Quote:
Quote:
We do hear things similarly - you are just taking issue with the fact that they aren't as fast/clear/crisp/lean/sparkly as the DBA-02 while I'm welcoming it with open arms. I think I mentioned all of those things but I wouldn't take off points for them because objectively-speaking an IEM doesn't need to be any of those things to be enjoyable. The CK10 has all of those things too and yet it's not an IEM I recommend very often (if ever) because it just isn't an instantly likable sound. Yes, they were hyped. Yes, many bought them who probably shouldn't have; but that happens with every in-ear that becomes popular around here. I think the issue is more with the early impressions of the SM3, which made it seem like a better earphone than any other in every single way, and it isn't.
While it's true that they aren't as fast/clear/crisp, etc. as the DBA's, I also had them
long before the DBA's so I didn't have them to compare. I not only welcomed them with open arms, I did everything in my power to like them. You can revisit the threads and read all about it if you like. I gave them more than a fair shake and wanted them to be as good as many had said.
Yes, my tastes tend that way (clear, crisp, bright), but I also know when even
those characteristics are wildly exaggerated (read DT880, DT770...). What I did have to compare is the sound of live instruments and many years of listening to music (recorded and live). I didn't find them 'realistic' or 'natural' by any stretch of the imagination. Things were missing in the recordings, sounds and presence were no longer part of the overall mix. They were just plain dead and muted and muffled... without any other cans to compare them to.
Of course many love the SM3's sound. I just don't think they do the music justice. I don't find them to be true to the recording. Information is lost. And that is not a matter of taste. I did not hear thing I knew to exist in the recordings. This actually may be a positive thing for some as those missing items are within the upper part of the spectrum, and some are very sensitive to that. So I can see how someone may 'like' them or prefer their presentation to other IEM's, but for me what was missing is critical to the instrument being there with me in the room. Critical to it's presence. Notes would float without any defined point in space. Individual instruments had no 'air'.
Of course IEM's don't need to be anything in particular, or need specific characteristics to be
enjoyable... heck, the M50 is pretty far from neutral across the spectrum, but holy crap, they are completely enjoyable !
And that's where taste really comes into play.
Anyway, my friend, I really don't have
that big of an issue with your 10/10 rating for sound. It's an opinion like almost everything else around here. Being that this is a forum (and especially THIS fantastic compendium of a thread ! ) that folks come to in order to gain an understanding of things... I wanted those reading this thread to know that there is a a group of us who feel very differently. It's an odd IEM indeed that would provoke such diametrically opposed views, observations, opinions.
I'll chalk it up to QC issues and just go with the thought that I had very different SM3's than you.
I recommend hearing them before one buys.
All the best.