I wholeheartedly agree with you. Having owned 2 kilobuck iems (Unique Melody Mirage and FAudio Dark Sky), I can definitely tell that the gap between kilobuck iems and midrange, may be around $500 or even around $300 iems are not very large. I sold Mirage, but I absolutely love Dark Sky. There are iems that sound a bit more airy than Dark Sky, bit more spacious, like MEAOES Eagle (well it sounds more spacious than any other iems in my collection)...so it does not excel above all of my collection regarding soundstage.Thanks for the opinion. You raise a valid point.
You also reminds me of the discussion with another reviewer: “if an IEM on discount tomorrow, should it score increase?”
A belief of mine after testing many kilobucks that I can audition is that most of the stuffs are average or adequate. The gap is not very large even with my nitpicking about staging and resolution and other little things. That’s why most of the stuffs in my rating are actually 3/5 - average. 4/5 - good is rare but not extremely rare nowadays. 5/5 is still very rare, especially if you want 5/5 across the board. I personally don’t think the performance ceiling of IEMs is that high, that kilobuck is far far ahead the level of a well done $100 IEM.
Without comparing across the price bracket, people cannot identify golden performers. Say, in the review, we say certain IEM X is outstanding with all kinds of beautiful descriptions. The question would be if it is that good, where would it fit in the grand scheme of things? Is it truely an amazing value? Or it’s good, like 3/5 good?
However, what it presents are bigger notes, which feel more real, more three-dimensionally defined, more alive! Yeah, it makes the complete music sounds so much more alive and real than all the rest of my iem, that I cannot help but appreciate and acknowledge its value as very much justified. And except Eagle, it sounds much more spacious than any other iem of mine. The whole presentation is just so big and alive...I can't even listen to anything once I start listening to it!
But does that mean my LOAK-T(CL), or Dark Matter, or Miroak-S are significantly behind it? Certainly not. The differences are at most 20%-30%, at best 40%, but definitely nowhere beyond that. And that is the reason why I have decided that I will most definitely not get any iem beyond $1500 max. That is my limit. I know hybrid, tribrid, etc. of that range will definitely sound more spacious and bigger than full range DD iems of the same range, however, I am so intoxicated by the single DD coherency that such magnificent separation, imaging, and stage have started to sound unnatural to me, incoherent sort of, and I absolutely do not want to feel such dissatisfaction with an iem of that price were I to get it.
My current wishlist iems are - Technics EAH-TZ700, Acoustune HS1750CU, Softears Twilight, and by the suggestion of a certain gentleman here, the Radius HP-W300. It is not possible for me to audition any of them, since in India they are not available, so I will have to blind buy one of them...which one - that is my current quest.