shipsupt
Headphoneus Supremus
- Joined
- Nov 22, 2010
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I thought I'd share day one with the 1350 for me as it was pretty interesting...
Wow. Where do I start. I have been up and down a roller coaster today/tonight! I'll try to bring you along on the journey... Remember that this process took hours!!!
I listened most of the day (when I wasn't stuck in meetings, work always gets in the way of audio!) using my iPad-CLAS-ALO MKII rig. My impression was that these things are just too flat sounding for me. The bass extension is there, but simply no impact. How are they getting these rave reviews? After being quite excited about these headphones, I'm left pretty unimpressed at the end of the work day.
Fast forward to getting home... Ok, let me get off the portable and use the Gilmore Lite for comparisons between the HD-25 and the 1350... Same impression. Flat. Uninspired. Non-musical. 25 hands down is better sounding to my ears. Maybe I'll just return them and get a second pair of 25's. Am I seriously thinking of sending back a pair of headphones after one day of listening??
Give 'em more time... let your ears adjust... Hey, I know this track, and it is not enjoyable at all... what gives? In a random effort to try everything I start adjusting position all over the place and then I press the cups hard against my ears. Wait! What was that? They just came to life... But how do I keep them like that...
I settle in for some straight 1350 listening, no more back and forth with the 25's. Each time I press the cups down hard on my ears I hear something I like, but I don't get it when I just let them ride on my ears... How do I keep THAT sound.
I read Tyl's review again. Are we listening to the same headphones? I shift to impressions in this thread. I start at the first post and work my way through. (forgive my paraphrasing posters impressions here if they are not entirely accurate) A few folks are finding them bass shy... yeah, I'd say that's what I am hearing. Maybe I just don't have the audiophile ear... Then a few posters say that position is critical and start describing how they position the headphones on their head. Split the headband, really split it like 90 degrees. Rotate the whole thing forward so the forward band is almost on the forehead. Come on, really? Of course, I do it. Wait, what's that I'm hearing? Here comes the bass. Things are filling in. I'm on to something. I read more about how folks are adjusting and how it's critical to get the bass to fill in, to get rid of the flat sound. I adjust the cups up a few clicks and this provides some more clamping pressure with the odd forward rotated 90 degree split rig. I must look silly... but, but, there it is. These things just filled in and there is BASS! Not slamming bass, but there is some impact, proper full, controlled, deep, detailed bass. THIS is how these things should sound. Back to those reference tracks... there it is... now I'm hearing it. Night and day. Still a more laid back sound vs. the 25, but now we are talking!!
So, now they are out in the living room burning in on the G-Lite (for whatever that will be worth). And I'll give them another go tomorrow using the new found critical listening position. I'm expecting a much better impression.
Wow, I was close to packing these things up! I'm already glad I stuck it out.
Let me say this... even when bass shy these things do amazing things for vocals. So natural sounding. With bass... things should get really interesting.
Assuming I have found the "secret", there are questions that remain for me:
1. Do I want a pair of portables that are so critical of position and seal? I mean, they are not IEM's right? This may be due to my particular head shape, but the 25's just slap on my head and sound really good...
2. Will the heavy clamping and odd position required for good sound make them uncomfortable to wear for any real duration? I like having a portable like this to mix things up at work with my customs... but the beauty should be that they are off and on my head with minimal fuss.
3. Will the sound grow on me to a point where I will put up with some finicky fit issues in order to enjoy the quality?
4. Tyl didn't mention any of these position/fit issues... Is my head just not compatible?
It was a frustrating but eventually rewarding day. I'll post up again when I've had some more time. And thanks to those early posters who shared the details about getting the position correct, what a great help you were to me today!
Wow. Where do I start. I have been up and down a roller coaster today/tonight! I'll try to bring you along on the journey... Remember that this process took hours!!!
I listened most of the day (when I wasn't stuck in meetings, work always gets in the way of audio!) using my iPad-CLAS-ALO MKII rig. My impression was that these things are just too flat sounding for me. The bass extension is there, but simply no impact. How are they getting these rave reviews? After being quite excited about these headphones, I'm left pretty unimpressed at the end of the work day.
Fast forward to getting home... Ok, let me get off the portable and use the Gilmore Lite for comparisons between the HD-25 and the 1350... Same impression. Flat. Uninspired. Non-musical. 25 hands down is better sounding to my ears. Maybe I'll just return them and get a second pair of 25's. Am I seriously thinking of sending back a pair of headphones after one day of listening??
Give 'em more time... let your ears adjust... Hey, I know this track, and it is not enjoyable at all... what gives? In a random effort to try everything I start adjusting position all over the place and then I press the cups hard against my ears. Wait! What was that? They just came to life... But how do I keep them like that...
I settle in for some straight 1350 listening, no more back and forth with the 25's. Each time I press the cups down hard on my ears I hear something I like, but I don't get it when I just let them ride on my ears... How do I keep THAT sound.
I read Tyl's review again. Are we listening to the same headphones? I shift to impressions in this thread. I start at the first post and work my way through. (forgive my paraphrasing posters impressions here if they are not entirely accurate) A few folks are finding them bass shy... yeah, I'd say that's what I am hearing. Maybe I just don't have the audiophile ear... Then a few posters say that position is critical and start describing how they position the headphones on their head. Split the headband, really split it like 90 degrees. Rotate the whole thing forward so the forward band is almost on the forehead. Come on, really? Of course, I do it. Wait, what's that I'm hearing? Here comes the bass. Things are filling in. I'm on to something. I read more about how folks are adjusting and how it's critical to get the bass to fill in, to get rid of the flat sound. I adjust the cups up a few clicks and this provides some more clamping pressure with the odd forward rotated 90 degree split rig. I must look silly... but, but, there it is. These things just filled in and there is BASS! Not slamming bass, but there is some impact, proper full, controlled, deep, detailed bass. THIS is how these things should sound. Back to those reference tracks... there it is... now I'm hearing it. Night and day. Still a more laid back sound vs. the 25, but now we are talking!!
So, now they are out in the living room burning in on the G-Lite (for whatever that will be worth). And I'll give them another go tomorrow using the new found critical listening position. I'm expecting a much better impression.
Wow, I was close to packing these things up! I'm already glad I stuck it out.
Let me say this... even when bass shy these things do amazing things for vocals. So natural sounding. With bass... things should get really interesting.
Assuming I have found the "secret", there are questions that remain for me:
1. Do I want a pair of portables that are so critical of position and seal? I mean, they are not IEM's right? This may be due to my particular head shape, but the 25's just slap on my head and sound really good...
2. Will the heavy clamping and odd position required for good sound make them uncomfortable to wear for any real duration? I like having a portable like this to mix things up at work with my customs... but the beauty should be that they are off and on my head with minimal fuss.
3. Will the sound grow on me to a point where I will put up with some finicky fit issues in order to enjoy the quality?
4. Tyl didn't mention any of these position/fit issues... Is my head just not compatible?
It was a frustrating but eventually rewarding day. I'll post up again when I've had some more time. And thanks to those early posters who shared the details about getting the position correct, what a great help you were to me today!