I'm really happy that I found my combo too!! And I don't have to spend so much money. Maybe I'll buy new cables, furniture, metal legs, wooden blocks for dampening - you know, the easy stuff.
I'm sure there plenty of amps and cans out there, and they'll sound great. But this combo really worked for me!! I fell in love with the sound and felt the sound in my heart, you know what I mean??
Reading the HD600 forums now, and talked to the mastering engineer at length. He is from England, and works at Abbey Road studios. He told me that he went through other headphones, but trusts HD600 for mastering.
I heard the some recording first through another amp in the studio, the Auditor... Which was very nice. But preferred I preferred my 6SE.
I'm telling you everybody: for your
small group jazz recordings: drums, upright bass, piano, guitar, horns..Any recordings by Enja, CrissCross, ECM, Blue Note, Atlantic, Steeplechase labels... If you want to hear what we musicians want you - the audience - to hear, get this: WA6SE and HD600. I can't endorse this enough.
I know all those record labels have a different signature to their sound. But this combo worked for them. Like the CrissCross label goes for immediate accuracy with a very tiny room reverb.. and ECM goes for a cathedral sound. I'm sure for ECM recordings other amps/headphones could work well too. But especially for the labels that are about the immediate realist sound like CrissCross, or Steeplechase, this is The combo.
I guess a very good solid state amp like the Auditor would do well too, but the 6SE had more dynamic range and more.. soul to it's sound.
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It's very exciting to hear that you found your combo...
especially being a Jazz musician.