Cableslimited on eBay that are made of RG-59u, which has copper braid + aluminum foil shields, and is designed for a characteristic impedance of 75 ohms. The RCA connectors on these cables are pretty chunky, fit tightly and have a split center pin, which makes the center pin fit a bit more tightly. I measured them on my RF impedance bridge and they measure 75.0 ohms with very low SWR up to about 100 MHz. They don't cost much, either- 3 ft pair under $7 including shipping. They make about as good as an RCA SPDIF cable as you can get, in terms of their electrical and mechanical performance. You can buy much more costly cables for your RCA SPDIF use, but I am not sure it could be demonstrated that they would be better.
ACSS - well I was prepared to stop talking about this, as it appears there will never be a Stax-compatible amplifier that has an ACSS input, but someone asked what ACSS is so here is the answer: Years back, Krell developed a signal-transmission scheme called CAST, which Audio-Gd also uses and calls ACSS. This signal uses CURRENT instead of voltage to carry the signal, and as such it is immune to degradation of the signal by cables. (Has to do with the nature of source, amp and cable impedance in a current-based system, it just doesn't suffer the same problems that cables carrying voltage-based signals can.) So, the theoretical advantage is that you can connect a source to an amplifier without ANY kind of noise, high frequency loss, etc that can come from cables.
If you read reviews of various Audio-Gd and Krell products that use these connections, they all report that the sound is better using CAST / ACSS vs. balanced audio connects or single-ended circuits. Based on these opinions I began to wonder if this technology, which is reported to offer sonic improvements audible on speakers and dynamic headphones, wouldn't also be a nice way to connect a source to a high-end Stax amp. I mean, people are paying $1000 for an Alps RK50 pot to use as the volume control in their DIY-SRM-T2 "ultimate" Stax amps.... and I figured if they are going the 'cost-no-object" route, spending money on ANYTHING that will increase the sound quality EVEN A LITTLE for their Stax 'phones, I figured this technology ought to be tried, too.