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Graaah 16-bits' noise floor is too high and I can totally hear it. I will only buy 32-bit tracks from now on because 24-bit is flawed too.
Since we're specializing in the fracturing of open doors, I will add my minus 2 cts to the conversation.
44Khz/16bits is flawed and don't have enough low noise floor. Do the maths. If Redbook would have been something like 48Khz/20bit, CD would have been the perfect media for music for eternity...
For ur education red book is CDs... 96Db noise to signal ratio is not enough. 120db would have been. A n orchestra fortissimo is 120db...
I meant perfect media forever.
For the consumer for God sakes, mastering is another story.
Anywho, back on topic, is there any place where I can buy a new SRS-2170 for under $850 USD? I'm not too keen about buying used stuff.
While we're taking an excursion away from Stax specifics into music format arguments, I'll toss another spanner into the works...
There's a general feeling among many that vinyl sounds better than CD.
You're lucky to have 35 to 40 dB S/N ratio on a vinyl surface on all but the most exquisite audiophile pressings. There's a lot of harmonic and IM distortion inherent in the cutting / playback process - certainly upwards of 1%.
I think many are so used to these "analog artifacts" that hearing a CD without these vinyl-specific characteristics sounds "wrong" to them.
So I got my SRM-T1 today and it's HUGE! I honestly had no idea what I was getting into.
I heard the HEV70 sounds like a portable amp compared to other electrostatic amps, but I had no idea it looked like one compared to them too.
Even the cord was a beast in of itself!