To Tony, you might have gotten a bad SP, who knows. Or maybe I got a really good one. But the bass is good. Actually I should listen again to make sure. I will freely admit, I don't listen to tons of bass-centric music. Lots of classical, but even that will touch the sub-bass with organ/bass. From my remembrances, and I know I did a very detailed writeup of the SP vs Brimar, I think the Brimar does beat it, but in a weird way. The SP just feels more flat in all frequencies, that is how I remember it. The Brimar gives much more life, much more dynamic. But the listening experience with the SP never felt like less, somehow. It was still just as fun to listen to, and I think I had the Tung Sols in when I was listening. Another thing to consider, tube pairing.
I do remember putting in the U52 for the first time though. At first, "wat. This is weird." Then, I realized how right everything sounded. There was this space, this extra dimension, that everything had. I think the 5Z4G adds something, some sort of dynamic, to music. I am not sure it is all that accurate. And it is certainly warm. In a way, the U52 and SP, they better represent how my ears hear things in real life. At least, that is my opinion. I know you and badas love the Brimars, and for the price, yes. Absolutely. But you've also spent a fair amount of effort sourcing and researching driver tubes, so I think maybe finding end tier rectifiers would benefit you. Then again, once you get one of the great 3 or 4, I doubt you can go back. And they're expensive. So who knows. Maybe not worth it. A never ending search, until you just decide "this is where it stops."
Anyways, about the SP, I don't really know why I found it fun. Maybe too, it is an old sound signature that I listened to so much, and that had something to do with it.