My scoring isn't just an average, but I have a formula that averages certain other categories for a sub-score, changing the weight of certain characteristics. There is no "right" way to do it and I have tried many different scoring methods, but this one seemed to fit my goals fairly closely.
How are you surprised by the LCD-2 score? Too low or too high? It really can't compete with the higher-end CIEMs in so many ways regardless of the source.
Looking at my notes/chart I found a note that the NT-6 doesn't pair well with the D1, so I wonder if that is the case with the D2 also.
Here are my numbers:
Mids | Treble | | | | | | | | | | | | | | | |
Focus | Width | Depth | Ratio | Quality | Rumble | Quality | Quality | | | | | | | | | |
Spiral Ear | SE 5-way Reference | $1,650 | | Accurate | Warm | Resolving | 10 | 75 | 97 | 85 | 85 | 1.00 | 95 | 96 | 100 | 100 |
Hidition | NT-6 + Whiplash Hybrid V3 | $1,750 | Aftermarket cable | Reference | Analytical | Clear | 8 | 100 | 103 | 88 | 87 | 1.01 | 100 | 88 | 100 | 98 |
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Primary sound signature
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Secondary sound signature
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tertiary sound signature
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Chameleon
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Detail Articulation
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Soundstage
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Bass
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Spiral Ear | SE 5-way Reference | 100 | 100 | 100 | 100 | 100 | 100 | 95 | 100 | 95 | 93 | 98.2 | 18 Hz | 20K |
Hidition | NT-6 + Whiplash Hybrid V3 | 100 | 100 | 100 | 100 | 100 | 95 | 105 | 103 | 100 | 92 | 98.1 | 14 Hz | 19K |
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Transparency
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Coherence
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Dynamics
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Resolution/Detail
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Instrument Detail
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Note Attack /Decay (PRaT)
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Clarity
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Imaging
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Speed
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Soundstage Score
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Total - Quality
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Low Freq cutoff
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Hi Freq Cutoff
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One of the biggest differences is in what I call detail articulation, which is how much the details are brought to the forefront. It is much easier to hear the detail from the NT-6 as is slices and dices a presentation. Clarity is over 100 because with the Whiplash cable, a new standard was set, so instead of adjusting all the scores I used numbers above 100. The soundstage score is subjective based on the soundstage section and the chameleon rating. My high and low frequency cutoff is done with test tones by ear, and I was a little surprised by my ability to hear 20K with the SE5. The bass cutoff is more of a sensation below 20 Hz, but I know it is moving air at the respective cutoff frequencies.
These are two very different sound signatures and both are at the top of their game (as far as what I have heard), but in different ways.