Grand Oriveti Supremacy

The Supremacy is the absolute flagship from Oriveti with the vision of ultimate sound reproduction via IEMs. Since I have already tested two other IEMs from Oriveti, the OH700VB and the previous top model OH800, I know that IEMs from Oriveti are technically very good and tonally totally balanced. The Supremacy is a completely new category called “Grand Oriveti” and represents a new higher class of its own. And I can already say that this Supremacy surpasses the other two Oriveti models in all respects and catapults the Oriveti name directly into the TOTL IEM range!



In the development of the Supremacy, a tribrid configuration was used for the first time, in which the DD driver for the bass and 4 BA drivers are now joined by 4 EST drivers for the super high frequency range. And the integration of EST drivers in particular has proven to be a tricky matter in some models. Incorrectly integrated, they lead to an unnatural or even too sharp sound reproduction. Oriveti did not want to make any compromises here and invested a lot of time and money in research work and carried out many tests with different designs, driver configurations, crossover networks and shell materials until the ultimate natural and detailed sound was found for the Supremacy.

In addition to the EST drivers, the material used for the shell of the IEM is also a decisive factor for the sound. Oriveti used stabilized wood for the Supremacy, which is made by combining natural wood and resin to preserve the acoustic resonance of wood while creating a material that is lightweight and durable.

To further enhance the sound experience of the Supremacy, Oriveti has also extensively redesigned the acoustic filters used to control resonance and airflow. The new design significantly improves clarity and precision.



The design and presentation of the Supremacy is simply great for the price of around €2200. I have never seen such a fine leather case in this price range. The APX SE, which is considerably more expensive, contains a similar leather case with several compartments. You can easily store 4 IEMs here. The Supremacy itself is incredibly well made and looks great. The workmanship and the colorfulness of the wooden shell are a real feast for the eyes. Here, too, it has to be said that other manufacturers can take a leaf out of Oriveti's book for the price of €2200. In this price range, the Supremacy is clearly the new king in terms of scope of delivery! Not to mention the extensive selection of different ear tips and the very high-quality connection cable. In addition to 2 different, unspecified silicone tips, the range of ear tips also includes the AZLA Foamax tips and the AZLA Xelastec. Incidentally, both AZLA tips harmonize wonderfully with the Supremacy, although I prefer the Eletech Baroque a little more after longer testing. I find that the dark grey silicone tips supplied also harmonize well with the Supremacy in terms of comfort and sound. The Grand Affinity cable specially developed for the Supremacy is a combination of pure OCC copper and silver-plated OCC copper. In terms of sound, I like it better than a Grand Silver IEM from Lavricables, which makes the tonality seem slightly more energetic. The plugs used also express the exclusivity of this product. The sleeve used can lead to minimal microphonic effects when rubbed, similar to the delivery cable of the Multiverse Mentor. This is the only small point of criticism I can identify here. A small round genuine leather case is also included in the package. The materials used and 9 drivers result in a lightweight and very ergonomically shaped IEM that can be worn for several hours without any problems.



As always, the most exciting part comes at the end and that is, of course, the sound impression! I use my iBasso DX320 MAX Ti and the FiiO M15s for the sound test. The Supremacy requires a little more power than a Loki or APX SE. For most recordings, however, the lowest gain level of both DAPs is completely sufficient.

For me, the Supremacy sounds absolutely superbly tuned tonally and doesn't make any mistakes in any genre. In terms of sound, it lies somewhere between a Kinera Imperial Loki Emerald and the absolute king among IEMs, the PMG Audio APX SE. A little brighter like the APX SE with a slightly more pronounced airiness and slightly less low bass than the APX SE. The high-frequency range is very reminiscent of the Loki with its airy, high-resolution yet never too sharp sound. Of all three IEMs, the Loki is the most energetic, with the midrange tuned for maximum instrument separation. The APX SE and the Supremacy, on the other hand, offer the fuller and even more natural timbres. Acoustic instruments in particular sound damn good on the Supremacy and voices also come across very authentically and uncolored. I don't know of many IEMs with such a good mid-range. I think this is where the Supremacy fully exploits the advantages of the shell materials used. Such a natural, smooth and analog sounding midrange can't be compared to any IEM I know of. Perhaps there is a certain similarity to a Trifecta. But the Supremacy sounds closer to a Hifiman Susvara OG to me. The mid-range is really a challenge to the TOTL IEM range and for me the most outstanding feature!

But the other areas don't make any mistakes either. The bass range has a slight emphasis in the mid-bass area and always has enough punch for modern genres such as metal and pop. The detached, bouncy and extremely fast bass invites you to tap your feet. This is certainly not a basshead bass level, as it is designed for maximum quality and never lets itself be disturbed, even with complex musical passages. The bass range doesn't have to hide from any other IEM in terms of quality and only loses out to the significantly more expensive APX SE in the low bass range.

The treble range also continues at the very highest level. You can hear that Oriveti tested a lot of different combinations until the perfect one was found. The Supremacy plays at the same level as the AME Raven + Gaia and Loki. High-resolution, transparent and yet smooth.

In terms of stage imaging, it offers a level of depth that is comparable to the APX SE, but with a slightly smaller stage width. The instrument separation is at a very high level, although it still masters the balancing act between full and separated presentation very well.

With the DX320 MAX Ti, the Supremacy forms a formidable combo in which the mid-range in particular shows its maximum naturalness and the stage presentation also gains in size in all directions. If you want to steer the sound image more towards an energetic presentation and thus closer to a Loki Emerald, you can achieve this by using a FiiO M15s and the Grand Silver IEM pure silver cable. For my taste, the Supremacy is perfect the way Oriveti has tuned it with the Grand Affinity cable and I wouldn't bend it tonally and would reach for my Loki Emerald for a more energetic tuning. For more relaxed evenings, I go for the Supremacy or APX SE. If I really need drive with a sound that demands my full attention, then I reach for the Loki.

I think that Oriveti has really hit the mark with the Supremacy and a price of 2200€ in the TOTL range! The competition is usually more expensive and doesn't offer the exclusive package that is included in the Supremacy for this price. In terms of sound and features, I would even say that the Supremacy is inexpensive compared to today's other TOTL IEMs. With a very coherent tuning that manages the balancing act between technical finesse and musicality very well, the Supremacy is a true endgame IEM. In terms of tuning, it lies between a Loki and APX SE and I think this tuning will go down very well with many audiophiles and was deliberately chosen by Oriveti. For me, the Supremacy is one of the highlights of 2024 after the APX SE!

Configuration: 1x DD / 4x BA / 4x EST
RRP: $1,999

Available from Oriveti directly and various stockists...



Introduction

A few weeks ago, I stumbled upon some photos shared by a fellow audio enthusiast in one of the groups I frequent. Love at first sight might be an understatement, though I’m not sure how else to capture that initial appeal. Let’s just say I knew instantly that I needed a set. Within minutes, I had an email off to Oriveti, and Marco kindly offered me a review discount. From there, the usual anticipation kicked in as I awaited the arrival of the Supremacy.

As always, the words and photos that follow are entirely my own, with no input or influence from the brand. Thank you Oriveti for the opportunity.

About Me…

I worked in the consumer electronics industry for a large part of my career and have been passionate about music and technology for as long as I can remember. Even as a small child, I would ask my mum to put records on the turntable (Abba, Supertramp, and Planxty if anyone is curious).

My music preferences are very varied—anything from classical to techno, indie rock to jazz, and everything in between. In my early teens, I was a big fan of bands like The Cure and The Smiths (still am all these years later). I was bitten by the dance music bug in the early 90s, becoming passionate about genres like techno, house, trance, and IDM. I amassed a huge collection of records and CDs, DJing at various parties and occasional pirate radio station slots. Although it remained a hobby, I still own thousands of records, and my trusty Technics 1210 turntables are still going strong 30 years later—a testament to Japanese engineering!

I am not a professional reviewer, just an enthusiast who loves music and the devices we use to listen to it. Over the last few years, I have become obsessed with IEMs and related gear. I've bought and sold many, and kept a select few—ranging from the $20 Moondrop Chu to kilobuck sets like the Aroma Jewel, Oriolus' infamous 'Traillii,' UM Mentor, and various beloved single DDs. Through this exploration, I like to share my thoughts with the Head-Fi community, hoping they might be useful to others. However, remember that this is a highly subjective hobby, and your mileage may vary.

While I've been fortunate to own and try a variety of the TOTL sets on the market, I honestly enjoy lower-priced sets as much - especially as the gap continues to close, many much cheaper sets now offering significant value and further driving diminishing returns.

I’ll admit I do suffer from happy ears—rarely do I find an IEM that I genuinely dislike. At this stage, there are very few truly "bad" IEMs; it all comes down to individual preferences. Since I listen to such a wide variety of genres, I almost always find synergy with some part of my library. Where I tend to deduct marks is in areas like value for money, poor accessories, or an uncomfortable fit—things that can detract from the overall experience.



About Oriveti (from the brand website)

ORIVETI is an innovative brand providing HiFi quality audio products for daily use by the most discerning listeners.
Founded in 2015, we started from a position of strength with years of engineering and design experience within the earphone/headphone industry.
In this tough and competitive market we feel there is still room for knowledgeable brands with new ideas to emerge. Because we understand the importance of sound, fit, comfort and reliability, we believe ORIVETI is ready to excite and impress listeners across the world.

Specifications

• One 10mm Complex Dynamic Driver for Low
• Two Custom Balanced Armature Drivers for Mid-range
• Two Custom Balanced Armature Drivers for High
• Four Sonion Electrostatic Tweeter for Super High
• Enclosure: Stabilzed Wood
• Impedance: 13 Ohm
• Frequency Response: 5 - 50000Hz
• Sensitivity: 109+-3dB/mW, 1000Hz
• Distortion: 0.08%
• Wire: OCC and Silver Plated OCC
• Plug: Gold-plated 4.4mm balanced Plug

Unboxing

In a nutshell: this was the most premium and frankly, mind-blowing unboxing experience I’ve encountered in this hobby. As always, pictures speak volumes, so I’ll let them do the talking from here.















The bundled tips include AZLA SednaEarfit Foamax, AZLA Xelastec, and a non-branded selection of silicone tips. These are all in small, medium, and large.



Accessories

Supremacy arrives with a thoughtfully curated selection of accessories, pretty everything you need, and indeed more, thanks to the exceptional audio storage case. This modular case is especially impressive, with adjustable compartments that allow for easy organization of essentials, whether that’s the Supremacy stored in their individual case, a DAP, extra ear tips, or other audio accessories. A beautiful leather case, that looks and feels incredibly premium.







One small suggestion would be the addition of a cleaning cloth (especially for OCD people like me who like to keep their prized toys all shiny!) and brush to round out the experience, adding an extra touch to the already premium package.

The IEM case itself follows the same theme as the stunning storage case, finished with the same beautiful leather that actually looks, feels, and smells like leather, something I can say is often not the case (pardon the pun…) with other sets I’ve encountered.

Fit & Design



Though the shells are on the larger side, they’re crafted with smooth, rounded edges, ensuring comfort even for extended listening sessions. They feel as premium as they look, and the attention to detail is unmistakable, the stabilized wood shells which offer both durability and visual allure.

Speaking of the nozzle, it’s about 5mm wide and, though a bit stumpy, provides just the right extension for a comfortable fit across a range of ear sizes. With my large ear canals, I find the Acoustune AEX07 (XL) tips provide an ideal seal and excellent comfort.



I also have to again highlight the intricate design on the nozzles themselves—a rare touch that speaks volumes about the though put into Supremacy’s design. Far too many sets have nozzles that are purely functional, even unsightly, so it’s refreshing to see Oriveti going the extra mile here… even if it’s a detail that mostly stays hidden once the tips are on.

Listening Impressions

I’ve listened to Supremacy with a selection of sources over the last few weeks to include Sony 1ZM2, Sony ZX707, Aune M1p, and DITA Navigator.

When I first started listening to Supremacy, it took some time to get a handle on what truly resonated with me and what aspects didn’t captivate as much. With a library heavy on electronic music, I often test new sets by pushing them through a range of sub-genres—from fast-paced, complex beats to beatless ambient soundscapes. Supremacy delivered some “wow” moments, but there were also sessions where I found myself a bit puzzled, wondering why it didn’t fully hit the mark. After a few weeks of dedicated listening and exploring a wider range of genres, I feel I’ve landed on a clearer picture of Supremacy’s strengths. While not necessarily a “specialist” set, I wouldn’t classify them as an all-rounder either. They handle fast, intricate electronic tracks reasonably well, but where they truly shine is in more subdued selections. Modern classical, vocal-centric pieces, ambient, and intimate jazz ensembles have been standout experiences for me, where Supremacy’s strengths feel most at home, and I find myself completely enthralled in the experience.



Bass

The sub-bass doesn’t reach the deepest depths, nor does the mid-bass deliver overwhelming force; instead, Supremacy strikes a balanced approach that might leave true bass-heads wanting more. However, it’s far from bass-light, and for the average listener, the bass response feels ample and satisfying. The mid-bass presents a softer quality with good detail, leaning towards a delicate texture. When a kick drum lands, it has a more rounded quality rather than a solid thud or extended bounce, which complements the overall ethereal character of Supremacy’s tuning. I would say the sub-bass slightly leads over the mid-bass, providing notable extension without being overpowering. It has become a bit of a trend of late to load up two dynamic drivers, and in my experience this certainly provides a tuning advantage over single dynamic driver configurations in terms of how sub and mid-bass coexist… this has become a preference for me ever since Camelot in early 2023, and I always miss it when it doesn’t feature.

Midrange

The midrange takes centre stage with Supremacy, offering a tuning emphasis that excels with vocals, acoustic instruments, and melodic synthesized sounds. It doesn’t take long to feel immersed, both male and female vocals sound authentic, placed centrally with a touch of forwardness that draws you into the performance. However, for tracks with more complexity… particularly dense, layered electronic compositions featuring rapid keyboard sequences, Supremacy can occasionally struggle, leading to a slight sense of congestion or even a hint of graininess, albeit not quite “harsh” thankfully. Nonetheless, in more measured arrangements, the midrange is wonderfully engaging and emotive. It’s important to reiterate the “ethereal” direction Supremacy takes, which aligns beautifully with specific genres where it truly shines.

Treble

If you had asked me five years ago how much I cared about upper frequencies, I might have shrugged with a “meh” response. In hindsight, this wasn’t due to a lack of appreciation for treble; I simply didn’t know better at the time—perhaps blissfully unaware while enjoying music without dissecting it as I do now. But I do care, and I can be quite particular about treble performance… now a big fan of ESTs too – I certainly had no idea what they were five years ago either!

Oriveti has done an excellent job with the four ESTs in Supremacy. They extend beautifully, providing a captivating sparkle that lends an airy quality to the sound, almost creating holographic sense of stage size akin to much higher-priced sets. Throughout my listening experience, I encountered no harshness; the treble gracefully falls off before reaching that point. Here again, the “ethereal” descriptor is essential, as it encapsulates the tuning theme and I find ESTs do a wonderful job in this regard. While the resolution may take a step back—resulting in slightly less micro-detail—the immersive, otherworldly style of tuning remains intact, enhancing the overall listening experience for the suited genres.

Technical Performance

The soundstage first of all presents with excellent width and has an overall sense of spaciousness, albeit not quite at a 3D or holographic level – the imaging is distinct with good levels of separation for again those less busy or complex songs. The resolution is pretty good, but as noted, certainly not for micro detail levels of retrieval. The whole approach in my experience is that organic, natural sounding presentation, working particularly well in some tracks which I will cover in the next segment. Overall I find the tuning very cohesive, and actually at times reminds me of the wonderful Perpetua from DITA.



Test Tracks

Caoilfhionn Rose – Tubercular Skies



Tubercular Skies is a captivating experience that highlights again ethereal and organic tuning, and for me a great example of where a genre is very well suited. Caoilfhionn's haunting vocals are rendered with exceptional clarity, drawing you into the emotional core of the song. The lush timbre enhances her heartfelt delivery, while the airy treble creates a sense of spaciousness, allowing each instrument to occupy its own space in the soundstage. The bass provides a nice foundation to support the delicate intricacies without overshadowing them.

Bill Callahan – Javelin Unlanding

https://billcallahan.bandcamp.com/track/javelin-unlanding

Shifting gears to male vocals, "Javelin Unlanding" showcases Supremacy's ability to handle the deep tones of Bill Callahan's voice. The timbre is again rich and vibrant, with an authenticity that captures the essence of his storytelling. The midrange as expected shines here, placing Callahan's vocals slightly forward in the mix, allowing me to feel the emotional delivery. The instruments maintain clarity and separation, creating a laid-back yet immersive soundstage. Supremacy does an excellent job of both male and female vocals.

Hidden Orchestra – Still



I’ve chosen "Still" from the exceptional album Dawn Chorus, where Supremacy truly excels. Hidden Orchestra is renowned for blending captivating field recordings with a rich array of instruments, creating an album perfect for total immersion. The opening segment featuring birdsong sets a distinct and enchanting atmosphere, with each element clearly positioned within a wide soundstage. As the track unfolds, the layers of instruments continue to enhance that immersive experience. However, there’s a subtle hint of potential congestion as complexity builds, just sitting below a level whereby it becomes an issue – but this does highlight for me the cusp of potential challenges.

Brainwaltzera – Yamaha Hills [Edit]



I chose this track to I guess seek out potential shortcomings in resolution and the risk of congestion. To my surprise, despite the chaotic and complex nature of this track, Supremacy handles it reasonably well. While it may not be my first pick for this genre as I would prefer more clarity and precision, the performance exceeded my expectations as I expected it to lean more congested or possibly harsh. It's a classic case of "close, but no cigar," illustrating both the strengths and limitations of the tuning.

Parks – Find You



This track is from one of my all-time favourite electronic albums, which often flies under the radar… I make a point to share it on various forums to spread the love! "Find You" is a slower-paced yet intricate composition, rich with layers and an almost surreal, sombre mood that Supremacy captures beautifully. As the melodic synths evolve and soar, subtle nuances emerge, including haunting sampled vocals that float in and out delicately, enhancing the track’s captivating atmosphere.

Steve Roach – The Other Side



This classic ambient track from the wonderful “Dreamtime Return” is filled with deep, slowly evolving soundscapes and really highlights Supremacy’s ethereal qualities. The layers of synth textures evolve and unfold gradually, Supremacy does a commendable job in creating a spacious and immersive atmosphere, with each subtle shift and tonal nuance delicately rendered. The sense of depth and separation isn't as vast as some more technically focused IEMs, but the organic, almost meditative presentation perfectly captures the spirit of Roach’s ambient style. Supremacy allows the soft bass undertones to gently support the melody, adding just enough weight without overpowering the airiness of the upper layers. This is a track that feels right at home on Supremacy, embracing its strengths in creating a wonderfully captivating soundscape, evoking that sense of otherworldliness I referred to earlier. As an aside, I was actually going to finish the test track segment with the previous track, but this popped into my head and I was curious as to how it would perform - I was so captivated that I ended up playing the full album as I continued with loading photos etc to complete the review.



Comparisons

UM Maven II

The Maven II (M2) stands out as a highlight of 2024 and my personal favourite from UM. The most striking difference is M2’s ability as an all-rounder, effortlessly handling a wide range of genres with nuanced sub-bass and mid-bass distinction thanks to its dual dynamic drivers, compared to Supremacy’s single dynamic driver that is less snappy and overall softer in delivery. While Supremacy offers a weightier midrange, resulting in a more lush delivery, M2 presents a somewhat thinner profile that enhances clarity and resolution. Overall, Supremacy excels with its organic, ethereal tuning, particularly suited for specific genres such as ambient, modern classical, acoustic, vocals etc, whereas M2 is a more competent all-rounder, working very well with any genre, and for me in particular with my vast electronic music library.

Camelot

Camelot features a more balanced tuning, resulting again in less density in the mids and a superior low-frequency experience thanks to its dual dynamic drivers. Camelot is a touch more resolving overall, offering clarity that accommodates a wider variety of genres, regardless of their pace and complexity. However, where Camelot falls short in comparison, though this isn’t surprising is in the organic, captivating experience that Supremacy excels in when paired with the right genres. I find Supremacy more comfortable also, Camelot shells are a similar size but do create a sense of fatigue for me in longer sessions.

Perpetua

While I no longer own Perpetua, I feel there are some similarities in tuning and where their strengths lie - both go for a more organic, natural tuning that best lends itself to vocals and more subdued instrumental music, and less so for more energetic electronic music… both can certainly work with the latter, and surprisingly well at times, but not so much more broadly in my experience.

Conclusion

Supremacy’s design almost hints at its sound—its beautiful wooden finish feels like an invitation to an IEM with captivating timbre and an organic, immersive presentation. And this is precisely what Supremacy delivers, excelling with vocals, instrumental pieces, and more relaxed electronic albums. The mids are truly the heart of this tuning, creating a rich, lush listening experience that feels intimate and emotional with the right genres. With more complex or faster-paced music, however, the midrange can feel a touch congested at times… not enough to ruin the experience, but it does reveal occasional limitations in handling busier, high-energy and complex passages. Complementing this unique tuning is an outstanding unboxing experience, one of the best I’ve encountered. The premium presentation and comprehensive set of accessories, including a modular audio case for all essentials, underscore Oriveti’s commitment to quality and huge attention to detail. This is a big step up for Oriveti, and certainly one I have been incredibly impressed by… I will be eagerly awaiting to see what they cook up next.

Intro:

I am not a professional reviewer and this review is my personal opinion of this iem. I decided to blind buy the Supremacy without demoing after reading the reviews of Leonarfd (the first review for this iem in head-fi) and Klaus (in his own personal blog). This will be my first virgin review in head-fi, it will be as brief as possible, with missing details that you might need to read more at the official website.

For the record, this iem is purchased from the following website:

https://www.ORIVETI.com/supremacy

Oriventi is a hong kong company and Supremacy is their first flagship (but not their first iem) which they put everything they learned into this iem. The Supremacy consist of 1 DD, 4 BAs and 4 ESTs. The price is 1999 USD.



Equipment Used:

Ibasso DX180
Ibasso DX180
Cayin N7
Cayin N7 + C9ii
L&P W4

Unboxing and accessories

The box comes with the following stuff:

• IEM
• Cable named Grand affinity – copper coated with silver. 4.4 mm
• One big leather case that host 4 boxes/partitions. One small leather case for daily carry of iem.
• Eartips – AZLA SednaEarfit Foamax Tips (Enhancing bass) and AZLA Xelastec Tips (Balance)
• One cloth bag to hold the big leather case.

Design.

The design of the iem is really subject to the wood used and it differs iem to iem. If you compare my supremacy with other reviewer’s supremacy, you will notice that they are vastly different despite using the same type of wood. Its really beautiful and you will not find the same piece anywhere, so in a sense it’s an undeclared limited edition of 1/1.

I don’t want to bore you with the technology etc……. the iem have a unique filter, and one vent (to release pressure I guess). Nozzle is medium and short, I mean I have seen larger noozles (fatfreq), so based on my eyesight, it seems medium in size.

The fit

Feels comfy to me and I have worn it for a few hours without issues.

Sound analysis


FRC taken from Klaus blog and is not mine.

Bass

My immediate impression is that it has good bass detail retrievals, which you are able to hear bass notes clearly. Especially in live concerts, you can hear the bassist running the notes without failure. This is freaking surprising to me and I am expecting muddy bass when I receive it, but it turns out the bass is precise and come with depth. In hip-hop songs, the sub-bass rumbles and extent for a while with slow decay. The bass notes are fast but the rumbles linger on giving a very deceptive bone conduction feel.

Within the sub-bass and bass notes, you can hear different bass layers but it's concentrated and not widely spread out. I personally enjoy the bass a lot, 8 upon 10. Just a bit more sub-bass will be perfect.

Mids

The mids have shadows of the bird (Trailli OG) when I first hear it. The mids focused on musicality where voices sound natural and organic, instead of detail retrievals. It sounds warmer in the mids. Certain details of singing might be softer here, it is there but not there for you to monitor the techniques of singing. I find myself constantly lost in the music and kind of in an enjoyable state while forgetting about the monitoring aspect. However, if I deliberately break immersion and hear for details, the vocal details are all there.

Upon further listening, Supremacy excels in mid-high vocals due to their focus to properly implementing the 4 ESTs. Mid-low vocals are good as well but mid-high vocals stand out more. I will give mid-high vocals a 10/10 and mid-low vocals an 8/10.

Treble

Technically this is what the team has been working on, to have the best implementation of ESTs. I am treble-sensitive, but in this instance, it is tastefully done. There are no sibilance. The treble hits high and comes down. I can hear sparkles of chimes and cymbals and they linger but not for long. The guitar and violin sound extremely well and live-like. I can actually hear the texture of the strings and the violinist breathing.

Comparisons

Honestly, I don’t really know what to compare Supremacy with and the following is just my feelings based on my hearings.
The Supremacy overall does better than Annihilator (please don’t kill me annihilator lovers; I really feel so)
Supremacy can swop blows with Camelot but Camelot is much warmer in all regions;
Supremacy has better bass and treble (in terms of timbre) than Trailli, but Trailli of cos have better vocals in mid-low vocals, I feel mid-high vocals shine in Supremacy.
RN6 has better bass than Supremacy but RN6 loses out in mids
Canpur 622B has better separation and bass but the worst treble presentation;

Conclusion


In this review, I am trying my best to pick faults with Supremacy. Supremacy is a good iem beyond its price point. It’s a versatile iem suitable for pop, ACG, vocals and instrumentals. It's less suitable for songs that require ultra-deep sub-bass (case-by-case basis). Also to note, it’s a bright iem but just right. If you want something dark in the treble region, then you can straight away skip this iem. If not, this iem will reward you with lots of immersion and escape from reality.

GRAND ORIVETI SUPREMACY - The organic flagship

Disclaimer

I bought this with a discount in return for a review, I am free to say whatever I want.

All impressions are my own subjective thoughts after having used them for a good time. These are my thoughts at this moment, and as time moves I might change my opinion.
This is also a very subjective hobby where everything from experience, anatomy or age will affect what we hear. Also keep in mind that it is easy to use bold words when talking about differences, while it may be perceived as a small change for you.
While I can perceive something as natural sounding, I do believe we can never get a perfect performance similar to what is achieved live.

Ranking System:
1 Very bad or unlistenable
2 Listenable but not good
3 Average
4 Very good
5 Exceptional or having a special sauce

My rating system highly values what is musical for me, so my rating will always be a subjective opinion.





So what is the GRAND ORIVETI SUPREMACY

This is the newest IEM from Oriveti, the brand was founded in 2015 and is from Hong Kong. They had a few good releases lately with OH700VB and OD200, one being a hybrid and the other a single dynamic driver model. Their focus is to have good quality products with good sound, fit, comfort and reliability, this has been very true from what I have tried before this.

This time around Oriveti has made a flagship model that's more expensive and challenging the high end market more than previous models, the Supremacy retails at $1999. The model is their crown jewel and they also have labeled the Supremacy under Grand Oriveti, this does tell me that they are very proud of what they have achieved here. They should.

The Supremacy is a tribrid design with 1DD, 4BA and 4EST, with stabilized wood and customized acoustic filters.

https://www.ORIVETI.com/supremacy



Packaging and accessories

I will share many photos here as the packaging is extra premium on the Supremacy, the outer box has a retro design to it. When you open the box you get greeted by a cloth bag to add both protection and a premium touch to the included leather case.







The leather case you get is premium and secure, perfect for later storage as there is included box liners so you get a 4 slot case. If I could criticize it, I would like to have a button or magnet system instead of a zipper.

The inside has matching packaging design as the outer box, this holds all the accessories and the IEMs itself. It is a nice touch and does look very exquisite.

The lid has storage space for accessories or cables, the whole case is a very addition and does make this feel more like a flagship product.









The accessories have foam inserts inside the small yellow boxes, a nice way to hold everything secure under delivery. The included small leather puck matches the large storage box, it is a little on the small side but can still fit the Supremacy with the cable if you're tight when wrapping it.



The stock cable looks beautiful and sounds very good with Supremacy, but it's rather thick and dont have the best ergonomics. It also have some microphonics and is best suited for sessions when sitting still.

There are plenty of tips to use here with AZLA SednaEarfit Foamax and AZLA Xelastec, there are also two more generic silicon types with one medium bore and the other more wide.



Design and fit

This reminds me a lot of ZMF in an IEM because of the wood and the special nozzle acoustic filter.

The shells are made in stabilized wood that's a mix of yellow and pinkish red wood, the design goes around the whole shell and not only the faceplate. The golden lines, logo and text look premium together with the wood design, also I like how it's logo on one side and brand name on the other.

The swirls in the wood are clearly visible and have different patterns that should make every set of Supremacy unique, also clearly shown in my pair that are both different from the left and right earpiece. The reason for using stabilized wood is because of sound properties and having a premium look, stabilized wood is also great as it is more durable than pure wood.

The shell has a medium large size, and the shell is sculpted ergonomically and should fit most ears unless they are very small. Also helps that the nozzle has an average length and width, making it very easy to tip roll without any issues with comfort or bad seal.
If anything the shell is quite deep, this will make them sit more on the outside of your ear and not be flush.

The nozzle has a special acoustic filter, this is made for fine-tuning the sound of Supremacy. The Supremacy also has a metal venting, and flush 2 pin connectors.









Sound Impressions

The Grand Oriveti Supremacy is a natural sounding IEM with good clarity, it is what I call w-shaped/neutral tonality.

Going to use the ranges here in review:





Details and soundstage

Detail in IEMs is down mostly to quality driver and how it amplitudes the frequencies, also when the driver is faster it also increases the resolution you hear.

This is among the more resolving tribrids, the tuning itself is very coherent and clean with a hint of smoothness. It is not overly analytical as the little warmth and smoothness with slight organic transients make it a mix of musical and resolving, but still among the more technical sounding sets I heard at the price range.

Soundstage is also quite special, at first I thought it had BC as the stage was so holographic and reached both above and behind me more. Its not the deepest stage, you are instead enveloped in sound around you. This reminds me a lot of a faovorite I owned before the Aure, this presentation is extra special for vocal music as you are more inside the music where it sounds like the vocalists are singing to you.

Bass

The bass extends deep and has a decent impact, the quantity is in harmony with the midrange and treble.
The midbass has more weight than the sub bass, but it still can deliver a good rumble when music calls for it. The texture is excellent, both in how strings sound natural or how it can deliver snappy synth bass lines. I would say it leans slightly into more rumble than slam, so it excels more with strings than fast drums.

Mids

I see the midrange as the biggest strength of Supremacy, it has a midrange that is very natural with some warmth. It pushes the mids a little forward but tastefully so without ever being shouty or sibilant, this is important for me as I can get fatigued by forward midrange but not here.
The low midrange has a little warmth from the bass, it's subtle but helps the mids have some extra weight. This means that electric guitars or cello have the fulness they need to sound realistic, also so they sound more fun. This also affects vocals, not where it's husky just more present.
The upper mids where brighter elements reside is clear and present, but with slight smoothness to it. There is some elevation in the upper mids that helps vocals pop, but not too much as it's still smooth and well behaved. This is probably also due to the low treble.

Treble

The highs are well controlled and extended, but without being sharp. Similar as the bass is in harmony with the rest, it has good quality and sound ethereal and pleasant. Some might prefer more bite for stuff like cymbals, not me personally as I find this close to perfection in quantity.




Synergies

Supremacy can go two ways on sources, it matches really well with more colored devices or you can use something more clean/neutral to let music be more resolving and clear.

My preference is going for some coloration with R2R or the SONY WM1AM2 DAP, also feeding it from my Denafrips Ares 12th-1 + Topping A90 Discrete provides the best sound being more dynamic and powerful.

I also liked it with the DX180 and R8 II, but they didn't have the same magic as the other sources, and instead were just very open and clean.

I have used stock cable very little, the cable is slightly too thick and reduces the comfort of an already ergonomic IEM. The stock cable does sound great, it has a balanced sound if anything having some treble presence.

Another great cable is the new Silver + Gold PLUSSOUND wire, new favorite with Supremacy.



I have tried three other cables, first out is a type 6 litz copper from Clan Audio. This a neutral cable, nothing really lacks and it lets the Supremacy do its thing.
Next is the Lavricables Master Silver, this has more richness to the sound and better control. It actually makes the sound more full, also while keeping itself airy and open.
Last cable is the new PlusSound Dual-Copper, this is a warm cable with less brightness and is also a very good pairing for Supremacy.

Silicon tips are easy to tip roll as the nozzle is not too big and the length is perfect, making everything work for me.
Faovorite of the stock tips are the Azla silicon tips, they provide you with a full and open sound. The Azla foam is also nice and is good for taming some highs, making the Supremacy slightly softer.

From aftermarket tips the Divinus Wide and Normal is perfect, more body go normal or Wide for more open sound.

My absolute pairing from all this is going Divinus normal with Lavricables Master, then using either my desktop setup or when not at desk using the HIBY FC6 dongle.



Comparisons

When evaluating the sets I use each of them over longer periods and also some shorter sessions swapping back and forth, it takes a long time and is not done in one sitting. The most critical comparison is done on my desktop setup that is highly resolving, with volume matching to take away loudness variance.

The spider chart is slightly exaggerated on some points to show differences, this is a subjective scoring.





UM MEST MKIII CF

The MEST MKIII CF is my reference set in resolution, it's a little on the clinical side but still has some musical touch to it. The price is around the same at $1919, and even less if you buy without the cable. The configuration is similar to the Supremacy but with an added bone conduction driver. Both have beautiful and ergonomic shells, MEST MKIII is smaller but also requires a deeper fit for me to get a good effect of the 3D stage from the BC.

They compete in resolution being very similar, with just a small edge to the MEST as it has sharper/cleaner transients and can then sound a little faster. The Supremacy is also very clean but has a touch of roundness to the transients, the added roundness does make the Supremacy a little more organic instead.

Soundstage goes deeper on MEST MKIII, the Supremacy is very similar but has a little less depth. At first testing Supremacy I almost thought it had some bone conduction as the soundstage was so layered and detailed, in the same way that MEST MKIII is holographic but in a smaller scale.

Tonality is similar but also different in a few ways, first off both have some warmth making music engaging without muddying up the sound. It's a little more rounded and organic on the Supremacy and sounds a little more coherent in the timbre, the MEST MKIII instead goes a little more into the clinical side with some extra treble brightness.

Very similar quantity of bass, with just a hint more sub bass on MEST MKIII CF and a little more mid bass weight on Supremacy. The texture does seem a little more resolving to me on Supremacy with slower decay, while MEST have little more fast decay.

The midrange is a little fuller on Supremacy and does have a more beautiful presentation of vocalists and instruments, on the other hand some might prefer the cleaner and leaner midrange on MEST MKIII. The upper mids is not as focused on MEST MKIII, it can be less present on certain music due to this.

The treble is sharper on MEST MKIII while Supremacy has more sparkly air, a person with still good hearing would probably prefer the Supremacy as it sounds more extended and controlled. This does affect some stuffs like cymbals and they get more sharp on MEST MKIII than Supremacy, a reason why I find the treble better on Supremacy.



Alpha Omega OMEGA

The OMEGA $2699 is a fairly new tribrid IEM from Malaysia, it has a warm dynamic soft sound that is very engaging. The configuration is 1DD 4BA and 4EST, what maybe make it more special than most tribrids is that it uses EST alone for the treble. I have used the Omega with all switches off when comparing. The two sets are very different, but a few asked for this comparison. If you want natural organic clean sound with more resolution get Supremacy, and if you want a basshead set with smooth dynamic sound get Omega.

The shell is larger than Supremacy and has a much thicker nozzle, on the ergonomic side the Supremacy is way better. Then for the shells, they are both well made and beautiful. But the more normal type of resin cannot be compared with something as special as a full wood IEM.

The Supremacy is more resolving and clear sounding than Omega, this is most likely only down to tuning and not the drivers itself. The Omega is more warm and soft. The soundstage is also great on Omega, I would say Omega is larger than Supremacy but not as holographic as Supremacy.
The Omega also needs a lot more power, up to 15% more on some devices.

The bass on Omega is among the best in business, both in quality and how impactful and rumbly it is. The bass of Supremacy is almost as good in texture, but a little softer than the Omega. The share quantity of bass is much more elevated on Omega, specially into the sub bass where it has some serious sub bass rumble. The bass is also more separated from the mids on Omega, the Supremacy is instead more coherently gliding into the mids.

The midrange is more full on Supremacy, by that I mean that most instruments and vocals have extra focus and clarity over the Omega. The Omega also has good midrange but due to the bass it is not as focused, it also lacks a certain richness to it that comes from the tuning and maybe also the wood of the Supremacy. People who love vocals will probably prefer the Supremacy, but if you want it softer and less focused then Omega might be it.

Treble is always hard to evaluate, but the difference between the two is quite easy to notice. The Supremacy has more brightness and clarity with some extra air to the music, Omega is instead more ethereal and soft in the treble.



Music

Click here for Audio with Leo playlist

When comparing Supremacy to other sets I have used the tracks listed here and more, I will also provide some albums I have enjoyed with Supremacy.



https://tidal.com/browse/album/82218211?u

Modern jazz fusion at its best, Snarky Puppy is always awesome to listen to on natural sounding IEMs. Here there alot of instruments and be it the synths, brass or drums it all sounds so natural and engaging. Listening to the same album on the MEST MKIII sound to sterile and lack some organic touch that Supremacy have, while Omega here sound too bassy and lack some bite being to soft.



https://tidal.com/browse/album/251633397?u

Awesome album by Mikael Åkerfeldt known from Opeth and Steven Wilson, both among my faovorite artists and the record they made here is also a faovorite of mine. Both melodic and interesting, the album deserves natural timbre to replay their voices and the acoustic instruments. Love it on Supremacy, but there are a few times I could wish for a little less midrange bite or more warmth. This is where source pairing is important, using WM1AM2 is rounder in the tone and makes Supremacy better here. It's clear that I don't get the same enjoyment with MEST MKIII here, it's more resolving but less organic. Omega again depends, if I want more warmth and smoothness Omega can be equally as fun while being less natural.



https://tidal.com/browse/album/199541619?u

Atmospheric metal with some blackgaze, Norwegian artist from Norway. She has an ethereal voice that goes well together with Supremacy, the midrange energy is just right so it sounds energetic and powerful without getting too much. The sound is also very resolving and open, be it during the intense metal parts with growling or the atmospheric parts. Here it depends what set I prefer, most relaxed is Omega and sounds the most full bodied. The MEST MKIII might be the most boring and lack some soul to her voice.



https://tidal.com/browse/album/298087041?u

One of my faovorite albums from 2023, easiest to quote from the artist themself what it is. Blend of jazz, electronica, global and spiritual jazz influences.
Again an album that plays very well with natural sounding IEMs, Supremacy can showcase itself for full be it on the percussion or the flute. Omega lack the timbre accuracy for this to sound as full and engaging, MEST MKIII sound pretty good here just lack that little extra soul and organic element of Supremacy.



https://tidal.com/browse/album/382239441?u

Maybe living under a rock but I first heard about Sabrina Carpenter during this review, apparently a big hit and topping so many music charts with multiple tracks. The album is well recorded and Sabrina has a good voice, Supremacy is awesome with vocals having good clarity and authority. Omega in comparison while also sounding full lacks the transparency and can get too soft, MEST MKIII is a little too clean and lack the soul I want for female vocal playback.



https://tidal.com/browse/album/374186260?u

Sam Shephard aka Floating Points have many great releases, this one just got released and is more of a downtempo electronica album with less jazz influence. I do think that Supremacy sounds a little bass light for some electronica music, but here it sounds surprisingly good with vibrant bass texture and clean sound. While this is music I prefer with Omega as it has way more sub bass presence and warmth, the Supremacy showcases really good bass also with a more resolving sound. The Supremacy is more fun than MEST MKIII as it lacks some of the mid bass weight that Supremacy has.
The Supremacy also handles EQ very well, and it sounds awesome with a little bass shelf increasing the warmth when listening to electronica.



https://tidal.com/browse/album/24054687?u

Another album with female vocal and acoustic instruments, this a recording very well and have great layering and dynamic sound. Supremacy sounds really lovely here, be it the instruments like drums and cymbal or the piano in the background. While the most magical is the way Supremacy captures her voice, it is so dynamic and detailed. I consider the Supremacy biggest feat being the midrange and how it captures both vocals and instruments, also why it sounds better here than both Omega and the MEST.



Conclusion

The Grand Oriveti Supremacy is a set that deserves its price point, you get a technical and beautiful sounding set. The wood design and exquisite packaging show that Oriveti means business, they even labeled this as Grand Oriveti. This is actually what I would call a ZMF of IEMs, not any particular model. But more in how the quality and build is, you get the wood and the special acoustic filtering. But you also get a magic midrange, that I also love from ZMF models.

The tuning is coherent and natural, the sound has an warm touch to it with good clarity. Very good extension in both the lows and highs while still being on the natural side, bass is textured and highs are clear and airy.
If it's one main strength, I think that's the midrange as it's both engaging and full sounding with what I call soul. It rides the balance perfectly without pushing the midrange too much making it sibilant or shouty.

I would not pick this for every genre, but Supremacy matches well with alot of music. And then is highly musical and engaging.

I highly recommend the Grand Oriveti Supremacy, this is going to be one of my favourites going forward.
I will rank it as a 4.5 star, and my personal subjective score is 88/100.