I suspect that most audiophiles aren't too concerned with truth, evidence, proof, etc. I see the same thing with other hobbies, and it probably just comes down to human nature, but these issues do seem to be intensified with audio, perhaps because there's a combo of (a) the lure of sonic nirvana being so strong and (b) our perception of sound being so inconsistent and fallible.
I would add the most important/influential part of that "combo": And (c) the industry that makes and sells audiophile equipment. - This is the most important part of that combo because the "truth, evidence, proof, etc." provides little/no opportunity for expensive, boutique products and therefore "truth, evidence, proof, etc." has to be contradicted, misrepresented and discredited. This financial incentive results in significant marketing budgets to convince audiophiles not be too concerned with truth, evidence, proof, etc., while there is no financial benefit/incentive and therefore no marketing budgets available to counter all this marketing BS!! To the casual audiophile observer, this marketing BS is the ONLY truth/evidence/proof they ever come across, except very occasionally for a few crazy conspiracy theorists armed with nothing more than nonsense graphs and made-up tests which are therefore banned in the real audiophile forums!!
[1] Now go and play in your studio with CDs - after you've made sure you've got nothing there that could possibly respond to anything outside 20-20k band,
[2] everything runs at 2VRMS or higher, but limited say below 150VRMS, you've found the way for a perfectly resistive piece of wire to act as a loudspeaker - and so on and so forth.
[3] Because you ( as a group ) - ALWAYS - choose "conviniently" to ignore anything outside your extremely idealistic narrow minded view that could cause a chink in your armor .
[4] Well, those camels are in a shock of their lifetime
1. That's a nonsense statement because I've tested and am sure that lot's of things respond to content outside the 20-20k band. How does that make any difference though, as human ears are NOT one of those things?
2. Yep, all my mics run between 2VRMS and 150VRMS, so do all the electric guitars, synths and headphones I use in my studio <extreme sarcasm>! Where do you get all this utter nonsense, do you just completely make it up yourself or is there some audiophile nonsense database you use?
3. Thanks for demonstrating EXACTLY what I stated in my last response to you! You've again just completely inverted the actual facts. It's extremely "convenient" just to sit in front of an expensive box and proclaim a "night and day" difference, while it's very inconvenient to properly test and measure that box. Instead of just spouting complete nonsense and insulting me (as a group), why don't you do the inconvenient thing and learn some actual facts??!!
4. Yes, yes, the end of the world is nigh; And the lord shall raineth down vinyl disks and wax cylinders upon all the world's foul unbelievers, bla, bla bla. I think I get your user name now!
G