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How about the SR-4004732 Signature Pro LE Nova Classic MKIII with the SRM-2507S MKII Kevin Gilmore Blue Hawaii?
There's a 4040 II set on Audiogon at the moment for a decent price. There is also.. (ahem) a 006t and 404LE in the classifieds.
Sadly for me the Lambda Sig./ SRM-T1 is so highly rated as that was my first set and I sold it to "upgrade" but never really found an "upgrade" in the Lambda models yet.
I am still interested in the LNS though.. How does it compare to the Lambda Sig.?
But... I am excited to say I have an 007 Mk1 inbound.. Happy day.
Now that I have the 007mk1 inbound I will likely end there. Paired with the SRM-007Tii, I need to work on the front end now.
Still though, the Lambda Signatures were one of the nicest sounding headphones I've heard, but only with selected music. With chamber music, baroque pieces or female vocals, they are so smooth. They don't fare well with large scale pieces like orchestral music or electronic music. They get muddied in the bottom end and don't have much bass anyway and if memory serves, they can get a little sharp in the upper mids(?) sometimes but like I said, in their element I much preferred them to the 507s.
Right now I have the 404LE and 507 and I like the extra space in the 507, the 404LE being more intimate, and I like the extra detail over the 404LE but overall, I'm not sure that I don't prefer the 404LE. I think it's one of those audiophile things. Have you ever heard a system that is supposedly hyper-detailed but feels like a drill in the forehead?
The 507s are "more interesting" but a little less musical.
PS.. My Signatures were from the 80's, bought from the estate of the only owner and they had no imbalance, but I guess that's what the split volume knob is for.. eh?
Why are the 407/307/507 so low on the list?
Do you also have a list for amps?
Here are my owned Stax amp list with the Lambdas:
1. Stax SRM-T1 or Stax SRM-T1S
2. Stax SRM-323S
3. Stax SRM-1 MK2 Pro (C-Version)
4. Stax SRM-006t
5. Stax SRM-313 or 323A
6. Stax SRM-212
7. Stax SRM-252II
I personally found the SR-307 a little bit to aggressive but with a good bass impact. The SR-507 wasn´t neutral width good highs and good bass.
How about the SR-4004732 Signature Pro LE Nova Classic MKIII with the SRM-2507S MKII Kevin Gilmore Blue Hawaii?
After reading numerous on the models. I've only made myself more and more confused.
Some say the 303=404, then does that mean the 307=407?
Many also say that the 407+Pads=507
And then I have no idea how the 404LE fits into this equation. I've heard that the 404Le=404+pads...
I don't think I've heard the 202/7s sounding like anything in the lineup though.
and I'll just skip all the vintage Staxes, which probably don't work well for my music.
Can anyone help clarify? Or direct me in a good direction?
Funny how you would rate the 006 so down and the T1 on the top. The 006 is almost identical to the original T1. The 323S and 323A are almost virtually the same from what I've gathered, so it doesn't make sense to group the 323A with the 313 which the 313 is similar to the Stax basic amps.
How about the SR-4004732 Signature Pro LE Nova Classic MKIII with the SRM-2507S MKII Kevin Gilmore Blue Hawaii?
SRM-006t:
SRM- 313 old version:
The 727 is a local feedback version of the 717. The 727 has a current source, the 717 has a resistor. Otherwise virtually identical.
The 727 runs the output stage at higher power.
The kgss and the 717 are similar amplifiers. (4 stage amplifiers)
The kgsshv and the 727 are similar amplifiers except the kgsshv uses global feedback. (4 stage amplifiers)
If people want it, the next revision of the kgsshv boards will have the local/global feedback option.
Personally i like the sound of the global feedback version better.
The 313 and 323 are 3 stage amplifiers. Same or similar to all the transportables (srmXh,srm151,srm252)
There are the 2 ac coupled single power supply amps, sr-001 and srm300
the srm-t1, t1s and 006t are virtually identical. (solid state/tube hybrid)
the 007 has twice the number of output tubes and runs the output stage at twice the power. (solid state/tube hybrid)
The T2 is a tube/solid state/tube hybrid.
The BH and BHSE are essentially the T2 output stage with the kgss input stage configured for 800 volts.
First SRA1-8 amps were all classic tube units of varying complexity made in the 60's.
SRA-3S was the first deviation from this with a transistor front end and AC coupled tube output stage. Preamp and phono amp on plug in cards similar to the old ISA units used in PC's.
SRA-10S/12S were the first SS amps with a push pull front end and AC coupled outputstage. Run fully in Class A they get stinking hot and feature a nice regulated PSU for the low voltage circuit and a stacked PSU for the +640VDC B+. Similar plug in system as on the SRA-3S but now everything except the basic PSU is on plug in cards and the build quality is far better.
SRD-X was the first portable Stax amp and features an automotive chip amp driving a pair of transformers. Think Darkstar but with much better specs done in 1979....
SRM-1 Mk1 was pretty much the same circuit as the SRA-12S but turned on its head. Similar AC coupled output stage. I recently refurbished one of these and it is a nice little amp but the SRA-12S is better over all.
SRM-1 Mk2 is where things get tricky since there are so many variations of it. The first ones were some weird Mk1/Mk2 hybrid though fully DC coupled but later units are much more similar to the current crop of Stax amps like the 313. Now the amps are fully balanced from input to output though most only have RCA inputs.
SRA-14S is pretty much the SRM-1 Mk2 circuit but turned on its head. Better parts and some tweaks but most of the price difference is spent on the preamp capability.
SRM-3 is just a SRM-Xh with a full size power supply. It even uses the same circuit boards.
SRM-600LTD is the same basic circuit as the T1/006t but modified to take the ECC99 tube.
Still though, the Lambda Signatures were one of the nicest sounding headphones I've heard, but only with selected music. With chamber music, baroque pieces or female vocals, they are so smooth. They don't fare well with large scale pieces like orchestral music or electronic music. They get muddied in the bottom end and don't have much bass anyway and if memory serves, they can get a little sharp in the upper mids(?)
How about the SR-4004732 Signature Pro LE Nova Classic MKIII with the SRM-2507S MKII Kevin Gilmore Blue Hawaii?