D.Rose
New Head-Fier
- Joined
- Jun 10, 2009
- Posts
- 40
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- 10
What about the Bryston BHA-1, is that a good match with the LCD-2?
What about the Bryston BHA-1, is that a good match with the LCD-2?
Any amp that is good with the LCD2 and with the H800?
Any amp that is good with the LCD2 and with the H800?:rolleyes:
Wow, gents. This thread has reached truly epic levels of pretentiousness. Less monocle-polishing, more LCD2 ampage.
Any amp that is good with the LCD2 and with the H800?
Any amp that is good with the LCD2 and with the H800?
Wow, gents. This thread has reached truly epic levels of pretentiousness. Less monocle-polishing, more LCD2 ampage.
Concert halls are typically poor places for listening to music. Some are much worse than others but even the best will add unwanted reflections/resonances. Higher frequencies have much higher decay than lower which is the reason for the "darker" overall sound.
Many folks like brighter headphones for classical because it lets them hear more easily all the great upper frequency information that is lost in live performances much of the time. Lets face it, how many of us get to listen to a string quartet at 3m in an acoustically inert room? This is however what a good recording can closely represent. Many like the accentuation of information that they typically don't get to hear, but it's a fine line you walk with bright cans, as in my experience bright often walks hand in hand with more fatigue.
I definitely agree that "concert halls are typically poor places for listening to music", and moreover will add that concert halls are really bad for listening to classical music. Of course, most live classical music is performed in concert halls, so it's also inescapable. I feel sorry for anyone who listens to classical music who's only heard it live in a concert hall, and thinks that's how headphones should present the music - as in, that "sitting away from the orchestra in a concert hall" kind of thinking. Because more than likely, in most classical recording sessions, the microphones are literally placed over the orchestra (suspended from the ceiling), or really close around it on stands. It's actually more accurate to not have a fake soundstage imposed on the music (I'm looking at you HD800!).
I have a bias here, as I've been able to play in orchestras before and know how close the entire orchestra can sound relative to the first-violin section (really close!). I view headphones that capture the sense of the orchestra as a massive entity virtually surrounding you to be more accurate than those that don't - and a headphone that puts you in the conductor's spot is even better, because that gives you the best "view" of the orchestra, aurally speaking. The entire orchestra up-close is something most people don't get to hear, which is too bad, because it's awesome-sounding.
Concert halls are so bad for listening to classical that I'd actually recommend that folks listen to a recording on headphones, or speakers as the case might be. Listening at home conveys more accuracy than buying expensive tickets to see any orchestra, regardless of how talented it is. Not that I'm discounting seeing the talent of live musicians - just that the acoustics/imaging and frequency balance will tend to be more accurate through a recording and listening at home.