Just as a side note, I think it's really strange that any IEM would be designed to be so low impedance and so sensitive. Most gear won't have power problems with IEM's, there's channel imbalance with pots at lower levels where you'd be more likely to be in, noise becomes an issue, you could accidentally blow them out much easier if you bump the volume knob, you're more limited in gear to stuff that has a really low output impedance as described (especially true with IEM's due to crossovers and varying impedances across the frequency spectrum when trying to get a proper damping factor and frequency response), and many amps become quite unstable/distorted/current-limited with loads even under 20 ohms.
Designing anything below 32 ohms is just a bad idea to me. Higher impedance headphones means you can use many more sources to greater success, as it is usually flaws in sources that cause most of the issues I've explained. If you're having that many noise issues, you could maybe try an impedance adapter - http://www.head-fi.org/t/601669/impedance-adapters-cables-explained-listed/45 - or something like Heir Audio's Tzar series IEM's with impedances of 90 or 350 ohms.