Redcarmoose
Headphoneus Supremus
Yes, I’m just now starting to learn about how with both treble and midrange accentuations.....that the timbre can start to sound off......at times. It’s really a series of gradations where with balanced armature (mostly) it can be a situation where they if they choose to leave the details buried......then everything blends. But.... if they choose to make a frequency focus of having the frequencies stand out in the response..........it will in turn will go to accentuate the mild steely timbre..... making it noticeable. With Planars it’s not exactly metallic, but slightly off. Where in my uses (even though Knowles invented the BA) Sonion seems to offer a slightly more realistic midrange, where Knowles has started to perfect the super-tweeter. But there has been a few times where guitar chords came off way more complex and realistic with the Sonion BAs.S12 has an overly sharpened sound, though it can be calmed down a bit with slight modding and powerful amp. The overdone treble also messes up with the timbre of string instruments. Details / separation are very good, and bass hits deep and textured, though.
IMHO, it sounds very similar to Sundara headphone. It could be suitable for many listeners, given how popular the Sundara is (when I visited my local hi-fi store, more often than not, I'll see a customer walking out with a Sundara). Personally, I prefer something milder around 5k and 8k.
As far as ESTs, they offer the best upper treble (often) but they don’t have the ability to do lower treble!
Personally I like Hybrid BA setups more than Planars but typically the ones that are more pricey, where if someone was wondering where bang-for-the-buck is in the IEM market today, I would have to say a choice of Planar IEMs......especially in the $150 range, if you are into that sound.
While I haven’t heard the S12, I can imagine that in many ways the “Wu” is an advancement in that they were able to arrive at a more widely accessible tune, just by curtailing the treble. But you and I know that really it’s the whole sound, the whole balance that needs to be set right. It’s also of course both FR and technicalities which are looked for.
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