Wualta said his pro 50 sounded terrible, as well. Who knows why or how.
I went digging a few years back, but never saw a pro 50 without passive radiators, and never saw a k 250 without sound ports. It's possible the pro 50 was a way for akg to clear sextett stock, given they were introducing the sound ports as well in the late '70s when the pro 50 popped up. They typically did a new cup design for their rebadges, which was the case here as well. Why they used this cup for the k 250 is unknown, as is the reason for the k 250 having akg's name absolutely nowhere on them (except maybe on the headband, I forget) despite them being branded as akg on the box. The k 250 might be a re-rebadge of the pro 50 with the new sound ports of the time, but I'd also note the fact that the difference between the k 250 and the k 241 - more neutral bass for the k 250 and more emphasized for the k 241, but otherwise almost the same - is the same as between the df and monitor. In that way, the k 250 may be a deliberate design (maybe experimental) on akg's part to offer a more 'neutral' counterpart for the k 241, same as what they had with the df/monitor duo.