stacker45
Headphoneus Supremus
- Joined
- Dec 22, 2006
- Posts
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- 845
Have you checked out HD-Tracks?
Does anyone know the complete difference between the 'i' and the 'e' series? does one particularly sound better than the other?
Hmmm!, funny because I don't even remember going to the post office, but then, I have been known to forget things, damn painkillers!
I compared only 225i and e, and 80i and e. The four main differences between the 225 models mentioned in the review held for the 80 models, but to a lesser degree.
Besides that, I concluded that 80e isn't the same bargain that 80i was, because 80e + L-cushions is about 70% as good as 225e and 80i + L-cushions is about 90% as good as 225i. So if you prefer the e series' sound, 225e is certainly worth the extra $100.
I'd really like to hear from others . . .
Thanks for the positive feedback, guys!
I read your review. Very informative and helpful. I mainly asked because I plan on buying some new phones that would sound good with metal and rock, and the grado's have TONS of hype for that, so whichever is better is what I plan on going for, and the 225i's sound like they'd be better in this case.
First time poster here, but couldn't hold back after finding so few reviews for the PS500e. Put simply, these are the first headphones that remind me of what it's like to be with musicians, watching a performance, absorbed in the fullness of it all. I auditioned (well, ordered and then returned) the RS1e, RS2e, and PS225e, the AKG Q701, and K545 before landing on these.
In some ways I was glad there weren't many reviews on these in particular as it forced me to trust my own gut. Here's a simple breakdown of how I landed with the PS500e:
1) RS2e: Really enjoyed these, especially for classic rock and well produced jazz, but wasn't so kind to lackluster tracks and was missing a natural bass feel that I especially love for classical and jazz (trying picking up timpani on them - you'll have a hard time). Wanted to like these more bc of better price point.
2) PS225e: I was hoping that for 200 dollars less I would be satisfied. I probably went the wrong direction. For my musical tastes these were great phones but after hearing the RS2 I knew there was better territory and for me, it was worth it. (I wouldn't have said the same thing 4 years ago).
3) RS1e: Oddly, these were essentially the same price as the PS500e (without tax - I live in NY) and so I was really curious how the top of the Reference line compared against the "little sibling" of the professional line. In the end, I couldn't get past the comfort issues. Even after a few adjustments, I just liked the ps500e better for my tastes. I compared with Trane, Aretha, Supremes, a variety of chamber and small orchestra works, as well as a host of classic rock and folk rock.
In the end, I've been swooned over by the 500e. The folks at Grado said it was a "improvement" over the HF2. While I'm sure this is technically true I can't say it's a $200 improvement for some pretty similar form and tech. If I had the HF2 I probably wouldn't be posting this, but alas....
First time poster here, but couldn't hold back after finding so few reviews for the PS500e. Put simply, these are the first headphones that remind me of what it's like to be with musicians, watching a performance, absorbed in the fullness of it all. I auditioned (well, ordered and then returned) the RS1e, RS2e, and PS225e, the AKG Q701, and K545 before landing on these.
In some ways I was glad there weren't many reviews on these in particular as it forced me to trust my own gut. Here's a simple breakdown of how I landed with the PS500e:
1) RS2e: Really enjoyed these, especially for classic rock and well produced jazz, but wasn't so kind to lackluster tracks and was missing a natural bass feel that I especially love for classical and jazz (trying picking up timpani on them - you'll have a hard time). Wanted to like these more bc of better price point.
2) PS225e: I was hoping that for 200 dollars less I would be satisfied. I probably went the wrong direction. For my musical tastes these were great phones but after hearing the RS2 I knew there was better territory and for me, it was worth it. (I wouldn't have said the same thing 4 years ago).
3) RS1e: Oddly, these were essentially the same price as the PS500e (without tax - I live in NY) and so I was really curious how the top of the Reference line compared against the "little sibling" of the professional line. In the end, I couldn't get past the comfort issues. Even after a few adjustments, I just liked the ps500e better for my tastes. I compared with Trane, Aretha, Supremes, a variety of chamber and small orchestra works, as well as a host of classic rock and folk rock.
In the end, I've been swooned over by the 500e. The folks at Grado said it was a "improvement" over the HF2. While I'm sure this is technically true I can't say it's a $200 improvement for some pretty similar form and tech. If I had the HF2 I probably wouldn't be posting this, but alas....
First time poster here, but couldn't hold back after finding so few reviews for the PS500e. Put simply, these are the first headphones that remind me of what it's like to be with musicians, watching a performance, absorbed in the fullness of it all. I auditioned (well, ordered and then returned) the RS1e, RS2e, and PS225e, the AKG Q701, and K545 before landing on these.
In some ways I was glad there weren't many reviews on these in particular as it forced me to trust my own gut. Here's a simple breakdown of how I landed with the PS500e:
1) RS2e: Really enjoyed these, especially for classic rock and well produced jazz, but wasn't so kind to lackluster tracks and was missing a natural bass feel that I especially love for classical and jazz (trying picking up timpani on them - you'll have a hard time). Wanted to like these more bc of better price point.
2) PS225e: I was hoping that for 200 dollars less I would be satisfied. I probably went the wrong direction. For my musical tastes these were great phones but after hearing the RS2 I knew there was better territory and for me, it was worth it. (I wouldn't have said the same thing 4 years ago).
3) RS1e: Oddly, these were essentially the same price as the PS500e (without tax - I live in NY) and so I was really curious how the top of the Reference line compared against the "little sibling" of the professional line. In the end, I couldn't get past the comfort issues. Even after a few adjustments, I just liked the ps500e better for my tastes. I compared with Trane, Aretha, Supremes, a variety of chamber and small orchestra works, as well as a host of classic rock and folk rock.
In the end, I've been swooned over by the 500e. The folks at Grado said it was a "improvement" over the HF2. While I'm sure this is technically true I can't say it's a $200 improvement for some pretty similar form and tech. If I had the HF2 I probably wouldn't be posting this, but alas....
Woo-hoo!
After 2 months of background checks, security checks, physicals, and more background checks, I begin my new job on 7/30!
I might celebrate with some new gear...
Congratulations on your new job…and if I were you, I would celebrate with some new gear!!!
Actually, I might celebrate by selling some gear. My recent experience with the GS1000e is making me think I don't really need my Schiit Bifrost Uber...
Woo-hoo!
After 2 months of background checks, security checks, physicals, and more background checks, I begin my new job on 7/30!
I might celebrate with some new gear...