I can argue to that āreviewerā doesnāt need an exposure to TOTL IEM, because to some audiences, who have similar background, is a good referencing point.
letās say one reviewer only has exposure to grade B IEMs and below, counting Best of the best as S grade. The reviewer, went across one grade B IEM and graded S, from his/her standard, for other audiences with similar exposures, that review does state a good point and makes sense.
It does require disclosures that the reviwerās background and exposures though, otherwise it will the scale of reviews will just be limited to āone personās absolute perceptionā.
Iām exercising the same disclosures of my exposures so that many of readers could benchmark to their listening experience from a certain IEM that we share as a common starting point. As I value relative comparison with set standard the most.
Thankfully, there are no restrictions as to who may or may not review an item. The more regulated a setting, the less of a hobby it is.
In any case, who determines the parameters?
Do the regulations (if there were any put in place) favour those who determine the parameters?
Who defines when someone is competent to review an item?
What is a review?
Who determines what is the definitive categorisation of a particular tier, in what is, in essence, a subjective issue, namely, how we individually perceive sound?
By stating our views and impressions, on these threads, however brief, are we
ALL not "
REVIEWERS"?
I had the impression that was the entire point of hobbies, and we congregate here on Head-fi to share our views with like minded people in an interest, we share, in this instance, earphones or audio in general.
There is always the risk that such regulation of a
HOBBY slams the door firmly shut on, a young person, or someone with a novel approach to how we percieve sound and here
I applaud you @AmericanSpirit, for your novel approach to categorisation!
Just my thoughts!