DynamicEars
Headphoneus Supremus
- Joined
- Jan 5, 2019
- Posts
- 4,326
- Likes
- 17,374
Outstanding work, mate! Are you reading my mind? Couldn’t explain better. I need to save this for future reference. Some comments in no particular order:
- The reference bass is yummy
- The FH9 is an oddball due to its driver configuration. It’s tuned like old-school midbass IEM, but it slams.
- Driver configuration plays an important role here. The Andromeda 2020 gets away with the thick 250Hz partially because of the “BA timbre”, making notes cut through the thick “fog” of the lower frequencies.
- You are spot on about the oddball tuning of 64 audio. They always boost mid-midrange and dip 1kHz. When done just right, the sense of space of the stage gets a boost. Overdone (Tia Fourte) and the sound would get weird.
You should do another post about the ear gain![]()
Thanks mate, of course you can save and use it when needed.
And about "thin" or "thick bodied" mids, like you said in previous post, I also couldn't agree more, You're excactly correct the thick mids isn't perceived only from uplifted upper bass - lower mids, but more about the proportion gap between lower mids and upper mids.
If the pinna gain is lower, like about +5db from neutral point, then a flat upper bass and lower mids already enough to make the vocal bodied and thick. When the pinna gain is more than 10db increment, flat lower mids will make vocals and mids sounded thin because of too much gap between lower mids and high mids.
It's about balance proportion.