^That frequency sweep I want to try on my MS1, RS2i, HF2, and UE RM. See if I can start to recognize where exactly on the FR the bumps are...it is already easy to tell that if I bump bass and treble on the UE RM that brings them into the "fun" sound. Learning what it is that I love about the Grados so much!
I am learning from UE RM and Benchmark DAC1 that I really do enjoy "flat/neutral" but UE RM are right on the edge of wanting a bit more treble if not using Benchmark. A darker amp/source extension/power/sound sig and I will want to EQ a bit of treble mainly with UERM. If I really want moar bass too, I can reach for HF2 or TF10.
MS1 = more flat to me
RS2i = more bias toward treble but usually not too bright for me
HF2 = bump at both ends, really impactful (whether that's a word or not)
UE RM = neutral, about mids and good bass with just enough HF if great source (with darker source or amp, often need a bit of treble EQ for my tastes)
iBasso D12 = really good with all of my Grados (stock opamps and dummy buffers)
mini3 = okay with Grados but a bit bright (need to go from jumbos to bowls, especially on RS2i)
DAC1 = simply great with my Grados and okay, all my phones
UE RM = DIG sound sig and clarity with mini3 but less soundstage than D12, good sound sig with Icon Mobile but not as much punch/clarity or bass. Great with Benchmark.
(With portable amps using Sony or iPhone. Problem with iPhone is macro adjustments, no Treble booster can be a little too dark and with Treble Booster can be a little too bright. Darn it.)
Factor in want/need for excitement, or particular recordings or combos of different gear and that's why we need the choices!
Oh, and bowls bug me so if I need to use jumbo pads I need darker source/amp or more powerful amp to be able to drive the bass...combos seem really important to me now.
To me this explains why we end up keeping so many different items. We need to be able to grab "parts in the garage" to make our systems run well (to our tastes).
It would be a lot of work if it wasn't so much FUN...
I am learning from UE RM and Benchmark DAC1 that I really do enjoy "flat/neutral" but UE RM are right on the edge of wanting a bit more treble if not using Benchmark. A darker amp/source extension/power/sound sig and I will want to EQ a bit of treble mainly with UERM. If I really want moar bass too, I can reach for HF2 or TF10.
MS1 = more flat to me
RS2i = more bias toward treble but usually not too bright for me
HF2 = bump at both ends, really impactful (whether that's a word or not)
UE RM = neutral, about mids and good bass with just enough HF if great source (with darker source or amp, often need a bit of treble EQ for my tastes)
iBasso D12 = really good with all of my Grados (stock opamps and dummy buffers)
mini3 = okay with Grados but a bit bright (need to go from jumbos to bowls, especially on RS2i)
DAC1 = simply great with my Grados and okay, all my phones
UE RM = DIG sound sig and clarity with mini3 but less soundstage than D12, good sound sig with Icon Mobile but not as much punch/clarity or bass. Great with Benchmark.
(With portable amps using Sony or iPhone. Problem with iPhone is macro adjustments, no Treble booster can be a little too dark and with Treble Booster can be a little too bright. Darn it.)
Factor in want/need for excitement, or particular recordings or combos of different gear and that's why we need the choices!
Oh, and bowls bug me so if I need to use jumbo pads I need darker source/amp or more powerful amp to be able to drive the bass...combos seem really important to me now.
To me this explains why we end up keeping so many different items. We need to be able to grab "parts in the garage" to make our systems run well (to our tastes).
It would be a lot of work if it wasn't so much FUN...