So I went through all of your suggestions (Mehran's and Deezel's waiting for tomorrow) and can't help feeling you're shortchanging yourself.
Assuming your admiration on one hand is because of fond memories of the movie, but on the other hand because of the quality of the compositions, performance, and how they suck you into the drama unfolding, I truly think there's a whole new dimension for you to be discovered.
What I am hearing in these pieces (without having the visual link to the movies nor the sentiment that comes with it) is that these are basically all orchestral pieces from the so called Romantic Era, but, for my ears, enriched with a hefty dose of cheesy-ness
and going way too fast in the build-up of the true drama unfolding. Not the drama in the movie, but the drama in the music. Taking the time to build up emotions through thorough composition and playfulness of instrument groups and vocalists adds a whole new level of understanding what the composer was trying to say and how the conductor thinks those feelings should be presented to the audience.
Knowing how you truly experience the music you are listening to I think there's a whole world waiting out there. There's literally hundreds of short and accessible classical pieces that do exactly what the soundtracks you linked to achieve, but they do it in such a way that you'll feel like you're sucked into a vortex, and then some. This, without any visuals, leaves the interpretation totally up to you, so you have near-total artistic freedom should you want to visualize. Compare reading a patient book with a movie that is in a hurry.
Will you get the drama upon first listen? No you won't... Nor during the 3rd or 5th listen. But when you start listening to a classical piece while you're doing some other things for 3-4-5 times until you start recognizing certain parts and start humming in tune
that is the sign that you're ready to actually sit down for the piece, shut off the world, and enjoy the drama unfolding. Needless to say with every follow-up session you prepare your emotions in anticipation of what you remember and take the hit harder, because we all
want to be moved.
I have left out excellent musicianship here, plus interpretations that vary depending on the conductor, the way these pieces are presented sonically, etcetera, as I think that is far less important than learning how to open your heart and soul for a new way of understanding. I'm not sure how experienced you are with classical music but I'm going to send you an illegal link to the piece I immediately had to think of during listening to your suggestions. Half an hour. Twice weekly. And the rest will be history...
drftr