Hi all, just posted a review of the Sennheiser IE200 on The Headphoneer. Compared it to quite a few IEMs too
https://www.headphoneer.com/sennheiser-ie200-review/
https://www.headphoneer.com/sennheiser-ie200-review/
Would you pick the a306 over the a55 with MrWalkman?So hard to pick, as I tend to bounce around quite a bit, but if I was forced to choose just one to keep, and get rid of the rest, I'd probably choose the Sony A306, if only because of it's size and overall customization ability, followed ever so closely by the WM1A and DX170 a tight and close second?
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This morning's setup with EA1000 and BTR7.
These IEMs provide impressive sonic detail, offer good isolation even outdoors, and are comfortable even for long sessions.
Certainly one of my best purchases.
I am having a similar morning. I am having a coffee at my desk where I do my listening, also went with the EA1000 but have it paired with a Schiit Magni Unity w/ internal DAC module. I agree, the EA1000 was a great purchase and always manages to impress.
This morning's setup with EA1000 and BTR7.
These IEMs provide impressive sonic detail, offer good isolation even outdoors, and are comfortable even for long sessions.
Certainly one of my best purchases.
I'm also getting Quattro vibesTotally agree. I like those faceplates they showed off late last year better than the ones they recently posted. The recent ones are kind of a knockoff of the Aroma Jewel.
That really makes sense and I could have expected such an answer but to tell the truth my ears are not analytical enough and if I have to spend 5-10 minutes changing filter/foam I'd probably have forgotten what the other tuning sounds like.... I can hear some differences but I really need to be able to A/B them. So I guess I am mostly looking for some pointers. I know you mentioned the black ring nozzle from ea500 before and liked it so maybe the better question would be: do you know which filter/foam combination Simgot uses there? What is your favorite setup for the diy nozzles now?
I did mainly buy the set for the longer nozzles, not too much for playing with the different options.
Taking my recent IEM: the CCA Trio. What it does really well is the spacing, separation, and imaging. That would come in technical beast side of things? Then i would want that too. It adds to my enjoyment of the musical iem through that. Without those traits, Trio is just another iem, that needs a FC6 type dongle to sound lusher and full-bodied. But with that (with or without FC6 type dac), I fully appreciate what it offers. I have been pleasantly surprised by its treble (shimmery but without the jar ache) and i can tone it down with the switch. Would that (treble) skill come in technical side of things? In Trio's case, as I see it, its the tech beast side of it that makes it a (budget) jewel.Just a quick question to all. How often would you take a musical/euphonic sounding IEM over a technical beast?
What factors will contribute to a good balance between them?
Are we using the Same nozzle filter? I am using the Red one and S15 has bigger stage, better technicalities and finishing definition.S15 is smoother and warmer sounding than MP145, I am sensetive to the metallic planar timbre that is almost gone on S15 but its still there on MP145. This make MP145 sound a little unreal and artificial.
MP145 Comfort is not good for me due to both angle of the nozzle and sharp edges on the shell, to position it well the bottom sharp edge digs into my ear.
Technicalities is very close to the same imo.
Soundstage is the only place where MP145 is better than S15, to me sound very large and wide.
Price is the biggest deciding factor, few would want to pay the double to get S15. Also many dislike the design.
Hidisz is also a questionable brand to me, due to honesty.
S15 sound more natural in the stage, agree there. MP145 sounded very wide to me, but again soundstage is very dependent on ear anatomy. Bass quantity sounded very close to the same, just that the upper energy of MP145 making it more V shaped. Can't remember the filters I used, understand many like it. Even though it was not for me.Are we using the Same nozzle filter? I am using the Red one and S15 has bigger stage, better technicalities and finishing definition.
MP145 is tall but isn't that good with its width or Z axis presence.
Without the Red Nozzle filter, MP145 is nothing like the S15. Its a lot more v shaped and bass is unnatural.
Well, this is how we started in 1993. It's not exactly a bunker rave, but it was under a city tunnel rave.Bunker rave? That's a new one for me.