vid
Headphoneus Supremus
- Joined
- Jan 5, 2005
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- 130
The freq response by Tyll for the Sigma doesn't inspire much confidence, though - not only is it wonky, it looks like there may be issues with ringing starting as early as 1 kHz.
...... and I think I am the only person on earth who Does Not see any significant sound stage improvement with the HD800.
Haha, those sure look like carrots!
It's worth a try. I split my earplugs in quarters axially. But that's in a stock T50RP shell; did not consider doing it this way as diffusers. Good call!
As a slight tangent - has it ever been proved that angling the drivers does actually increase soundstage?
It's a popular view, but I'm not really convinced.
Soundstage size seems more linked to the size of the ear pad chamber (the space created by the earpad, baffle and size of the head); the openness of the earpad or baffle (I guess reducing resonances in that chamber) and to an extent the frequency response (EQ down treble on a headphone and the soundstage seems to reduce in turn).
I've heard headphones with drivers zeroed on the ears (example - Alessandro MS1000 mod) that had quite impressive soundstage and headphones that angled driver that had really quite poor soundstage (example - LCD-2).
Headphones with the best soundstage (HD800, K70*) do angle drivers a bit, but also have huge expansive earpad chambers and are porous pads, the very best soundstaging headsets I've heard (Jecklin Float, K1000) had pretty much infinitely large earpad chambers... by not havigng earpads.
This isn't to say angling drivers severely like this won't increase soundstage, because the earpad chamber is being made substantially larger by that angling, but I remain unconvinced the angle does much in itself.
Not all of us can afford any Stax headphone. So having never heard one (or seen one in real life), I cannot bring it up.
But doesn't this come under the subject of driver angles? Aren't all headphones just a 'small room' around our ears?
re: diffusion vs reflection: One is simply the randomization of the other. Lots of little reflections over lots of different wavelengths in lots of directions rather than one unobstructed big one.
Binaural recordings only go so far. Fact of the matter is very few producers actually have a clue as to how to use the Neumann mike system to make a proper binaural recording. There is a lot of production that goes into a good binaural recording and at best I have heard about 10 that make the cut. Google the Stax Space Sound CD and get hold of it if you do not already have a copy.
Crossfeed, I have not yet heard a software implementation which impressed in the least. I think time is better spend with the above mentioned plug in or Longcats H3D, or 112db's Redline monitor. Of course when you start processing sound you start losing some details and latency becomes an issue.
I still think there is a purely acoustic solution to be had though
Hi all. My friend has a Yamaha HP-1 and i really like it. I'm wondering if the TDS-5 sound exactly the same except bass section (better) than the HP-1?