Which cable is that on the XE6?Xe6. Been loving it through the 1Z. I understand why it's so popular with electronic music in particular. The Xe6 feels like the inverse of the Fei Wan and along with that IEM is comfortably my favorite DD based multi-brid IEM out there right now. (APX SE I have not heard yet unfortunately.)
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The Watercooler -- Impressions, philosophical discussion and general banter. Index on first page. All welcome.
- Thread starter Rockwell75
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w3eonline
Head-Fier
Still couldn't find a setup to enjoy trifecta. But xe6 just got me in 5secs on first impression, till now.XE6 takes a lot of time getting used to. If I had to describe it, it’s like learning how to enjoy bourbon, just like Trifecta.
phiemon
Headphoneus Supremus
You write that technicalities are unequivocal at TOTL level, the other that they are not at all... well, who knows who is right now?!
Anyway, very well written and great pics!
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Oops, guess I contradicted myself there. I meant to imply that its techs are on the level of what I expect to find at the TOTL tier. But that's not to say they are the best among all of the TOTL IEMs. Its very musically tuned but still impressively revealing. Quite unique from anything I've heard before.You write that technicalities are unequivocal at TOTL level, the other that they are not at all... well, who knows who is right now?!
Anyway, very well written and great pics!
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phiemon
Headphoneus Supremus
Too bad, it could have interested me because of the special tuning, but blindbuy is too risky given the proud price.Oops, guess I contradicted myself there. I meant to imply that its techs are on the level of what I expect to find at the TOTL tier. But that's not to say they are the best among all of the TOTL IEMs. Its very musically tuned but still impressively revealing. Quite unique from anything I've heard before.
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Try it at Canjam!Too bad, it could have interested me because of the special tuning, but blindbuy is too risky given the proud price.
DaveStarWalker
Headphoneus Supremus
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Thanks @Andykong for the info. I found the LO already very impressive as is from the C201 motherboard. It was incredibly clean and dynamic going into the Fugaku. I really only felt it was directly bested by Lotoo PGT2 but that was a little softer sounding in comparison and the DAP doesn't fit my intended use case.
Super excited for this module! Thank you @Andykong
I didn't include the A02 Adio Motherboard details in the last post, HERE we go. N6ii+A02 was considered one of the best sources for the original C9.
Interestingly, A02 was announced in September 2020, and we only made one production lot of 500 units. We didn't expect an overwhelming response due to the specialized but limited features. Still, by the time we noticed the strong demand for a pure line out Audio Motherboard, the AKM fire (Oct 2020) made it impossible for us to produce another batch of A02 Audio Motherboards and we had a lot of discontented users because of this. We consider this a small regret of the N6ii project, that's why I am quite confident that there will be a similar Gen2 Audio Motherboard for N6iii down the road.
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Even though it's not set in stone, if there will be one, this changes everything, as many of us use amplifiers anyway. I'm certainly interested.I didn't include the A02 Adio Motherboard details in the last post, HERE we go. N6ii+A02 was considered one of the best sources for the original C9.
Interestingly, A02 was announced in September 2020, and we only made one production lot of 500 units. We didn't expect an overwhelming response due to the specialized but limited features. Still, by the time we noticed the strong demand for a pure line out Audio Motherboard, the AKM fire (Oct 2020) made it impossible for us to produce another batch of A02 Audio Motherboards and we had a lot of discontented users because of this. We consider this a small regret of the N6ii project, that's why I am quite confident that there will be a similar Gen2 Audio Motherboard for N6iii down the road.
Is there a rough plan what other cards will be made?
I have 4 DAPs that I use regularly, and maintaining the music library across many devices is so time consuming, swapping out the card could be the answer to this.
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Even though it's not set in stone, if there will be one, this changes everything, as many of us use amplifiers anyway. I'm certainly interested.
Is there a rough plan what other cards will be made?
I have 4 DAPs that I use regularly, and maintaining the music library across many devices is so time consuming, swapping out the card could be the answer to this.
Based on our previous N6ii experience and the R&D schedule of the first two Audio Motherboards for N6iii, each Audio Motherboard will take at least 4 months from drawing board to official launch. The next Audio Motherboard is scheduled to arrive around late Jan or mid-February 2025. We have the draft design already, and this is not the line/pre out Audio Motherboard. So you can expect the third Audio Motherboard will be available by June/July 2025
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There were others, but this one radiated the most... gravitas.
This!![]()


rlqo7376
New Head-Fier
is there anyone tried ea4? Also with e7? Thank you!!
After my A12t was destroyed, I needed a replacement in a similar price range. While I considered sticking with the A12t, I ultimately decided to try something new and picked up the Oriveti Grand Supremacy. @Scubadevils review Here provides a fantastic overview, and I’d like to add some observations, especially around cable pairing.
First impressions: these IEMs are visually stunning—Oriveti has truly created a standout design that feels unique in an otherwise crowded market. The Grand Supremacy impresses in several key areas: it has a beautifully organic, slightly warm tonality with rounded note edges that add a sense of naturalness to the sound. The soundstage is both wide and deep, delivering a strikingly spacious presentation with well-defined layering. Vocals take center stage with decent texture and a sense of intimacy, while the bass feels well-balanced, supportive, and nicely integrated with the mids.
Of course, no IEM is without its quirks. While I appreciate the organic tuning, it doesn’t achieve the smoothness I personally prefer. Coherence is good, though I was hoping for a bit more refinement in detail retrieval, especially given the price point.
On the topic of cables, I experimented with the Code 24 and Code 24C. The Code 24 added warmth and a slightly thicker note weight but sacrificed some soundstage width and air, which was unexpected. The Code 24C, on the other hand, created a somewhat hollow midrange, so I ultimately stuck with the stock cable. Although it’s not ergonomically my favorite, it seemed to provide the best synergy overall.
In terms of how the Grand Supremacy fits within my collection, I’d say it’s ideal for extended listening sessions. It offers a spacious soundstage with ample air and avoids aggressive bass or harsh treble peaks, making it perfect for relaxed, immersive listening. That said, I often turn to my Dita Perpetua for this kind of soundscape, as it surpasses the Oriveti in most areas—though at a much higher price point.
Overall, Oriveti has done an excellent job with the Grand Supremacy.
First impressions: these IEMs are visually stunning—Oriveti has truly created a standout design that feels unique in an otherwise crowded market. The Grand Supremacy impresses in several key areas: it has a beautifully organic, slightly warm tonality with rounded note edges that add a sense of naturalness to the sound. The soundstage is both wide and deep, delivering a strikingly spacious presentation with well-defined layering. Vocals take center stage with decent texture and a sense of intimacy, while the bass feels well-balanced, supportive, and nicely integrated with the mids.
Of course, no IEM is without its quirks. While I appreciate the organic tuning, it doesn’t achieve the smoothness I personally prefer. Coherence is good, though I was hoping for a bit more refinement in detail retrieval, especially given the price point.
On the topic of cables, I experimented with the Code 24 and Code 24C. The Code 24 added warmth and a slightly thicker note weight but sacrificed some soundstage width and air, which was unexpected. The Code 24C, on the other hand, created a somewhat hollow midrange, so I ultimately stuck with the stock cable. Although it’s not ergonomically my favorite, it seemed to provide the best synergy overall.
In terms of how the Grand Supremacy fits within my collection, I’d say it’s ideal for extended listening sessions. It offers a spacious soundstage with ample air and avoids aggressive bass or harsh treble peaks, making it perfect for relaxed, immersive listening. That said, I often turn to my Dita Perpetua for this kind of soundscape, as it surpasses the Oriveti in most areas—though at a much higher price point.
Overall, Oriveti has done an excellent job with the Grand Supremacy.


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