Talking about releases, I am a big HIBY fanboy. I admit that
The R4 DAP gets more and more info, now English tweets are up. I was ready to buy the M300 as my everyday work and travel DAP, but this is much more tempting with 4.4mm and better DAC and Amp section.
2xx is probably 299, if so the pice for a Android DAP is excellent.
Man I was just talking to you about it. I discussed with Aur, they may look into the shipping thing for me. Really want the Aehta. Good thing is I will be able to listen to it in the first week of April in SG(Thanks to the brand for agreeing to meet me lol).
It was a little warmer than I had expected, based on early impressions from Japanese buyers, many of who described it as “cool”/“cold” and “hard”. But excessively warm and bass bleedy, no, not to my ears. It has a healthy amount of warmth, weight and decay backed by solid technicalities, all of which contributes to its largely natural timbre.
In addition to playing with the vents, try it with a graphene cable if you have one. It tightened up the bass and cleaned up too much decay and resonance for my tastes, but may do the trick for you.
Quite the opposite. I wrote that it cleaned up too much resonance and decay for my tastes. And so it is not an option for me, but may have the desired effect for someone with different preferences.
But you are right in that I do not find it excessively warm at all.
S15 sound more natural in the stage, agree there. MP145 sounded very wide to me, but again soundstage is very dependent on ear anatomy. Bass quantity sounded very close to the same, just that the upper energy of MP145 making it more V shaped. Can't remember the filters I used, understand many like it. Even though it was not for me.
It's a reason why S15 getting use every week and I gave away MP145
Filters have a big impact on the signature. It seems you had tried the Silver nozzle filter.
That's nothing like the S15. And with that, yes, S15 is not an upgrade to. They differ a lot. The stage is wider too but that timber is not natural and bass is lacking organic decay. Treble has S12 kind of energy and there, it annihilates the S15. S15 lacks upper treble energy but that's very good against the 145 with red filter.
So.. For the MP145, it's filters matter a lot.
There has been a lot of discussion about "Planar timbre" especially since such drivers have become more prevalent. I certainly have experienced "BA timbre" but have never found planar drivers to have unnatural tonality. As an example, via Xduoo X20 > Faaeal Hibiscus > KZ PR3, the timbre of the piano and guitar on this piece sounds very natural and accurate:
There has been a lot of discussion about "Planar timbre" especially since such drivers have become more prevalent. I certainly have experienced "BA timbre" but have never found planar drivers to have unnatural tonality. As an example, via Xduoo X20 > Faaeal Hibiscus > KZ PR3, the timbre of the piano and guitar on this piece sounds very natural and accurate:
Maybe you should try some string rather than Piano. Personally, timbral problems only rear their heads when I listen to music with sustained instruments (or voices).
Personally, I consider BA timbre a feature rather than a bug.
I like to think this IEM as a demonstration of my hearing loss that I will encounter in (hopefully not too near) future.
Their upper midrange and lower treble are less mild than the graph suggests, indicating that fit plays a very important role with these IEMs. On the coupler, these IEMs fit much deeper than how I can actually get them to seal on my ears.
Whining aside, I have to say that KiwiEars and Crinacle tuned these IEMs very well. The midrange is clean, clear, energetic, and correct. If I ignore the missing upper treble and focus on the midrange, I find that note definition is quite good. Dynamic is also undampened (maybe just psychoacoustic due to the constant bragging of KiwiEars about how these IEMs have no dampeners). If you can get good seal (e.g., using S&S tips as a fellow head-fier mentioned a few pages back or Divinus Velvet tips), these IEMs are quite okay.
Fun suggestion to KiwiEars: what if you extend the nozzle length and glue a Knowles super tweeter inside and do some wizardry like you have done so that it fills in strictly from around 10kHz up?
Family photo of Symphonium.
I'm not sure that valley around 10kHz is real or because of my clone coupler. If I eye ball the graph, it looks very similar to the official graph, but my 10kHz valley seems to be around 3dB to 5dB deeper. Anyhow, usual disclaimer: above 8kHz, it is not accurate. And even if the coupler is accurate, it's unlikely your ears would hear the same response due to how you fit the IEM.
Yes, they sound exactly like how they graph here. The divisive nature of Meteor comes from that dip at 5kHz. The "hollow" sensation of the bass of Helios is from that 250Hz gap. Crimson is essentially a retuned Helios with 1 step up in technical performance and many steps up in comfort.
Edit:
This is interesting. I knew I saw that response somewhere
Edit 2:
Oooh, interesting!
As usual, graphing the same only means these IEMs have a chance of having the same tonal balance and tonal colour of instruments. They generally do not paint the same sonic picture.
My A55 does have Mr Walkman and it's close, but I have to give the A306 props for having a wider stage than the A55 and a more transparent sound. The A55, even with Mr Walman mod, is still a tad bit darker (less treble extension) than the A306.
Talking about releases, I am a big HIBY fanboy. I admit that
The R4 DAP gets more and more info, now English tweets are up. I was ready to buy the M300 as my everyday work and travel DAP, but this is much more tempting with 4.4mm and better DAC and Amp section.
2xx is probably 299, if so the pice for a Android DAP is excellent.
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