Sachu, welcome, as I used to say, to our little corner of the madness. Great score on the YH-100; they haven't gone for that little since 2006. You must've found 'em locally. Tell us where you live so we can all move there, since obviously there's a rich pocket of Orthodynamics in the area.
The YH-100 is a challenge because it improves so much at first that you think you're done, but no, there's just a little more improvement you know you can get from it, so you go get some new superdense felt you've discovered and pop it open again, and sure enough, it's even better than before, so you think you're done, but no....
The better a headphone becomes, the easier it becomes to hear the flaws. Once you fix those, a bunch of smaller flaws show up. Anyone who's tried to restore an old negative in a photo-editing suite knows how this works all too well. The flaws all have sub-flaws, and on it goes. Other headphones give you a clear indication that they're done improving (some, like the run-of-the-mill PMB-built orthos, tell you this right away). The YH-100 keeps leading you on.
Unless you have highly trained ears or a lot of excellent headphones for comparison, you'll be chasing your own ongoing ear-education with the YH-100. It's that good and that maddening.
That's been my experience, anyway, and I think others will agree.
If it were easy to work on, this wouldn't be a problem, but Mario Bellini didn't make it easy. I'm still waiting for the headphone with the hinged baffle and flip-out driver.
Don't let this put you off. You're going to have fun. It's always fun when a mechanism responds clearly and unambiguously to the care you give it.