Quote:
Originally Posted by fsma /img/forum/go_quote.gif
You didnt comment on whether they can stand up to the bass monsters that closed cup design produces.
|
I never worked an SFI into a closed cup design. I've never yet met a closed headphone that I got on very well with so it was never going to happen. It's also a dreadful idea to work on getting sick mad bass to the detriment of the rest of the sound.
Quote:
Originally Posted by fsma /img/forum/go_quote.gif
Oh, and duggeh, guaranteed, if you use right channel contact on the 3.5mm for signal and left channel contact for return on your balanced xlr cable, you will notice an improvement in sound quality. small contact point for signal and huge one for return == unbalanced signal transfer.
|
That sounds like complete bumchutney to me, the difference in size is negligable and is completely irrelivent given the other contact points involved anyway.
Quote:
Originally Posted by BoilermakerFan /img/forum/go_quote.gif
Ok, I would like to just make sure I understand. From the top pic with the dynamat surrounding the SFI, you did NOT add a second layer over the SFI driver. You only added a layer of speaker grill cloth and the mesh grill from the original DR50s, correct?
|
Correct. Originally there was various arrangments of electrical tape. Theres also less of the covering fabric from the back of the driver than there is when the drivers are new because removing the tape tore it off.
Quote:
Originally Posted by BoilermakerFan /img/forum/go_quote.gif
And as fsma asked, how does the bass of those SFI fosterphones compare to HP-50s/HP-3/YH-3s that you have auditioned and were the Yamaha phones bass heavy or bass light?
|
I haven't heard the HP-3 or the YH-3 (unless you allude to identical drivers). And it has been a significant length of time since I owned the HP-50a, and I didn't own it for much more than a few weeks. It would be inadvisable for me to offer any kind of signifiant comment in reply to your question.
Quote:
I have bass heavy Yh-3s (with the crinkle in both ears when they're put on or moved) and I'll be dampening them to Ludo's standard bass heavy scheme shortly so I'd like a baseline of what to shoot for with my attempt at an open back SFI headphone in a custom cup to hang from a Grado headband or my Kenwood headband. |
I can't help you here either. I don't know the YH-3. What I can say to you by way of SFI advice is seal the earcup. Seal it, and then seal it some more, use a design that puts pressure around the ears (a Grado headband is going to be most inadvisable for this), it not need be to HD280 crusher levels, but have it there. Then add 10%, get that pad-head interface sealed. Then after youve done that. Go over it all again and find where theres any air connection and seal it.
I'm entirely satisfied with the bass performance of the Orthodome #4, and I find the K1000 unsatisfactory in this regard. It's as comfortable with t.A.T.u as it is with Soriah or the THX disc. Proper, planar bass with lots of getting the note right and none of the whammy slap wobble of most moving-coils. If you want impact whack and slam that makes your earlobes wobble, don't follow this design. If you want extension, tonal accuracy and the avoidance of "closed-in" sound which is an inevitable consequence of damping the **** out of the drivers, give it a try.
My aim in this project was to build an ortho which did its best to break the standard rules (it had to be circumnaural, it had to have an accurate headstage and a spacious but not inflated soundstage, it had to have bass extension and presence, and it had to avoid holes in the frequency response or that awful non-shimmering but fatiguing treble you get with some damping solutions).
I've succeeded, I think. Prolonged listening over the next weeks (I have less time than I'd like at the minute with university ending soon and the work piled up in my "In" tray) will lead to firmer conclusions. I'd be happy to tour them out once I've moved back home.
Amplification solution employed makes a difference. I can't run these happily out of the BT switch headphone socket, or much more happily from the headphone output on my NAD amp. It has to be direct to the speaker taps for me. Odd that because while it's hardly the last word in performance, its most satisfactory from the headphone output of an ipod touch.
-edit-
I'm looking forward to trying them from my new power amp, once I get it finished. Moar powa!
-edit-
I've done the closed thing (or at least, an approximation of it) by sealing the borehole in the wood with the pad of my hands. I can see what you mean by this bassy SFI headphone. The bass isn't changing though, its just creating a huge HF rolloff. Sounds bassier at first certainly, but then you notice that all the decay on cymbal strokes is missing and that everything has gone all claustraphobic, like the guitar is being played in a small room with duvets on the walls (listening to Guitars by Mike Oldfield). Its that sound that all closed headphones I've owned have had in some measure and I greatly dislike it.