I am looking into Noble's sale at the moment, having been wowed by the Sage at a show I'm thinking of giving the Savant II (an evolution of the Savant/Sage) a spin. Hifiheadphones (hi!) made me doubt by running a 30% sale on everything Final for a couple of days. The D8000 went from £3000 to £2100, the E5000 was down to £153, and to my amazement the newly-launched B series was also a full 30% down for a while.
The prices have gone back to normal, but I'm still considering these for the future. I'm extremely keen on their looks. Also fit seems elaborate and secure, and that has become a real concern for me, I'm tired of spending my too-brief listening sessions fiddling with my ears instead of enjoying the music (one of the reasons for my interest in Noble).
The B2 isn't the one for me, I don't listen to symphonies or operas, or much live music at all, the sense of a huge stage is of no concern for my mostly studio-recorded music.
The B3 sounds like an upgrade on my Nuforce HEM8, a quintessentially BA monitor with the quickest decay I have ever heard, precision and fidelity galore but probably less musicality than Final's B3. I'm still not sure I'd enjoy the B3 so much, since I got the Nuforce I moved away from that type of tuning and towards more emotional, hefty, vibrant presentations.
Which is why the B1 interests me the most, but I already have great, impactful, detailed iems in the IMR R1 (and I'm expecting the R2 Aten).
@Dobrescu George already compared the B1 to the R1 if I'm not mistaken, perhaps he would venture further on that path? Not necessarily in terms of which one is better, rather how their signatures differ, or resemble, one another.
I'm into metal (black, death, doom) and trip-hop, with a lot of darker folk thrown in (think Chelsea Wolfe, Emma Ruth Rundle, Ioanna Gika). The B3 is fast, I get that, but is it hefty enough for metal? How do voices sound on the B1? Can you tell I'm eager for the reviews?