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- Mar 30, 2007
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Heh, I was the one who gave DAC the idea after my experience with the T50/NAD. In DACs case I wanted his driver to 'see' the same size hole as the driver hole. This way there isnt bass loss (well because previously it was really a bass boost
), or treble loss. Just a transparent window to the driver.
Problem with pads is not just the hole volume/diameter, but their sealing capabilty, and even the reflectiveness of their material. Its a black art.
I tried some vinyl circum pads on the NAD today, kinda Beyerdynamic DT770-sih but vinyl. I made sure they sealed by pushing down on them. But it was a rather bassy muddy mess. Now this is a large earhole volume, so one would have expected a bass reduction. But with the gaint Ross earpads with a circum hole only just small enough to fit the ear, there is much more bass control, treble, and control all around.
I put this down (at a guess) to a v.large earpad hole volume creating a cavern effect where the sound is all bouncing around inside there (hehe we might have to start damping earpads
).
Also height would make a considerable difference to the perceived treble. With more height generally giving more treble, and more perceived headstage, but starting to risk more internal reflections.
At the end of the day what I can see is, best kinda pads are the typical sealing supra ortho pads. Or a SEALING circum pad with a v.small hole diameter, just big enough for the ear. Im using big reactangular pads from an old 70's Ross dynamic.

Problem with pads is not just the hole volume/diameter, but their sealing capabilty, and even the reflectiveness of their material. Its a black art.
I tried some vinyl circum pads on the NAD today, kinda Beyerdynamic DT770-sih but vinyl. I made sure they sealed by pushing down on them. But it was a rather bassy muddy mess. Now this is a large earhole volume, so one would have expected a bass reduction. But with the gaint Ross earpads with a circum hole only just small enough to fit the ear, there is much more bass control, treble, and control all around.
I put this down (at a guess) to a v.large earpad hole volume creating a cavern effect where the sound is all bouncing around inside there (hehe we might have to start damping earpads

Also height would make a considerable difference to the perceived treble. With more height generally giving more treble, and more perceived headstage, but starting to risk more internal reflections.
At the end of the day what I can see is, best kinda pads are the typical sealing supra ortho pads. Or a SEALING circum pad with a v.small hole diameter, just big enough for the ear. Im using big reactangular pads from an old 70's Ross dynamic.