ctsooner22
1000+ Head-Fier
Oh and thanks to Nic I now know when my posts light. Thank you to everyone for liking any of my posts in the past. Too funny
Empire Ears - Discussion & Impressions (Formerly EarWerkz)
- Thread starter Jack Vang
- Start date
gman292
New Head-Fier
So after spending several hours at can jam and a couple trips to the EE booth. I settled on the ESR. While the Phantom sounded incredible, I could not justify spending the money and felt the ESR gave a nice price performance ratio for people looking for a nice neutral sound. Tried the Legend X and Bravado, but did not like the hybrid design as much. Bass was a little too boosted for my tastes. It's going to a long 3 to 4 weeks.
FlySweep
Headphoneus Supremus
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I'd appreciate more thoughts on the ESR, if you had any. I'm in the same boat as you.. would love to buy the Phantom, but spending that much on an IEM isn't in the cards for me. I'm also a big fan of the Spartan, so I'd love to hear how the ESR compare, if possible.
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Great to see so many folks enjoying both Empire line-ups at CanJam! The more impressions the better, and I’ll be posting my own of all seven IEMs - plus comparisons between the new flagships and the venerable Zeus-XR - on both THL and Head-Fi within the next few hours. Stay tuned! 
gman292
New Head-Fier
Unfortunately I have not heard the Spartan before so I cannot comment on how it compares to the ESR. The ESR struck me as a good jack of all trades master of none iem. It will do a good job with a wide variety of genres, but at the same time did not feel like any particular frequency band stood out against the others. The treble had good extension. I thought the bass was accurate, maybe could have used a little boost by a couple db.
Originally, I was drawn to the EVR because it had a warm sound signature that really brought out vocals and guitars, after longer listening I gravitated more towards the ESR and felt it was a nice compliment to my elears. I hope that helped a little. Maybe one of the more seasoned guys can give more info.
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None of us have heard them. You're our best shot LOL
Kerouac
Headphoneus Supremus
First of all, after I read this former post from you it took me a minute to think about this part: ''If you see me rolling around (I will stand out as I use a rollator to get around. It's a silver walker with wheels. Silver and Black.) please come up and say hi. It's Pete. I'll be taking plenty of rest stops as I get tired easily with the MS, lol.'' All I can say is that I have a lot of respect for you Pete!!! When life gives you (a bag full of) lemmons, because MS is just a terrible disease, which essentiallty breaks down the body / nerve system. I can only admire the fact that you still go out there grabbing life by the balls and keeping a positive attitude (which shines through in your posts) in the meantime. If I had been at CJ and had a hat, I would certainly have took it off to you sir!
Many of us here (and I'm one of those) are blessed with some very nice audio gear, but let's never forget that our health is one of the biggest (next to family & friends) treasures in life!
Now back to audio: congrats on your Phantom purchase! But you also got me really curious (used materials, pricetag) about that EA prototype cable
And regarding daps + Phantom synergy. I agree that the Phantom sounds very good from totl daps like the AK380Cu and LPG. But I can also assure all you out there, that maybe can't afford a dap like that, that the Phantom also already sounded amazing from the (approx $300) Opus #1.
I also gave that combination quite some listening time when I had the prototype on a loan here and enjoyed it a lot
Btw, @twister6: thanks for posting the 'already classic by now' pictures
I hope all you guys will also have a great time at CJ today.
Cheers!
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13candles
100+ Head-Fier
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First of all, after I read this former post from you it took me a minute to think about this part: ''If you see me rolling around (I will stand out as I use a rollator to get around. It's a silver walker with wheels. Silver and Black.) please come up and say hi. It's Pete. I'll be taking plenty of rest stops as I get tired easily with the MS, lol.'' All I can say is that I have a lot of respect for you Pete!!! When life gives you (a bag full of) lemmons, because MS is just a terrible disease, which essentiallty breaks down the body / nerve system. I can only admire the fact that you still go out there grabbing life by the balls and keeping a positive attitude (which shines through in your posts) in the meantime. If I had been at CJ and had a hat, I would certainly have took it off to you sir!
Many of us here (and I'm one of those) are blessed with some very nice audio gear, but let's never forget that our health is one of the biggest (next to family & friends) treasures in life!
Now back to audio: congrats on your Phantom purchase! But you also got me really curious (used materials, pricetag) about that EA prototype cable
And regarding daps + Phantom synergy. I agree that the Phantom sounds very good from totl daps like the AK380Cu and LPG. But I can also assure all you out there, that maybe can't afford a dap like that, that the Phantom also already sounded amazing from the (approx $300) Opus #1.
I also gave that combination quite some listening time when I had the prototype on a loan here and enjoyed it a lot
Btw, @twister6: thanks for posting the 'already classic by now' pictures
I hope all you guys will also have a great time at CJ today.
Cheers!
@ctsooner22 , after reading what Erik has just posted , I would like to say i find your strength utterly humbling and much respect to you.... Indeed; good health and friends and family are the most important which also brings to mind last week where I chanced upon a couple of friends at one of our local audio cafes .
We were there to try out EE's latest offerings but ended up talking and laughing more than actual listening ! Needless to say, I had a good time catching up with them even though at the expense of some audio time but seriously; I'll choose mingling with my friends/family over audio gear any time ...
Having said that ; I do wish to convey the fact that the Phantom is really nice. The short time I had with it was enough to convince me that it was the most unique amongst all the rest. It was unexpectedly rich and decadent in a nice way . And this was out off my Samsung Note5. Which goes to show how easily driven it is .
My TL, DR; would be that if i was out wanting my very first custom IEM which could be easily driven and a "total package" this would be it .
Cheers fellas
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The ESR is similar but quite different than the Spartans. The ESR has a bit more bass on the universals whereas the Spartans are leaner. The ESR has the more accurate timbre but at the price it depends on your preference. I personally feel that the Spartans are less sibilant given the same recording but it might just be the recording itself
Empire Ears’ EP & X Launch Event @ Euphoria Audio: A New Era
New year, new gear… or so the saying goes. Just like any other consumer-driven industry, the audio scene is bolstered by an ever-shifting landscape, whether it be refinements of current standards, tributes to old classics or conceptions of entirely new breeds. Empire Ears – an in-ear manufacturer based in Atlanta, Georgia – has the courage to try all three. Drawing inspiration from both their past and present releases, the venerable company is unveiling two new line-ups for Q1 of 2018: The EP line for professional use, and the X line consisting entirely of hybrid IEMs. I was recently invited to their Singaporean launch event at Euphoria Audio – co-hosted by Effect Audio’s Zou Suyang and Eric Chong – where I got to talk to Empire Ears’ Vice President, Jack Vang, and audition all seven models he brought to the show.
What’s New Under the Hood?
Jack kicked the night off by talking about the core principles and unifying themes that led his team throughout long years of R&D, as well as the myriad of technological advancements present in all of the new releases. Reflecting on the massive success of their 14-driver flagship – the Zeus – and how much attention it received compared to the rest of the line-up, Empire Ears decided to develop a whole new stable of products where driver count and product hierarchy no longer mattered. Despite significant variances in sound signature, both EP and X line-ups deliver consistent technical performance; no matter the model. Qualities such as bass extension, background blackness, stage cleanliness and midrange resolution remained uncompromised all the way through; creating two of the most upstanding product lines I’ve personally ever heard.
And, that can be attributed to their shared technological DNA. Empire Ears developed several innovative features for use in both EP and X line-ups, including:
The Empire Professional – or EP – line-up was conceived with the audio professional in mind. Whether it’s in the studio or on stage, the following three IEMs were purpose-built to serve as reference monitors within their respective divisions. These IEMs were designed with inputs from several Grammy-Award-winning producers, while the flagship Phantom was specifically co-designed by none other than THL’s very own Nic Flinkenflögel (AKA Flinkenick).
Please note that all of the following prices are in Singaporean dollars.
Empire Vocal Reference (S$888)
As the name suggests, the EVR is an IEM with an especial focus towards midrange presentation – namely, vocal clarity and intimacy. Those of you who’ve read my Vision Ears round-up would recall these exact terms used to describe the VE5, and the comparison is well-deserved. The EVR and the VE5 share several similarities, including a wide-span and wall-like midrange, paired with a generous upper-treble lift for sparkle and air. The EVR – as a result – has a noticeable tinge of brightness imbued into its instruments, but a fuller lower-midrange compensates for this to a sufficient degree.
While the VE5 doubles down on midrange transparency – compromising with a leaner, articulation-heavy presentation in the process – the EVR gives vocal weight its due. A linear lower-treble maintains smoothness and tonal coherency, while the upper-treble lift cleans and aerates the entire stage. Despite the brighter tone, bass timbre is impressive. Following a trend that will slowly become more and more apparent as the article progresses, the EVR displays excellent low-end extension and definition. It exhibits great delineation and minimal bloom with slight hints of richness. creating a pleasing bass response that adds a necessary element of fun into the IEM’s sonic palate.
Empire Studio Reference (S$1188)
The ESR is the closest of the three to the classic definition of neutral. Serving up equal quantities of bass, midrange and treble, it is a spiritual successor to monitors like the Ultimate Ears Reference Monitor and Empire Ears’ very own Spartan-IV – showcasing minimal colour and excellent malleability. Bolstered by a clean stage and excellent imaging, the ESR is surgical in its ability to probe any recording you throw at it. However, its greatest achievement is how it accomplishes this whilst sacrificing neither smoothness nor tone.
By relying on qualities like stage organisation, bidirectional extension, and background blackness, the ESR achieves great transparency with neither unsightly peaks in its top-end nor tinniness in its midrange. Instead, a slight bump in the upper bass endows vocals and instruments alike with sufficient warmth, and a slight lower-treble peak is all it requires for articulation. Confidently balancing speed, clarity and detail with smoothness, ease and finesse, the ESR is a worthy competitor in the reference IEM market – deftly manifesting the sweet spot between analysis and euphony.
Phantom (S$2699)
The Phantom is the flagship of the Empire Professional line. And yet, uncharacteristically, it was purpose-built for a singular aim. While the rest of the TOTL market strive for infinite detail, eye-watering clarity and limitless stages, the Phantom lets a single group of like-minded elements take precedent over them all: Naturalness, realism and organicity.
The Phantom tackles the sensibilites of a flagship piece without resorting to ubiquitous tropes; no upper-treble peak for clarity, no superfluous mid-bass bump, no lower-midrange attenuation, etc. The Phantom emphasises lesser-known elements, such as linearity, textural resolution, natural decay and timbral richness, to present music in the most life-like – and thus, uncoloured – way possible; a sincere representation of the recording. But, experiencing the Phantom doesn’t come without its own set of sonic quandaries : “What does uncoloured – or ultimately, natural – music sound like?” and “Do I want to hear my music this way?”
Timbre and body define the Phantom’s overall presentation. Sporting a marvellously linear neutral-natural tone, the Phantom mesmerises with well-defined and full-bodied notes spread throughout its pitch-black stage. Listeners who’d enjoy thin, crisp and transient-heavy strikes should look elsewhere; the Phantom relishes in thick, gossamer overtones to manifest its buttery-smooth resolution. This isn’t a clarity-led presentation, as has become the norm over the past decade; this is a sound that’s all about colour, tone and texture. Notes aren’t as clean as they are fibrous, and instruments don’t float on air as much as air itself bends around them.
A pronounced bass response forms the foundation of the Phantom’s bodied notes. Bold, syrupy and thick, its low-end emanates a beautifully natural tone. And yet, outstanding extension endows it with marvelous sub-bass activity; displaying low-end clarity and transparency with ease. The midrange follows suit with gorgeous dynamic range. Drawing warmth from both the bass and the lower-midrange, the Phantom’s vocal presentation is a living, breathing organism. Exhibiting outstanding power, exceptional definition and palpable depth, the Phantom’s midrange is skillful sleight-of-hand; manifesting itself as a whole, well-developed and singular soundscape, while all it really is is an extremely intelligent sum of its parts.
Treble is a similarly well-cooked endeavour. Extension and linearity both impress, crafting a treble that’s rounded, articulate and – most of all – smooth. While those who enjoy a sparkly, lively and razzle dazzle top-end might find the Phantom too smooth, there’s a unique pleasure that comes from relishing in a gentle, delicate and textured treble response; akin to a fuzzy silky sweater rather than a gruff leather jacket. Though alarms could be raised against the upper-treble’s lack of peaks, outstanding extension produces details galore – regardless of its warmth – and enriches the midrange with beautiful texture. The Phantom’s top-end is its philosophy in a nutshell; elegant, easy and unassuming, yet marvellously complex and technically sublime underneath.
The X line-up represents Empire Ears’s maiden voyage into the realm of hybrid IEMs. Implementing their very own proprietary 9mm dynamic driver – dubbed the Weapon IX – these monitors are defined by exceptionally unique bass responses; masterfully balancing raw power, epic scale and sumptuous warmth with effortless control, immense focus and marvellous finesse. As a result, all four monitors share a strong sense of musicality, albeit in varying degrees. And yet, despite discrepancies in overall signature, these IEMs consistently display excellent technical performance across the board; from the ultra-promising entry-level unit, all the way to the mighty flagship.
Please note that all of the following prices are in Singaporean dollars.
Bravado (S$788)
The Bravado is the X-line-up’s entry-level model, and – as I teased in the introductory paragraph – one of my absolute favourites from the entire show; regardless of price. Sporting excellent tonal balance from top to bottom, the Bravado shines in its ability to produce gobs of dynamic energy with exceptional headroom and exquisite smoothness. Reminiscent of IEMs like the Lime Ears Aether or the Vision Ears VE8, the Bravado pairs solid, punchy notes with brilliant volumes of air. As a result, the Bravado exudes openness and ease without resorting to an excessive treble peak; maintaining organicity and warmth in its timbre. Bodied notes offset the Bravado’s articulative energy – balancing naturalness and transparency with ease.
A forwardly-placed vocal range contributes to the Bravado’s allure, benefitting from an upper-mid peak for clarity in articulation. A slight lift in the extreme upper-treble is responsible for the Bravado’s openness and air, but a linear treble response – as well as tastefulness in the lift – maintains excellent smoothness; endowing the Bravado with an energetic-yet-forgiving sense of sparkle. Bass frequencies are extremely well-controlled and linearly extended. Although the Bravado isn’t as chestily impactful as its older brothers, it still boasts a low-end that’s punchy, visceral and beautifullytextured. The Bravado is an exceptional IEM, price tag notwithstanding. But, when you take its value into consideration, it truly is a revolutionary piece – bringing a dense, engaging and soulful sound into the mid-tier market. Bravo.
Vantage (S$1788)
Coming off of the Bravado, the Vantage is a vastly different IEM. Although it maintains a similar sense of immediacy and energy, the Vantage takes a slower approach to things – tackling the classic fun signature with a warm, pillowy, audiophile twist. The Bravado’s upper-mid peak continues here, collaborating with an admirably extended treble to create a clean and well-organised stage. This is especially important given the extra Weapon IX driver installed within the Vantage. This addition is responsible for the Vantage’s warmth, endowing its upper-bass with a voluminous and atmospheric bloom. Although none of this bleeds into the lower-midrange – maintaining the Bravado’s excellent clarity – it enriches vocals and instruments alike with a palpable heft and an organic timbre.
This weight is why the Vantage gets away with a mildly v-shaped signature. The IEM’s midrange takes on a more neutral stance, while a decadent low-end and a smooth, rounded treble occupy centre-stage. But, despite what may seem like a transient-heavy presentation, the Vantage relishes in overtones to create an easygoing and breezy stage. The upper-bass bloom benefits the low-end and the midrange, endowing both with an effortlessly natural tone, while treble notes cut through without any tinniness or artificiality. The lower-midrange has a light dip, but it allows cleanliness to counterbalance the IEM’s richer undertones. The Vantage is an IEM defined by its melodious charm. It’s the smoothest of the line, doubling down on a rich bass response to balance against its smooth, well-rounded articulation – creating a warm, audiophile-inclined signature that just so happens to have a thick, juicy low-end up its sleeve.
Nemesis (S$2388)
The Nemesis is a product that harkens back to the Empire Ears house sound, embodying the clarity-led sound signatures of their Olympus line-up. Evoking the Bravado’s thrilling energy and tonal balance, the Nemesis takes advantage of a jaw-rocking bass and a crisp, crystalline treble to create an exciting and – most of all – clear presentation. However, one shouldn’t mistake the Nemesis for a v-shaped monitor either. Excellent balance and linearity throughout the midrange endows vocals and instruments alike with palpable body. Although vocal placement still leans towards the neutral side, midrange definition is never compromised – using note weight and body to invoke genuine textural resolution. A lower-treble peak and a further extended treble also improves upon the Bravado’s soundscape, reducing overall stage warmth for boosts in stability. This added articulation does make the Nemesis less forgiving, easygoing and natural than the Bravado, but the former’s marvellous headroom compensates for this admirably.
The Nemesis also elevates the synX cross-over into an 8-way configuration (compared to the Vantage's 5) with two Weapon IX drivers - numbers not far off those of the flagship Legend X. As a result, the two share somewhat similar bass responses; particularly in physicality, texture, focus and tone. A slight sub-bass emphasis encourages a visceral grit throughout the low-end, while a wetter mid-bass complements this solidity with a dynamic, bombastic thump. The two drivers – in unison – combine to produce unprecedented waves of pure energy; turning feeble low-end frequencies into physical, concrete punches to the chest; a truly unique experience. And even so, none of these slams ever bleed into the midrange. The Nemesis and the Legend X portray the Weapon IX drivers at their best, with unprecedented delineation, exceptional discipline and a pure, concentrated central focus. Well-defined upper-bass melodies spread throughout the stage, while sub-and-mid-bass jabs never tread beyond the middle; headroom, space and cleanliness galore.
Legend X (S$3499)
The Legend X is the pinnacle of Empire Ears’ recent technological and acoustical efforts. Putting together two Weapon IX dynamic and five proprietary balanced-armature drivers through a 10-way synX cross-over, the Legend X epitomises no-holds-barred. And, in performance, it certainly deserves its flagship status. Truly, the Legend X is as much a product of innovation, as it is a product of cultivation. Integrating an outrageously visceral bass response, a transparent Zeus-R-esque midrange and an impressively extended treble, the Legend X is a culmination of ideals in every sense of the phrase. Although its purposeful tuning isn’t the most organic or versatile kind – that’s more the Phantom’s forte – the Legend X’s outstanding technical performance gifts it more versatility than its driver configuration suggests. This is no ordinary basshead flagship IEM; this is a masterclass in doing basshead right.
Integration and balance are the Legend X’s most exceptional attributes. Instead of resorting to volume or frequency redistribution to optimise tonal balance, the Legend X takes advantage of its wide stage, organisation and low-end control; creating an exceptionally disciplined soundscape where every instrument gets its due. But, nevertheless, this flagship’s bass is an absolute joy to behold. Manifesting itself in the form of powerful, centrally-focused slams, the Legend X’s low-end showcases both a commanding presence and amazing delineation at the same time. Present in all other X-series IEMs as well, Jack explained to me that concerted efforts went into eliminating all sense of reverb or fuzz from the low-end. And, as evidenced here, those efforts clearly proved their value. Decay and tone both contribute to this as well. Speed is some of the fastest I’ve heard from a dynamic driver – let alone two – and the darker bass tone creates a wonderful contrast against the clear and airy vocal range just above. This is truly a marvellous, speaker-like bass that’ll prove challenging to beat in the years to come.
The midrange and treble evoke Empire Ears’ very own Zeus-R, but the X comes with twists of its own. Vocal presentation is very much neutral – favouring the bass in forwardness – with a warmth that emanates from a well-balanced lower midrange. Excellent linearity from the upper-midrange onwards produces great balance between transparency and smoothness. Rectifying the Zeus’s slightly uneven treble, the Legend X displays significant improvements in headroom, decay and coherency. Cymbals sound crystal clear without offence, evenly expressed from the fundamental transient all the way to the last harmonic. Although it must be emphasised that the bass still takes precedence in the overall presentation when it does kick, both the Legend X’s midrange and treble are absolutely nothing to scoff at. Showcasing best-in-class transparency, clarity and smoothness, the Legend X pushes the boundaries of the basshead epithet; an outrageously fun and sophisticated monitor from top to bottom.
Empire Ears Zeus-XR vs. Empire Ears Phantom
Despite commonalities present in the midrange (particularly that of the Zeus-XIV), the Phantom and the Zeus are more different than they are alike.
A significantly accentuated bass response and an infinitely more linear treble furthers the former from the latter’s more neutral tone. While the Zeus excels in displaying crystalline transparency and sparkly resolution, the Phantom has the more natural response; defining notes with body, colour and tone – rather than articulation or clarity. The latter’s warmer and more guttural bass response immediately rectifies one of the Zeus’s most glaring weaknesses. Compromising neither tone, nor transparency nor clarity, the Phantom presents a more extended, even-handed, physical and technically-capable low-end that the Zeus struggles to attain.
The midrange is where the two are most similar. Emphasising boldness, strength and solidity in vocals and instruments alike, both flagships display an affinity towards the intimacy and soulfulness of the human voice. The Zeus has a tendency the sound throatier, however, due to its heavier lower-midrange. And, a peak in the lower-treble brings articulation (particularly in hotter recordings) to dangerous – i.e. near sibilant – heights. The Phantom, in this regard, is considerably smoother and more linear. A less brittle top-end endows vocals with a more organic timbre, favouring emotional warmth rather than ultimate clarity.
The treble then, conversely, is where the two TOTLs diverge. Due to peaks in both the lower-and-upper-treble, the Zeus’s top-end embodies a more neutral character as well as a hardness in texture. The Phantom, here, is less theatric; emphasising richness and tone above all. Superior linearity also gives the Phantom a blacker background than the Zeus; necessary for its warmer timbre. Though, stellar extension allows the Phantom to compete with the Zeus in terms of resolution, and where they stand on transparency will ultimately depend on whether you prefer a more clarity-led signature or a textured one.
Empire Ears Zeus-XR vs. Empire Ears Legend X
The Legend X bears a closer resemblance to the Zeus-R than it does the XIV. Reprising the 14-driver flagship’s brilliant clarity and crispness, the Legend X presents a similarly clean stage; extending outwards in terms of width, especially. But, with two Weapon IX dynamic drivers in its arsenal, the two flagships can’t possibly sound identical.
And, speaking to this, let’s start at the bass. Or – as the Legend X puts it – the BASS! The new flagship has a low-end the Zeus simply cannot touch. Apart from vast differences in sheer magnitude, the Legend X embodies a different genre of bass when compared to the Zeus-R. The former serves low-end in mild portions, prioritising the cleanliness of its stage as well as its perceived transparency. The Legend X – on the other hand – adds a physical, visceral and powerful low-end into the mix, balancing transparency all along the way. Marvellous control allows for this compromise to exist as optimally as possible, allowing the Legend X a wetter, meatier and clearer bass without sacrificing overall clarity in the process.
The midrange is a much closer contest between the two TOTLs. Both the Zeus-R and the Legend X don a balanced midrange – linear from the lower registers towards the upper regions. Instruments on the Legend X sound wider and more spacious, because of a welcome boost in headroom. The Zeus-R has a more aggressive bite to its instruments – due to a sharper lower-treble – and tone is more neutral as a result. Cleanliness and transparency are on par between the two, but the Legend X has the blacker background – again – contributed by its linear top-end. Vocal placement on both IEMs lean towards average, with the Legend X’s bass and the Zeus-R’s treble taking precedence. All in all, the midrange is where both flagships share the most DNA; neutral in mind and clear at heart.
The treble is where the Legend X flaunts its maturity. Building upon the Zeus-R’s crystalline top-end, the hybrid flagship smoothens out its predecessor’s peaks – maintaining clarity, transparency and tone, whilst providing a smoother, more pleasurable listening experience along the way. The Zeus-R has the more prominent response, whilst the Legend X lets it take the back seat in favour of the bass. Though, that does not mean the latter is darker or warmer than the former. Through improved extension and air, the Legend X realises clarity and sparkle just as well, but it does so with a greater sense of finesse. Exhibiting great progress in smoothness, coherency and even-handedness, the Legend X’s top-end is a clear technical improvement, even if the bass still steals the spotlight.
With both the EP and X line-ups, Empire Ears have struck gold. All seven IEMs provide an excellent variety of signatures and maintain consistent technical performance. Whether the Bravado or the ESR, elements like extension, definition and background blackness remain within reach of their bigger brothers – proving that entry-level compromise is a thing of the past. The Professional series inducts a new trilogy of IEMs into the reference hall-of-fame; handsomely catering to three distinct use-cases, whilst retaining enough musicality for all to enjoy. The X line is Empire Ears flexing their muscles; flaunting their very own 9mm dynamic drivers in four sumptuous flavours – exhibiting explosive bass and excellent technical performance in great harmony. Whether you’re a sound engineer or an audiophile looking for a bit of fun, there’s tons to love about all of Empire Ears’ new releases. As for me, this is a really exciting time to be both.
New year, new gear… or so the saying goes. Just like any other consumer-driven industry, the audio scene is bolstered by an ever-shifting landscape, whether it be refinements of current standards, tributes to old classics or conceptions of entirely new breeds. Empire Ears – an in-ear manufacturer based in Atlanta, Georgia – has the courage to try all three. Drawing inspiration from both their past and present releases, the venerable company is unveiling two new line-ups for Q1 of 2018: The EP line for professional use, and the X line consisting entirely of hybrid IEMs. I was recently invited to their Singaporean launch event at Euphoria Audio – co-hosted by Effect Audio’s Zou Suyang and Eric Chong – where I got to talk to Empire Ears’ Vice President, Jack Vang, and audition all seven models he brought to the show.
What’s New Under the Hood?
Jack kicked the night off by talking about the core principles and unifying themes that led his team throughout long years of R&D, as well as the myriad of technological advancements present in all of the new releases. Reflecting on the massive success of their 14-driver flagship – the Zeus – and how much attention it received compared to the rest of the line-up, Empire Ears decided to develop a whole new stable of products where driver count and product hierarchy no longer mattered. Despite significant variances in sound signature, both EP and X line-ups deliver consistent technical performance; no matter the model. Qualities such as bass extension, background blackness, stage cleanliness and midrange resolution remained uncompromised all the way through; creating two of the most upstanding product lines I’ve personally ever heard.
And, that can be attributed to their shared technological DNA. Empire Ears developed several innovative features for use in both EP and X line-ups, including:
- A.R.C. (Anti-Resonance Compound) technology: A damping material developed in-house at Empire Ears. Applied to each and every one of the IEM’s components (including the drivers, cross-over networks and shells), the material aims to reduce physical vibrations and noise – alleviating acoustic distortion.
- synX cross-over system: An innovative approach towards cross-over implementation, dedicating a cross-over path to each and every driver for improved frequency control and reduced distortion. This technology may also apply additional cross-over points in order to control phase; essentially deciding when each driver fires so a coherent waveform is produced at the ear.
- Effect Audio wiring: In collaboration with the Singaporean cable manufacturer, dynamic drivers within each X IEM will use Effect Audio’s Litz internal wiring – yielding optimum conductivity and sound quality. All seven IEMs will also come stock with Effect Audio’s award-winning, copper Litz Ares II cable, in both balanced and unbalanced connector configurations.
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The Empire Professional Line-Up
The Empire Professional – or EP – line-up was conceived with the audio professional in mind. Whether it’s in the studio or on stage, the following three IEMs were purpose-built to serve as reference monitors within their respective divisions. These IEMs were designed with inputs from several Grammy-Award-winning producers, while the flagship Phantom was specifically co-designed by none other than THL’s very own Nic Flinkenflögel (AKA Flinkenick).
Please note that all of the following prices are in Singaporean dollars.
Empire Vocal Reference (S$888)
As the name suggests, the EVR is an IEM with an especial focus towards midrange presentation – namely, vocal clarity and intimacy. Those of you who’ve read my Vision Ears round-up would recall these exact terms used to describe the VE5, and the comparison is well-deserved. The EVR and the VE5 share several similarities, including a wide-span and wall-like midrange, paired with a generous upper-treble lift for sparkle and air. The EVR – as a result – has a noticeable tinge of brightness imbued into its instruments, but a fuller lower-midrange compensates for this to a sufficient degree.
While the VE5 doubles down on midrange transparency – compromising with a leaner, articulation-heavy presentation in the process – the EVR gives vocal weight its due. A linear lower-treble maintains smoothness and tonal coherency, while the upper-treble lift cleans and aerates the entire stage. Despite the brighter tone, bass timbre is impressive. Following a trend that will slowly become more and more apparent as the article progresses, the EVR displays excellent low-end extension and definition. It exhibits great delineation and minimal bloom with slight hints of richness. creating a pleasing bass response that adds a necessary element of fun into the IEM’s sonic palate.
Empire Studio Reference (S$1188)
The ESR is the closest of the three to the classic definition of neutral. Serving up equal quantities of bass, midrange and treble, it is a spiritual successor to monitors like the Ultimate Ears Reference Monitor and Empire Ears’ very own Spartan-IV – showcasing minimal colour and excellent malleability. Bolstered by a clean stage and excellent imaging, the ESR is surgical in its ability to probe any recording you throw at it. However, its greatest achievement is how it accomplishes this whilst sacrificing neither smoothness nor tone.
By relying on qualities like stage organisation, bidirectional extension, and background blackness, the ESR achieves great transparency with neither unsightly peaks in its top-end nor tinniness in its midrange. Instead, a slight bump in the upper bass endows vocals and instruments alike with sufficient warmth, and a slight lower-treble peak is all it requires for articulation. Confidently balancing speed, clarity and detail with smoothness, ease and finesse, the ESR is a worthy competitor in the reference IEM market – deftly manifesting the sweet spot between analysis and euphony.
Phantom (S$2699)
The Phantom is the flagship of the Empire Professional line. And yet, uncharacteristically, it was purpose-built for a singular aim. While the rest of the TOTL market strive for infinite detail, eye-watering clarity and limitless stages, the Phantom lets a single group of like-minded elements take precedent over them all: Naturalness, realism and organicity.
The Phantom tackles the sensibilites of a flagship piece without resorting to ubiquitous tropes; no upper-treble peak for clarity, no superfluous mid-bass bump, no lower-midrange attenuation, etc. The Phantom emphasises lesser-known elements, such as linearity, textural resolution, natural decay and timbral richness, to present music in the most life-like – and thus, uncoloured – way possible; a sincere representation of the recording. But, experiencing the Phantom doesn’t come without its own set of sonic quandaries : “What does uncoloured – or ultimately, natural – music sound like?” and “Do I want to hear my music this way?”
Timbre and body define the Phantom’s overall presentation. Sporting a marvellously linear neutral-natural tone, the Phantom mesmerises with well-defined and full-bodied notes spread throughout its pitch-black stage. Listeners who’d enjoy thin, crisp and transient-heavy strikes should look elsewhere; the Phantom relishes in thick, gossamer overtones to manifest its buttery-smooth resolution. This isn’t a clarity-led presentation, as has become the norm over the past decade; this is a sound that’s all about colour, tone and texture. Notes aren’t as clean as they are fibrous, and instruments don’t float on air as much as air itself bends around them.
A pronounced bass response forms the foundation of the Phantom’s bodied notes. Bold, syrupy and thick, its low-end emanates a beautifully natural tone. And yet, outstanding extension endows it with marvelous sub-bass activity; displaying low-end clarity and transparency with ease. The midrange follows suit with gorgeous dynamic range. Drawing warmth from both the bass and the lower-midrange, the Phantom’s vocal presentation is a living, breathing organism. Exhibiting outstanding power, exceptional definition and palpable depth, the Phantom’s midrange is skillful sleight-of-hand; manifesting itself as a whole, well-developed and singular soundscape, while all it really is is an extremely intelligent sum of its parts.
Treble is a similarly well-cooked endeavour. Extension and linearity both impress, crafting a treble that’s rounded, articulate and – most of all – smooth. While those who enjoy a sparkly, lively and razzle dazzle top-end might find the Phantom too smooth, there’s a unique pleasure that comes from relishing in a gentle, delicate and textured treble response; akin to a fuzzy silky sweater rather than a gruff leather jacket. Though alarms could be raised against the upper-treble’s lack of peaks, outstanding extension produces details galore – regardless of its warmth – and enriches the midrange with beautiful texture. The Phantom’s top-end is its philosophy in a nutshell; elegant, easy and unassuming, yet marvellously complex and technically sublime underneath.
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The X Line-Up
The X line-up represents Empire Ears’s maiden voyage into the realm of hybrid IEMs. Implementing their very own proprietary 9mm dynamic driver – dubbed the Weapon IX – these monitors are defined by exceptionally unique bass responses; masterfully balancing raw power, epic scale and sumptuous warmth with effortless control, immense focus and marvellous finesse. As a result, all four monitors share a strong sense of musicality, albeit in varying degrees. And yet, despite discrepancies in overall signature, these IEMs consistently display excellent technical performance across the board; from the ultra-promising entry-level unit, all the way to the mighty flagship.
Please note that all of the following prices are in Singaporean dollars.
Bravado (S$788)
The Bravado is the X-line-up’s entry-level model, and – as I teased in the introductory paragraph – one of my absolute favourites from the entire show; regardless of price. Sporting excellent tonal balance from top to bottom, the Bravado shines in its ability to produce gobs of dynamic energy with exceptional headroom and exquisite smoothness. Reminiscent of IEMs like the Lime Ears Aether or the Vision Ears VE8, the Bravado pairs solid, punchy notes with brilliant volumes of air. As a result, the Bravado exudes openness and ease without resorting to an excessive treble peak; maintaining organicity and warmth in its timbre. Bodied notes offset the Bravado’s articulative energy – balancing naturalness and transparency with ease.
A forwardly-placed vocal range contributes to the Bravado’s allure, benefitting from an upper-mid peak for clarity in articulation. A slight lift in the extreme upper-treble is responsible for the Bravado’s openness and air, but a linear treble response – as well as tastefulness in the lift – maintains excellent smoothness; endowing the Bravado with an energetic-yet-forgiving sense of sparkle. Bass frequencies are extremely well-controlled and linearly extended. Although the Bravado isn’t as chestily impactful as its older brothers, it still boasts a low-end that’s punchy, visceral and beautifullytextured. The Bravado is an exceptional IEM, price tag notwithstanding. But, when you take its value into consideration, it truly is a revolutionary piece – bringing a dense, engaging and soulful sound into the mid-tier market. Bravo.
Vantage (S$1788)
Coming off of the Bravado, the Vantage is a vastly different IEM. Although it maintains a similar sense of immediacy and energy, the Vantage takes a slower approach to things – tackling the classic fun signature with a warm, pillowy, audiophile twist. The Bravado’s upper-mid peak continues here, collaborating with an admirably extended treble to create a clean and well-organised stage. This is especially important given the extra Weapon IX driver installed within the Vantage. This addition is responsible for the Vantage’s warmth, endowing its upper-bass with a voluminous and atmospheric bloom. Although none of this bleeds into the lower-midrange – maintaining the Bravado’s excellent clarity – it enriches vocals and instruments alike with a palpable heft and an organic timbre.
This weight is why the Vantage gets away with a mildly v-shaped signature. The IEM’s midrange takes on a more neutral stance, while a decadent low-end and a smooth, rounded treble occupy centre-stage. But, despite what may seem like a transient-heavy presentation, the Vantage relishes in overtones to create an easygoing and breezy stage. The upper-bass bloom benefits the low-end and the midrange, endowing both with an effortlessly natural tone, while treble notes cut through without any tinniness or artificiality. The lower-midrange has a light dip, but it allows cleanliness to counterbalance the IEM’s richer undertones. The Vantage is an IEM defined by its melodious charm. It’s the smoothest of the line, doubling down on a rich bass response to balance against its smooth, well-rounded articulation – creating a warm, audiophile-inclined signature that just so happens to have a thick, juicy low-end up its sleeve.
Nemesis (S$2388)
The Nemesis is a product that harkens back to the Empire Ears house sound, embodying the clarity-led sound signatures of their Olympus line-up. Evoking the Bravado’s thrilling energy and tonal balance, the Nemesis takes advantage of a jaw-rocking bass and a crisp, crystalline treble to create an exciting and – most of all – clear presentation. However, one shouldn’t mistake the Nemesis for a v-shaped monitor either. Excellent balance and linearity throughout the midrange endows vocals and instruments alike with palpable body. Although vocal placement still leans towards the neutral side, midrange definition is never compromised – using note weight and body to invoke genuine textural resolution. A lower-treble peak and a further extended treble also improves upon the Bravado’s soundscape, reducing overall stage warmth for boosts in stability. This added articulation does make the Nemesis less forgiving, easygoing and natural than the Bravado, but the former’s marvellous headroom compensates for this admirably.
The Nemesis also elevates the synX cross-over into an 8-way configuration (compared to the Vantage's 5) with two Weapon IX drivers - numbers not far off those of the flagship Legend X. As a result, the two share somewhat similar bass responses; particularly in physicality, texture, focus and tone. A slight sub-bass emphasis encourages a visceral grit throughout the low-end, while a wetter mid-bass complements this solidity with a dynamic, bombastic thump. The two drivers – in unison – combine to produce unprecedented waves of pure energy; turning feeble low-end frequencies into physical, concrete punches to the chest; a truly unique experience. And even so, none of these slams ever bleed into the midrange. The Nemesis and the Legend X portray the Weapon IX drivers at their best, with unprecedented delineation, exceptional discipline and a pure, concentrated central focus. Well-defined upper-bass melodies spread throughout the stage, while sub-and-mid-bass jabs never tread beyond the middle; headroom, space and cleanliness galore.
Legend X (S$3499)
The Legend X is the pinnacle of Empire Ears’ recent technological and acoustical efforts. Putting together two Weapon IX dynamic and five proprietary balanced-armature drivers through a 10-way synX cross-over, the Legend X epitomises no-holds-barred. And, in performance, it certainly deserves its flagship status. Truly, the Legend X is as much a product of innovation, as it is a product of cultivation. Integrating an outrageously visceral bass response, a transparent Zeus-R-esque midrange and an impressively extended treble, the Legend X is a culmination of ideals in every sense of the phrase. Although its purposeful tuning isn’t the most organic or versatile kind – that’s more the Phantom’s forte – the Legend X’s outstanding technical performance gifts it more versatility than its driver configuration suggests. This is no ordinary basshead flagship IEM; this is a masterclass in doing basshead right.
Integration and balance are the Legend X’s most exceptional attributes. Instead of resorting to volume or frequency redistribution to optimise tonal balance, the Legend X takes advantage of its wide stage, organisation and low-end control; creating an exceptionally disciplined soundscape where every instrument gets its due. But, nevertheless, this flagship’s bass is an absolute joy to behold. Manifesting itself in the form of powerful, centrally-focused slams, the Legend X’s low-end showcases both a commanding presence and amazing delineation at the same time. Present in all other X-series IEMs as well, Jack explained to me that concerted efforts went into eliminating all sense of reverb or fuzz from the low-end. And, as evidenced here, those efforts clearly proved their value. Decay and tone both contribute to this as well. Speed is some of the fastest I’ve heard from a dynamic driver – let alone two – and the darker bass tone creates a wonderful contrast against the clear and airy vocal range just above. This is truly a marvellous, speaker-like bass that’ll prove challenging to beat in the years to come.
The midrange and treble evoke Empire Ears’ very own Zeus-R, but the X comes with twists of its own. Vocal presentation is very much neutral – favouring the bass in forwardness – with a warmth that emanates from a well-balanced lower midrange. Excellent linearity from the upper-midrange onwards produces great balance between transparency and smoothness. Rectifying the Zeus’s slightly uneven treble, the Legend X displays significant improvements in headroom, decay and coherency. Cymbals sound crystal clear without offence, evenly expressed from the fundamental transient all the way to the last harmonic. Although it must be emphasised that the bass still takes precedence in the overall presentation when it does kick, both the Legend X’s midrange and treble are absolutely nothing to scoff at. Showcasing best-in-class transparency, clarity and smoothness, the Legend X pushes the boundaries of the basshead epithet; an outrageously fun and sophisticated monitor from top to bottom.
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Select Comparisons
Empire Ears Zeus-XR vs. Empire Ears Phantom
Despite commonalities present in the midrange (particularly that of the Zeus-XIV), the Phantom and the Zeus are more different than they are alike.
A significantly accentuated bass response and an infinitely more linear treble furthers the former from the latter’s more neutral tone. While the Zeus excels in displaying crystalline transparency and sparkly resolution, the Phantom has the more natural response; defining notes with body, colour and tone – rather than articulation or clarity. The latter’s warmer and more guttural bass response immediately rectifies one of the Zeus’s most glaring weaknesses. Compromising neither tone, nor transparency nor clarity, the Phantom presents a more extended, even-handed, physical and technically-capable low-end that the Zeus struggles to attain.
The midrange is where the two are most similar. Emphasising boldness, strength and solidity in vocals and instruments alike, both flagships display an affinity towards the intimacy and soulfulness of the human voice. The Zeus has a tendency the sound throatier, however, due to its heavier lower-midrange. And, a peak in the lower-treble brings articulation (particularly in hotter recordings) to dangerous – i.e. near sibilant – heights. The Phantom, in this regard, is considerably smoother and more linear. A less brittle top-end endows vocals with a more organic timbre, favouring emotional warmth rather than ultimate clarity.
The treble then, conversely, is where the two TOTLs diverge. Due to peaks in both the lower-and-upper-treble, the Zeus’s top-end embodies a more neutral character as well as a hardness in texture. The Phantom, here, is less theatric; emphasising richness and tone above all. Superior linearity also gives the Phantom a blacker background than the Zeus; necessary for its warmer timbre. Though, stellar extension allows the Phantom to compete with the Zeus in terms of resolution, and where they stand on transparency will ultimately depend on whether you prefer a more clarity-led signature or a textured one.
Empire Ears Zeus-XR vs. Empire Ears Legend X
The Legend X bears a closer resemblance to the Zeus-R than it does the XIV. Reprising the 14-driver flagship’s brilliant clarity and crispness, the Legend X presents a similarly clean stage; extending outwards in terms of width, especially. But, with two Weapon IX dynamic drivers in its arsenal, the two flagships can’t possibly sound identical.
And, speaking to this, let’s start at the bass. Or – as the Legend X puts it – the BASS! The new flagship has a low-end the Zeus simply cannot touch. Apart from vast differences in sheer magnitude, the Legend X embodies a different genre of bass when compared to the Zeus-R. The former serves low-end in mild portions, prioritising the cleanliness of its stage as well as its perceived transparency. The Legend X – on the other hand – adds a physical, visceral and powerful low-end into the mix, balancing transparency all along the way. Marvellous control allows for this compromise to exist as optimally as possible, allowing the Legend X a wetter, meatier and clearer bass without sacrificing overall clarity in the process.
The midrange is a much closer contest between the two TOTLs. Both the Zeus-R and the Legend X don a balanced midrange – linear from the lower registers towards the upper regions. Instruments on the Legend X sound wider and more spacious, because of a welcome boost in headroom. The Zeus-R has a more aggressive bite to its instruments – due to a sharper lower-treble – and tone is more neutral as a result. Cleanliness and transparency are on par between the two, but the Legend X has the blacker background – again – contributed by its linear top-end. Vocal placement on both IEMs lean towards average, with the Legend X’s bass and the Zeus-R’s treble taking precedence. All in all, the midrange is where both flagships share the most DNA; neutral in mind and clear at heart.
The treble is where the Legend X flaunts its maturity. Building upon the Zeus-R’s crystalline top-end, the hybrid flagship smoothens out its predecessor’s peaks – maintaining clarity, transparency and tone, whilst providing a smoother, more pleasurable listening experience along the way. The Zeus-R has the more prominent response, whilst the Legend X lets it take the back seat in favour of the bass. Though, that does not mean the latter is darker or warmer than the former. Through improved extension and air, the Legend X realises clarity and sparkle just as well, but it does so with a greater sense of finesse. Exhibiting great progress in smoothness, coherency and even-handedness, the Legend X’s top-end is a clear technical improvement, even if the bass still steals the spotlight.
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Closing Thoughts
With both the EP and X line-ups, Empire Ears have struck gold. All seven IEMs provide an excellent variety of signatures and maintain consistent technical performance. Whether the Bravado or the ESR, elements like extension, definition and background blackness remain within reach of their bigger brothers – proving that entry-level compromise is a thing of the past. The Professional series inducts a new trilogy of IEMs into the reference hall-of-fame; handsomely catering to three distinct use-cases, whilst retaining enough musicality for all to enjoy. The X line is Empire Ears flexing their muscles; flaunting their very own 9mm dynamic drivers in four sumptuous flavours – exhibiting explosive bass and excellent technical performance in great harmony. Whether you’re a sound engineer or an audiophile looking for a bit of fun, there’s tons to love about all of Empire Ears’ new releases. As for me, this is a really exciting time to be both.
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Kerouac
Headphoneus Supremus
Empire Ears’ EP & X Launch Event @ Euphoria Audio: A New Era
New year, new gear… or so the saying goes. Just like any other consumer-driven industry, the audio scene is bolstered by an ever-shifting landscape, whether it be refinements of current standards, tributes to old classics or conceptions of entirely new breeds. Empire Ears – an in-ear manufacturer based in Atlanta, Georgia – has the courage to try all three. Drawing inspiration from both their past and present releases, the venerable company is unveiling two new line-ups for Q1 of 2018: The EP line for professional use, and the X line consisting entirely of hybrid IEMs. I was recently invited to their Singaporean launch event at Euphoria Audio – co-hosted by Effect Audio’s Zou Suyang and Eric Chong – where I got to talk to Empire Ears’ Vice President, Jack Vang, and audition all seven models he brought to the show.
What’s New Under the Hood?
Jack kicked the night off by talking about the core principles and unifying themes that led his team throughout long years of R&D, as well as the myriad of technological advancements present in all of the new releases. Reflecting on the massive success of their 14-driver flagship – the Zeus – and how much attention it received compared to the rest of the line-up, Empire Ears decided to develop a whole new stable of products where driver count and product hierarchy no longer mattered. Despite significant variances in sound signature, both EP and X line-ups deliver consistent technical performance; no matter the model. Qualities such as bass extension, background blackness, stage cleanliness and midrange resolution remained uncompromised all the way through; creating two of the most upstanding product lines I’ve personally ever heard.
And, that can be attributed to their shared technological DNA. Empire Ears developed several innovative features for use in both EP and X line-ups, including:
- A.R.C. (Anti-Resonance Compound) technology: A damping material developed in-house at Empire Ears. Applied to each and every one of the IEM’s components (including the drivers, cross-over networks and shells), the material aims to reduce physical vibrations and noise – alleviating acoustic distortion.
- synX cross-over system: An innovative approach towards cross-over implementation, dedicating a cross-over path to each and every driver for improved frequency control and reduced distortion. This technology may also apply additional cross-over points in order to control phase; essentially deciding when each driver fires so a coherent waveform is produced at the ear.
By addressing noise and incoherency from both acoustical and electrical fronts, Empire Ears has established a foundation for present and future IEMs to be built upon – optimising a signal’s environment, so signatures of any kind can essentially become free reign.
- Effect Audio wiring: In collaboration with the Singaporean cable manufacturer, dynamic drivers within each X IEM will use Effect Audio’s Litz internal wiring – yielding optimum conductivity and sound quality. All seven IEMs will also come stock with Effect Audio’s award-winning, copper Litz Ares II cable, in both balanced and unbalanced connector configurations.
------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------The Empire Professional Line-Up
The Empire Professional – or EP – line-up was conceived with the audio professional in mind. Whether it’s in the studio or on stage, the following three IEMs were purpose-built to serve as reference monitors within their respective divisions. All three IEMs were designed with inputs from several Grammy-Award-winning producers, and the flagship Phantom was co-designed by none other than THL’s very own Nic Flinkenflögel (AKA Flinkenick).
Please note that all of the following prices are in Singaporean dollars.
Empire Studio Reference (S$888)
The ESR is the closest of the three to the classic definition of neutral. Serving up equal quantities of bass, midrange and treble, it is a spiritual successor to monitors like the Ultimate Ears Reference Monitor and Empire Ears’ very own Spartan-IV – showcasing minimal colour and excellent malleability. Bolstered by a clean stage and excellent imaging, the ESR is surgical in its ability to probe any recording you throw at it. However, its greatest achievement is how it accomplishes this whilst sacrificing neither smoothness nor tone.
By relying on qualities like stage organisation, bidirectional extension, and background blackness, the ESR achieves great transparency with neither unsightly peaks in its top-end nor tinniness in its midrange. Instead, a slight bump in the upper bass endows vocals and instruments alike with sufficient warmth, and a slight lower-treble peak is all it requires for articulation. Confidently balancing speed, clarity and detail with smoothness, ease and finesse, the ESR is a worthy competitor in the reference IEM market – deftly manifesting the sweet spot between analysis and euphony.
Empire Vocal Reference (S$1188)
As the name suggests, the EVR is an IEM with an especial focus towards midrange presentation – namely, vocal clarity and intimacy. Those of you who’ve read my Vision Ears round-up would recall these exact terms used to describe the VE5, and the comparison is well-deserved. The EVR and the VE5 share several similarities, including a wide-span and wall-like midrange, paired with a generous upper-treble lift for sparkle and air. The EVR – as a result – has a noticeable tinge of brightness imbued into its instruments, but a fuller lower-midrange compensates for this to a sufficient degree.
While the VE5 doubles down on midrange transparency – compromising with a leaner, articulation-heavy presentation in the process – the EVR gives vocal weight its due. A linear lower-treble maintains smoothness and tonal coherency, while the upper-treble lift cleans and aerates the entire stage. Despite the brighter tone, bass timbre is impressive. Following a trend that will slowly become more and more apparent as the article progresses, the EVR displays excellent low-end extension and definition. It exhibits great delineation and minimal bloom with slight hints of richness. creating a pleasing bass response that adds a necessary element of fun into the IEM’s sonic palate.
Phantom (S$2699)
The Phantom is the flagship of the Empire Professional line. And yet, uncharacteristically, it was purpose-built for a singular aim. While the rest of the TOTL market strive for infinite detail, eye-watering clarity and limitless stages, the Phantom lets a single group of like-minded elements take precedent over them all: Naturalness, realism and organicity.
The Phantom tackles the sensibilites of a flagship piece without resorting to ubiquitous tropes; no upper-treble peak for clarity, no superfluous mid-bass bump, no lower-midrange attenuation, etc. The Phantom emphasises lesser-known elements, such as linearity, textural resolution, natural decay and timbral richness, to present music in the most life-like – and thus, uncoloured – way possible; a sincere representation of the recording. But, experiencing the Phantom doesn’t come without its own set of sonic quandaries : “What does uncoloured – or ultimately, natural – music sound like?” and “Do I want to hear my music this way?”
Timbre and body define the Phantom’s overall presentation. Sporting a marvellously linear neutral-natural tone, the Phantom mesmerises with well-defined and full-bodied notes spread throughout its pitch-black stage. Listeners who’d enjoy thin, crisp and transient-heavy strikes should look elsewhere; the Phantom relishes in thick, gossamer overtones to manifest its buttery-smooth resolution. This isn’t a clarity-led presentation, as has become the norm over the past decade; this is a sound that’s all about colour, tone and texture. Notes aren’t as clean as they are fibrous, and instruments don’t float on air as much as air itself bends around them.
A pronounced bass response forms the foundation of the Phantom’s bodied notes. Bold, syrupy and thick, its low-end emanates a beautifully natural tone. And yet, outstanding extension endows it with marvelous sub-bass activity; displaying low-end clarity and transparency with ease. The midrange follows suit with gorgeous dynamic range. Drawing warmth from both the bass and the lower-midrange, the Phantom’s vocal presentation is a living, breathing organism. Exhibiting outstanding power, exceptional definition and palpable depth, the Phantom’s midrange is skillful sleight-of-hand; manifesting itself as a whole, well-developed and singular soundscape, while all it really is is an extremely intelligent sum of its parts.
Treble is a similarly well-cooked endeavour. Extension and linearity both impress, crafting a treble that’s rounded, articulate and – most of all – smooth. While those who enjoy a sparkly, lively and razzle dazzle top-end might find the Phantom too smooth, there’s a unique pleasure that comes from relishing in a gentle, delicate and textured treble response; akin to a fuzzy silky sweater rather than a gruff leather jacket. Though alarms could be raised against the upper-treble’s lack of peaks, outstanding extension produces details galore – regardless of its warmth – and enriches the midrange with beautiful texture. The Phantom’s top-end is its philosophy in a nutshell; elegant, easy and unassuming, yet marvellously complex and technically sublime underneath.
------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------The X Line-Up
The X line-up represents Empire Ears’s maiden voyage into the realm of hybrid IEMs. Implementing their very own proprietary 9mm dynamic driver – dubbed the Weapon IX – these monitors are defined by exceptionally unique bass responses; masterfully balancing raw power, epic scale and sumptuous warmth with effortless control, immense focus and marvellous finesse. As a result, all four monitors share a strong sense of musicality, albeit in varying degrees. And yet, despite discrepancies in overall signature, these IEMs consistently display excellent technical performance across the board; from the ultra-promising entry-level unit, all the way to the mighty flagship.
Please note that all of the following prices are in Singaporean dollars.
Bravado (S$788)
The Bravado is the X-line-up’s entry-level model, and – as I teased in the introductory paragraph – one of my absolute favourites from the entire show; regardless of price. Sporting excellent tonal balance from top to bottom, the Bravado shines in its ability to produce gobs of dynamic energy with exceptional headroom and exquisite smoothness. Reminiscent of IEMs like the Lime Ears Aether or the Vision Ears VE8, the Bravado pairs solid, punchy notes with brilliant volumes of air. As a result, the Bravado exudes openness and ease without resorting to an excessive treble peak; maintaining organicity and warmth in its timbre. Bodied notes offset the Bravado’s articulative energy – balancing naturalness and transparency with ease.
A forwardly-placed vocal range contributes to the Bravado’s allure, benefitting from an upper-mid peak for clarity in articulation. A slight lift in the extreme upper-treble is responsible for the Bravado’s openness and air, but a linear treble response – as well as tastefulness in the lift – maintains excellent smoothness; endowing the Bravado with an energetic-yet-forgiving sense of sparkle. Bass frequencies are extremely well-controlled and linearly extended. Although the Bravado isn’t as chestily impactful as its older brothers, it still boasts a low-end that’s punchy, visceral and beautifullytextured. The Bravado is an exceptional IEM, price tag notwithstanding. But, when you take its value into consideration, it truly is a revolutionary piece – bringing a dense, engaging and soulful sound into the mid-tier market. Bravo.
Vantage (S$1788)
Coming off of the Bravado, the Vantage is a vastly different IEM. Although it maintains a similar sense of immediacy and energy, the Vantage takes a slower approach to things – tackling the classic fun signature with a warm, pillowy, audiophile twist. The Bravado’s upper-mid peak continues here, collaborating with an admirably extended treble to create a clean and well-organised stage. This is especially important given the extra Weapon IX driver installed within the Vantage. This addition is responsible for the Vantage’s warmth, endowing its upper-bass with a voluminous and atmospheric bloom. Although none of this bleeds into the lower-midrange – maintaining the Bravado’s excellent clarity – it enriches vocals and instruments alike with a palpable heft and an organic timbre.
This weight is why the Vantage gets away with a mildly v-shaped signature. The IEM’s midrange takes on a more neutral stance, while a decadent low-end and a smooth, rounded treble occupy centre-stage. But, despite what may seem like a transient-heavy presentation, the Vantage relishes in overtones to create an easygoing and breezy stage. The upper-bass bloom benefits the low-end and the midrange, endowing both with an effortlessly natural tone, while treble notes cut through without any tinniness or artificiality. The lower-midrange has a light dip, but it allows cleanliness to counterbalance the IEM’s richer undertones. The Vantage is an IEM defined by its melodious charm. It’s the smoothest of the line, doubling down on a rich bass response to balance against its smooth, well-rounded articulation – creating a warm, audiophile-inclined signature that just so happens to have a thick, juicy low-end up its sleeve.
Nemesis (S$2388)
The Nemesis is a product that harkens back to the Empire Ears house sound, embodying the clarity-led sound signatures of their Olympus line-up. Evoking the Bravado’s thrilling energy and tonal balance, the Nemesis takes advantage of a jaw-rocking bass and a crisp, crystalline treble to create an exciting and – most of all – clear presentation. However, one shouldn’t mistake the Nemesis for a v-shaped monitor either. Excellent balance and linearity throughout the midrange endows vocals and instruments alike with palpable body. Although vocal placement still leans towards the neutral side, midrange definition is never compromised – using note weight and body to invoke genuine textural resolution. A lower-treble peak and a further extended treble also improves upon the Bravado’s soundscape, reducing overall stage warmth for boosts in stability. This added articulation does make the Nemesis less forgiving, easygoing and natural than the Bravado, but the former’s marvellous headroom compensates for this admirably.
The Nemesis is also the only other IEM in the line-up – besides the Legend X – to use a combination of two Weapon IX drivers and a 10-way synX crossover. As a result, the two share somewhat similar bass responses; particularly in physicality, texture, focus and tone. A slight sub-bass emphasis encourages a visceral grit throughout the low-end, while a wetter mid-bass complements this solidity with a dynamic, bombastic thump. The two drivers – in unison – combine to produce unprecedented waves of pure energy; turning feeble low-end frequencies into physical, concrete punches to the chest; a truly unique experience. And even so, none of these slams ever bleed into the midrange. The Nemesis and the Legend X portray the Weapon IX drivers at their best, with unprecedented delineation, exceptional discipline and a pure, concentrated central focus. Well-defined upper-bass melodies spread throughout the stage, while sub-and-mid-bass jabs never tread beyond the middle; headroom, space and cleanliness galore.
Legend X (S$3499)
The Legend X is the pinnacle of Empire Ears’ recent technological and acoustical efforts. Putting together two Weapon IX dynamic and five proprietary balanced-armature drivers through a 10-way synX cross-over, the Legend X epitomises no-holds-barred. And, in performance, it certainly deserves its flagship status. Truly, the Legend X is as much a product of innovation, as it is a product of cultivation. Integrating an outrageously visceral bass response, a transparent Zeus-R-esque midrange and an impressively extended treble, the Legend X is a culmination of ideals in every sense of the phrase. Although its purposeful tuning isn’t the most organic or versatile kind – that’s more the Phantom’s forte – the Legend X’s outstanding technical performance gifts it more versatility than its driver configuration suggests. This is no ordinary basshead flagship IEM; this is a masterclass in doing basshead right.
Integration and balance are the Legend X’s most exceptional attributes. Instead of resorting to volume or frequency redistribution to optimise tonal balance, the Legend X takes advantage of its wide stage, organisation and low-end control; creating an exceptionally disciplined soundscape where every instrument gets its due. But, nevertheless, this flagship’s bass is an absolute joy to behold. Manifesting itself in the form of powerful, centrally-focused slams, the Legend X’s low-end showcases both a commanding presence and amazing delineation at the same time. Present in all other X-series IEMs as well, Jack explained to me that concerted efforts went into eliminating all sense of reverb or fuzz from the low-end. And, as evidenced here, those efforts clearly proved their value. Decay and tone both contribute to this as well. Speed is some of the fastest I’ve heard from a dynamic driver – let alone two – and the darker bass tone creates a wonderful contrast against the clear and airy vocal range just above. This is truly a marvellous, speaker-like bass that’ll prove challenging to beat in the years to come.
The midrange and treble evoke Empire Ears’ very own Zeus-R, but the X comes with twists of its own. Vocal presentation is very much neutral – favouring the bass in forwardness – with a warmth that emanates from a well-balanced lower midrange. Excellent linearity from the upper-midrange onwards produces great balance between transparency and smoothness. Rectifying the Zeus’s slightly uneven treble, the Legend X displays significant improvements in headroom, decay and coherency. Cymbals sound crystal clear without offence, evenly expressed from the fundamental transient all the way to the last harmonic. Although it must be emphasised that the bass still takes precedence in the overall presentation when it does kick, both the Legend X’s midrange and treble are absolutely nothing to scoff at. Showcasing best-in-class transparency, clarity and smoothness, the Legend X pushes the boundaries of the basshead epithet; an outrageously fun and sophisticated monitor from top to bottom.
------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------Select Comparisons
Empire Ears Zeus-XR vs. Empire Ears Phantom
Despite commonalities present in the midrange (particularly that of the Zeus-XIV), the Phantom and the Zeus are more different than they are alike.
A significantly accentuated bass response and an infinitely more linear treble furthers the former from the latter’s more neutral tone. While the Zeus excels in displaying crystalline transparency and sparkly resolution, the Phantom has the more natural response; defining notes with body, colour and tone – rather than articulation or clarity. The latter’s warmer and more guttural bass response immediately rectifies one of the Zeus’s most glaring weaknesses. Compromising neither tone, nor transparency nor clarity, the Phantom presents a more extended, even-handed, physical and technically-capable low-end that the Zeus struggles to attain.
The midrange is where the two are most similar. Emphasising boldness, strength and solidity in vocals and instruments alike, both flagships display an affinity towards the intimacy and soulfulness of the human voice. The Zeus has a tendency the sound throatier, however, due to its heavier lower-midrange. And, a peak in the lower-treble brings articulation (particularly in hotter recordings) to dangerous – i.e. near sibilant – heights. The Phantom, in this regard, is considerably smoother and more linear. A less brittle top-end endows vocals with a more organic timbre, favouring emotional warmth rather than ultimate clarity.
The treble then, conversely, is where the two TOTLs diverge. Due to peaks in both the lower-and-upper-treble, the Zeus’s top-end embodies a more neutral character as well as a hardness in texture. The Phantom, here, is less theatric; emphasising richness and tone above all. Superior linearity also gives the Phantom a blacker background than the Zeus; necessary for its warmer timbre. Though, stellar extension allows the Phantom to compete with the Zeus in terms of resolution, and where they stand on transparency will ultimately depend on whether you prefer a more clarity-led signature or a textured one.
Empire Ears Zeus-XR vs. Empire Ears Legend X
The Legend X bears a closer resemblance to the Zeus-R than it does the XIV. Reprising the 14-driver flagship’s brilliant clarity and crispness, the Legend X presents a similarly clean stage; extending outwards in terms of width, especially. But, with two Weapon IX dynamic drivers in its arsenal, the two flagships can’t possibly sound identical.
And, speaking to this, let’s start at the bass. Or – as the Legend X puts it – the BASS! The new flagship has a low-end the Zeus simply cannot touch. Apart from vast differences in sheer magnitude, the Legend X embodies a different genre of bass when compared to the Zeus-R. The former serves low-end in mild portions, prioritising the cleanliness of its stage as well as its perceived transparency. The Legend X – on the other hand – adds a physical, visceral and powerful low-end into the mix, balancing transparency all along the way. Marvellous control allows for this compromise to exist as optimally as possible, allowing the Legend X a wetter, meatier and clearer bass without sacrificing overall clarity in the process.
The midrange is a much closer contest between the two TOTLs. Both the Zeus-R and the Legend X don a balanced midrange – linear from the lower registers towards the upper regions. Instruments on the Legend X sound wider and more spacious, because of a welcome boost in headroom. The Zeus-R has a more aggressive bite to its instruments – due to a sharper lower-treble – and tone is more neutral as a result. Cleanliness and transparency are on par between the two, but the Legend X has the blacker background – again – contributed by its linear top-end. Vocal placement on both IEMs lean towards average, with the Legend X’s bass and the Zeus-R’s treble taking precedence. All in all, the midrange is where both flagships share the most DNA; neutral in mind and clear at heart.
The treble is where the Legend X flaunts its maturity. Building upon the Zeus-R’s crystalline top-end, the hybrid flagship smoothens out its predecessor’s peaks – maintaining clarity, transparency and tone, whilst providing a smoother, more pleasurable listening experience along the way. The Zeus-R has the more prominent response, whilst the Legend X lets it take the back seat in favour of the bass. Though, that does not mean the latter is darker or warmer than the former. Through improved extension and air, the Legend X realises clarity and sparkle just as well, but it does so with a greater sense of finesse. Exhibiting great progress in smoothness, coherency and even-handedness, the Legend X’s top-end is a clear technical improvement, even if the bass still steals the spotlight.
------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------Closing Thoughts
With both the EP and X line-ups, Empire Ears have struck gold. All seven IEMs provide an excellent variety of signatures and maintain consistent technical performance. Whether the Bravado or the ESR, elements like extension, definition and background blackness remain within reach of their bigger brothers – proving that entry-level compromise is a thing of the past. The Professional series inducts a new trilogy of IEMs into the reference hall-of-fame; handsomely catering to three distinct use-cases, whilst retaining enough musicality for all to enjoy. The X line is Empire Ears flexing their muscles; flaunting their very own 9mm dynamic drivers in four sumptuous flavours – exhibiting explosive bass and excellent technical performance in great harmony. Whether you’re a sound engineer or an audiophile looking for a bit of fun, there’s tons to love about all of Empire Ears’ new releases. As for me, this is a really exciting time to be both.
WOW, what a massive (+ very informative, incl some nice pics) post Daniel!
Now I understand why it took you some time, but (imo) it was totally worth the wait
Thanks for sharing!
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It seems like everyone had a great time. I originally couldn't go, then I was going, and in the 11th hour something came up unfortunately and I couldn't fly to NY. It would have been great to put faces to the names/nicknames that you chat with online. So many good folks active on the threads and in pm. Everyone has a life story but it is a simple thing like a hobby that levels the playing field and makes everyone equal. I personally have been over blessed in my life in so many ways. Thanks to everyone for sharing their thoughts and photos from the event.
Jack and EE are class acts. It goes without saying they have great products, but there are many companies that have great sounding stuff. What really sets Empire Ears apart is their customer service, they welcome and encourage their customers to reach out to them. EE is worthy of receiving your hard earned money.
Jack and EE are class acts. It goes without saying they have great products, but there are many companies that have great sounding stuff. What really sets Empire Ears apart is their customer service, they welcome and encourage their customers to reach out to them. EE is worthy of receiving your hard earned money.
WOW, what a massive (+ very informative, incl some nice pics) post Daniel!
Now I understand why it took you some time, but (imo) it was totally worth the wait
Thanks for sharing!
Yeah, this article was certainly more work than I initially anticipated - and I just barely scraped by with the amount of photos I took at the event
- but it was an absolute blast and I couldn't be happier for EE and their new releases.Empire Ears’ EP & X Launch Event @ Euphoria Audio: A New Era
New year, new gear… or so the saying goes. Just like any other consumer-driven industry, the audio scene is bolstered by an ever-shifting landscape, whether it be refinements of current standards, tributes to old classics or conceptions of entirely new breeds. Empire Ears – an in-ear manufacturer based in Atlanta, Georgia – has the courage to try all three. Drawing inspiration from both their past and present releases, the venerable company is unveiling two new line-ups for Q1 of 2018: The EP line for professional use, and the X line consisting entirely of hybrid IEMs. I was recently invited to their Singaporean launch event at Euphoria Audio – co-hosted by Effect Audio’s Zou Suyang and Eric Chong – where I got to talk to Empire Ears’ Vice President, Jack Vang, and audition all seven models he brought to the show.
What’s New Under the Hood?
Jack kicked the night off by talking about the core principles and unifying themes that led his team throughout long years of R&D, as well as the myriad of technological advancements present in all of the new releases. Reflecting on the massive success of their 14-driver flagship – the Zeus – and how much attention it received compared to the rest of the line-up, Empire Ears decided to develop a whole new stable of products where driver count and product hierarchy no longer mattered. Despite significant variances in sound signature, both EP and X line-ups deliver consistent technical performance; no matter the model. Qualities such as bass extension, background blackness, stage cleanliness and midrange resolution remained uncompromised all the way through; creating two of the most upstanding product lines I’ve personally ever heard.
And, that can be attributed to their shared technological DNA. Empire Ears developed several innovative features for use in both EP and X line-ups, including:
- A.R.C. (Anti-Resonance Compound) technology: A damping material developed in-house at Empire Ears. Applied to each and every one of the IEM’s components (including the drivers, cross-over networks and shells), the material aims to reduce physical vibrations and noise – alleviating acoustic distortion.
- synX cross-over system: An innovative approach towards cross-over implementation, dedicating a cross-over path to each and every driver for improved frequency control and reduced distortion. This technology may also apply additional cross-over points in order to control phase; essentially deciding when each driver fires so a coherent waveform is produced at the ear.
By addressing noise and incoherency from both acoustical and electrical fronts, Empire Ears has established a foundation for present and future IEMs to be built upon – optimising a signal’s environment, so signatures of any kind can essentially become free reign.
- Effect Audio wiring: In collaboration with the Singaporean cable manufacturer, dynamic drivers within each X IEM will use Effect Audio’s Litz internal wiring – yielding optimum conductivity and sound quality. All seven IEMs will also come stock with Effect Audio’s award-winning, copper Litz Ares II cable, in both balanced and unbalanced connector configurations.
------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------The Empire Professional Line-Up
The Empire Professional – or EP – line-up was conceived with the audio professional in mind. Whether it’s in the studio or on stage, the following three IEMs were purpose-built to serve as reference monitors within their respective divisions. All three IEMs were designed with inputs from several Grammy-Award-winning producers, and the flagship Phantom was co-designed by none other than THL’s very own Nic Flinkenflögel (AKA Flinkenick).
Please note that all of the following prices are in Singaporean dollars.
Empire Studio Reference (S$888)
The ESR is the closest of the three to the classic definition of neutral. Serving up equal quantities of bass, midrange and treble, it is a spiritual successor to monitors like the Ultimate Ears Reference Monitor and Empire Ears’ very own Spartan-IV – showcasing minimal colour and excellent malleability. Bolstered by a clean stage and excellent imaging, the ESR is surgical in its ability to probe any recording you throw at it. However, its greatest achievement is how it accomplishes this whilst sacrificing neither smoothness nor tone.
By relying on qualities like stage organisation, bidirectional extension, and background blackness, the ESR achieves great transparency with neither unsightly peaks in its top-end nor tinniness in its midrange. Instead, a slight bump in the upper bass endows vocals and instruments alike with sufficient warmth, and a slight lower-treble peak is all it requires for articulation. Confidently balancing speed, clarity and detail with smoothness, ease and finesse, the ESR is a worthy competitor in the reference IEM market – deftly manifesting the sweet spot between analysis and euphony.
Empire Vocal Reference (S$1188)
As the name suggests, the EVR is an IEM with an especial focus towards midrange presentation – namely, vocal clarity and intimacy. Those of you who’ve read my Vision Ears round-up would recall these exact terms used to describe the VE5, and the comparison is well-deserved. The EVR and the VE5 share several similarities, including a wide-span and wall-like midrange, paired with a generous upper-treble lift for sparkle and air. The EVR – as a result – has a noticeable tinge of brightness imbued into its instruments, but a fuller lower-midrange compensates for this to a sufficient degree.
While the VE5 doubles down on midrange transparency – compromising with a leaner, articulation-heavy presentation in the process – the EVR gives vocal weight its due. A linear lower-treble maintains smoothness and tonal coherency, while the upper-treble lift cleans and aerates the entire stage. Despite the brighter tone, bass timbre is impressive. Following a trend that will slowly become more and more apparent as the article progresses, the EVR displays excellent low-end extension and definition. It exhibits great delineation and minimal bloom with slight hints of richness. creating a pleasing bass response that adds a necessary element of fun into the IEM’s sonic palate.
Phantom (S$2699)
The Phantom is the flagship of the Empire Professional line. And yet, uncharacteristically, it was purpose-built for a singular aim. While the rest of the TOTL market strive for infinite detail, eye-watering clarity and limitless stages, the Phantom lets a single group of like-minded elements take precedent over them all: Naturalness, realism and organicity.
The Phantom tackles the sensibilites of a flagship piece without resorting to ubiquitous tropes; no upper-treble peak for clarity, no superfluous mid-bass bump, no lower-midrange attenuation, etc. The Phantom emphasises lesser-known elements, such as linearity, textural resolution, natural decay and timbral richness, to present music in the most life-like – and thus, uncoloured – way possible; a sincere representation of the recording. But, experiencing the Phantom doesn’t come without its own set of sonic quandaries : “What does uncoloured – or ultimately, natural – music sound like?” and “Do I want to hear my music this way?”
Timbre and body define the Phantom’s overall presentation. Sporting a marvellously linear neutral-natural tone, the Phantom mesmerises with well-defined and full-bodied notes spread throughout its pitch-black stage. Listeners who’d enjoy thin, crisp and transient-heavy strikes should look elsewhere; the Phantom relishes in thick, gossamer overtones to manifest its buttery-smooth resolution. This isn’t a clarity-led presentation, as has become the norm over the past decade; this is a sound that’s all about colour, tone and texture. Notes aren’t as clean as they are fibrous, and instruments don’t float on air as much as air itself bends around them.
A pronounced bass response forms the foundation of the Phantom’s bodied notes. Bold, syrupy and thick, its low-end emanates a beautifully natural tone. And yet, outstanding extension endows it with marvelous sub-bass activity; displaying low-end clarity and transparency with ease. The midrange follows suit with gorgeous dynamic range. Drawing warmth from both the bass and the lower-midrange, the Phantom’s vocal presentation is a living, breathing organism. Exhibiting outstanding power, exceptional definition and palpable depth, the Phantom’s midrange is skillful sleight-of-hand; manifesting itself as a whole, well-developed and singular soundscape, while all it really is is an extremely intelligent sum of its parts.
Treble is a similarly well-cooked endeavour. Extension and linearity both impress, crafting a treble that’s rounded, articulate and – most of all – smooth. While those who enjoy a sparkly, lively and razzle dazzle top-end might find the Phantom too smooth, there’s a unique pleasure that comes from relishing in a gentle, delicate and textured treble response; akin to a fuzzy silky sweater rather than a gruff leather jacket. Though alarms could be raised against the upper-treble’s lack of peaks, outstanding extension produces details galore – regardless of its warmth – and enriches the midrange with beautiful texture. The Phantom’s top-end is its philosophy in a nutshell; elegant, easy and unassuming, yet marvellously complex and technically sublime underneath.
------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------The X Line-Up
The X line-up represents Empire Ears’s maiden voyage into the realm of hybrid IEMs. Implementing their very own proprietary 9mm dynamic driver – dubbed the Weapon IX – these monitors are defined by exceptionally unique bass responses; masterfully balancing raw power, epic scale and sumptuous warmth with effortless control, immense focus and marvellous finesse. As a result, all four monitors share a strong sense of musicality, albeit in varying degrees. And yet, despite discrepancies in overall signature, these IEMs consistently display excellent technical performance across the board; from the ultra-promising entry-level unit, all the way to the mighty flagship.
Please note that all of the following prices are in Singaporean dollars.
Bravado (S$788)
The Bravado is the X-line-up’s entry-level model, and – as I teased in the introductory paragraph – one of my absolute favourites from the entire show; regardless of price. Sporting excellent tonal balance from top to bottom, the Bravado shines in its ability to produce gobs of dynamic energy with exceptional headroom and exquisite smoothness. Reminiscent of IEMs like the Lime Ears Aether or the Vision Ears VE8, the Bravado pairs solid, punchy notes with brilliant volumes of air. As a result, the Bravado exudes openness and ease without resorting to an excessive treble peak; maintaining organicity and warmth in its timbre. Bodied notes offset the Bravado’s articulative energy – balancing naturalness and transparency with ease.
A forwardly-placed vocal range contributes to the Bravado’s allure, benefitting from an upper-mid peak for clarity in articulation. A slight lift in the extreme upper-treble is responsible for the Bravado’s openness and air, but a linear treble response – as well as tastefulness in the lift – maintains excellent smoothness; endowing the Bravado with an energetic-yet-forgiving sense of sparkle. Bass frequencies are extremely well-controlled and linearly extended. Although the Bravado isn’t as chestily impactful as its older brothers, it still boasts a low-end that’s punchy, visceral and beautifullytextured. The Bravado is an exceptional IEM, price tag notwithstanding. But, when you take its value into consideration, it truly is a revolutionary piece – bringing a dense, engaging and soulful sound into the mid-tier market. Bravo.
Vantage (S$1788)
Coming off of the Bravado, the Vantage is a vastly different IEM. Although it maintains a similar sense of immediacy and energy, the Vantage takes a slower approach to things – tackling the classic fun signature with a warm, pillowy, audiophile twist. The Bravado’s upper-mid peak continues here, collaborating with an admirably extended treble to create a clean and well-organised stage. This is especially important given the extra Weapon IX driver installed within the Vantage. This addition is responsible for the Vantage’s warmth, endowing its upper-bass with a voluminous and atmospheric bloom. Although none of this bleeds into the lower-midrange – maintaining the Bravado’s excellent clarity – it enriches vocals and instruments alike with a palpable heft and an organic timbre.
This weight is why the Vantage gets away with a mildly v-shaped signature. The IEM’s midrange takes on a more neutral stance, while a decadent low-end and a smooth, rounded treble occupy centre-stage. But, despite what may seem like a transient-heavy presentation, the Vantage relishes in overtones to create an easygoing and breezy stage. The upper-bass bloom benefits the low-end and the midrange, endowing both with an effortlessly natural tone, while treble notes cut through without any tinniness or artificiality. The lower-midrange has a light dip, but it allows cleanliness to counterbalance the IEM’s richer undertones. The Vantage is an IEM defined by its melodious charm. It’s the smoothest of the line, doubling down on a rich bass response to balance against its smooth, well-rounded articulation – creating a warm, audiophile-inclined signature that just so happens to have a thick, juicy low-end up its sleeve.
Nemesis (S$2388)
The Nemesis is a product that harkens back to the Empire Ears house sound, embodying the clarity-led sound signatures of their Olympus line-up. Evoking the Bravado’s thrilling energy and tonal balance, the Nemesis takes advantage of a jaw-rocking bass and a crisp, crystalline treble to create an exciting and – most of all – clear presentation. However, one shouldn’t mistake the Nemesis for a v-shaped monitor either. Excellent balance and linearity throughout the midrange endows vocals and instruments alike with palpable body. Although vocal placement still leans towards the neutral side, midrange definition is never compromised – using note weight and body to invoke genuine textural resolution. A lower-treble peak and a further extended treble also improves upon the Bravado’s soundscape, reducing overall stage warmth for boosts in stability. This added articulation does make the Nemesis less forgiving, easygoing and natural than the Bravado, but the former’s marvellous headroom compensates for this admirably.
The Nemesis is also the only other IEM in the line-up – besides the Legend X – to use a combination of two Weapon IX drivers and a 10-way synX crossover. As a result, the two share somewhat similar bass responses; particularly in physicality, texture, focus and tone. A slight sub-bass emphasis encourages a visceral grit throughout the low-end, while a wetter mid-bass complements this solidity with a dynamic, bombastic thump. The two drivers – in unison – combine to produce unprecedented waves of pure energy; turning feeble low-end frequencies into physical, concrete punches to the chest; a truly unique experience. And even so, none of these slams ever bleed into the midrange. The Nemesis and the Legend X portray the Weapon IX drivers at their best, with unprecedented delineation, exceptional discipline and a pure, concentrated central focus. Well-defined upper-bass melodies spread throughout the stage, while sub-and-mid-bass jabs never tread beyond the middle; headroom, space and cleanliness galore.
Legend X (S$3499)
The Legend X is the pinnacle of Empire Ears’ recent technological and acoustical efforts. Putting together two Weapon IX dynamic and five proprietary balanced-armature drivers through a 10-way synX cross-over, the Legend X epitomises no-holds-barred. And, in performance, it certainly deserves its flagship status. Truly, the Legend X is as much a product of innovation, as it is a product of cultivation. Integrating an outrageously visceral bass response, a transparent Zeus-R-esque midrange and an impressively extended treble, the Legend X is a culmination of ideals in every sense of the phrase. Although its purposeful tuning isn’t the most organic or versatile kind – that’s more the Phantom’s forte – the Legend X’s outstanding technical performance gifts it more versatility than its driver configuration suggests. This is no ordinary basshead flagship IEM; this is a masterclass in doing basshead right.
Integration and balance are the Legend X’s most exceptional attributes. Instead of resorting to volume or frequency redistribution to optimise tonal balance, the Legend X takes advantage of its wide stage, organisation and low-end control; creating an exceptionally disciplined soundscape where every instrument gets its due. But, nevertheless, this flagship’s bass is an absolute joy to behold. Manifesting itself in the form of powerful, centrally-focused slams, the Legend X’s low-end showcases both a commanding presence and amazing delineation at the same time. Present in all other X-series IEMs as well, Jack explained to me that concerted efforts went into eliminating all sense of reverb or fuzz from the low-end. And, as evidenced here, those efforts clearly proved their value. Decay and tone both contribute to this as well. Speed is some of the fastest I’ve heard from a dynamic driver – let alone two – and the darker bass tone creates a wonderful contrast against the clear and airy vocal range just above. This is truly a marvellous, speaker-like bass that’ll prove challenging to beat in the years to come.
The midrange and treble evoke Empire Ears’ very own Zeus-R, but the X comes with twists of its own. Vocal presentation is very much neutral – favouring the bass in forwardness – with a warmth that emanates from a well-balanced lower midrange. Excellent linearity from the upper-midrange onwards produces great balance between transparency and smoothness. Rectifying the Zeus’s slightly uneven treble, the Legend X displays significant improvements in headroom, decay and coherency. Cymbals sound crystal clear without offence, evenly expressed from the fundamental transient all the way to the last harmonic. Although it must be emphasised that the bass still takes precedence in the overall presentation when it does kick, both the Legend X’s midrange and treble are absolutely nothing to scoff at. Showcasing best-in-class transparency, clarity and smoothness, the Legend X pushes the boundaries of the basshead epithet; an outrageously fun and sophisticated monitor from top to bottom.
------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------Select Comparisons
Empire Ears Zeus-XR vs. Empire Ears Phantom
Despite commonalities present in the midrange (particularly that of the Zeus-XIV), the Phantom and the Zeus are more different than they are alike.
A significantly accentuated bass response and an infinitely more linear treble furthers the former from the latter’s more neutral tone. While the Zeus excels in displaying crystalline transparency and sparkly resolution, the Phantom has the more natural response; defining notes with body, colour and tone – rather than articulation or clarity. The latter’s warmer and more guttural bass response immediately rectifies one of the Zeus’s most glaring weaknesses. Compromising neither tone, nor transparency nor clarity, the Phantom presents a more extended, even-handed, physical and technically-capable low-end that the Zeus struggles to attain.
The midrange is where the two are most similar. Emphasising boldness, strength and solidity in vocals and instruments alike, both flagships display an affinity towards the intimacy and soulfulness of the human voice. The Zeus has a tendency the sound throatier, however, due to its heavier lower-midrange. And, a peak in the lower-treble brings articulation (particularly in hotter recordings) to dangerous – i.e. near sibilant – heights. The Phantom, in this regard, is considerably smoother and more linear. A less brittle top-end endows vocals with a more organic timbre, favouring emotional warmth rather than ultimate clarity.
The treble then, conversely, is where the two TOTLs diverge. Due to peaks in both the lower-and-upper-treble, the Zeus’s top-end embodies a more neutral character as well as a hardness in texture. The Phantom, here, is less theatric; emphasising richness and tone above all. Superior linearity also gives the Phantom a blacker background than the Zeus; necessary for its warmer timbre. Though, stellar extension allows the Phantom to compete with the Zeus in terms of resolution, and where they stand on transparency will ultimately depend on whether you prefer a more clarity-led signature or a textured one.
Empire Ears Zeus-XR vs. Empire Ears Legend X
The Legend X bears a closer resemblance to the Zeus-R than it does the XIV. Reprising the 14-driver flagship’s brilliant clarity and crispness, the Legend X presents a similarly clean stage; extending outwards in terms of width, especially. But, with two Weapon IX dynamic drivers in its arsenal, the two flagships can’t possibly sound identical.
And, speaking to this, let’s start at the bass. Or – as the Legend X puts it – the BASS! The new flagship has a low-end the Zeus simply cannot touch. Apart from vast differences in sheer magnitude, the Legend X embodies a different genre of bass when compared to the Zeus-R. The former serves low-end in mild portions, prioritising the cleanliness of its stage as well as its perceived transparency. The Legend X – on the other hand – adds a physical, visceral and powerful low-end into the mix, balancing transparency all along the way. Marvellous control allows for this compromise to exist as optimally as possible, allowing the Legend X a wetter, meatier and clearer bass without sacrificing overall clarity in the process.
The midrange is a much closer contest between the two TOTLs. Both the Zeus-R and the Legend X don a balanced midrange – linear from the lower registers towards the upper regions. Instruments on the Legend X sound wider and more spacious, because of a welcome boost in headroom. The Zeus-R has a more aggressive bite to its instruments – due to a sharper lower-treble – and tone is more neutral as a result. Cleanliness and transparency are on par between the two, but the Legend X has the blacker background – again – contributed by its linear top-end. Vocal placement on both IEMs lean towards average, with the Legend X’s bass and the Zeus-R’s treble taking precedence. All in all, the midrange is where both flagships share the most DNA; neutral in mind and clear at heart.
The treble is where the Legend X flaunts its maturity. Building upon the Zeus-R’s crystalline top-end, the hybrid flagship smoothens out its predecessor’s peaks – maintaining clarity, transparency and tone, whilst providing a smoother, more pleasurable listening experience along the way. The Zeus-R has the more prominent response, whilst the Legend X lets it take the back seat in favour of the bass. Though, that does not mean the latter is darker or warmer than the former. Through improved extension and air, the Legend X realises clarity and sparkle just as well, but it does so with a greater sense of finesse. Exhibiting great progress in smoothness, coherency and even-handedness, the Legend X’s top-end is a clear technical improvement, even if the bass still steals the spotlight.
------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------Closing Thoughts
With both the EP and X line-ups, Empire Ears have struck gold. All seven IEMs provide an excellent variety of signatures and maintain consistent technical performance. Whether the Bravado or the ESR, elements like extension, definition and background blackness remain within reach of their bigger brothers – proving that entry-level compromise is a thing of the past. The Professional series inducts a new trilogy of IEMs into the reference hall-of-fame; handsomely catering to three distinct use-cases, whilst retaining enough musicality for all to enjoy. The X line is Empire Ears flexing their muscles; flaunting their very own 9mm dynamic drivers in four sumptuous flavours – exhibiting explosive bass and excellent technical performance in great harmony. Whether you’re a sound engineer or an audiophile looking for a bit of fun, there’s tons to love about all of Empire Ears’ new releases. As for me, this is a really exciting time to be both.
Very well done Daniel
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