RollsDownWindowsManually
100+ Head-Fier
- Joined
- Oct 26, 2001
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Quote:
Interesting you say that, was just noticing how much my Sony MDR-7506's outpound my MS-2 in the subsonic octaves. Don't get me wrong, those 30-50hz drum machine sounds are still there, just not as thunderous as my closed phones like the Beyer DT-250 or 7506. Really not a factor in a lot of classic rock and classical, but for Hip-Hop you might miss it a little.
What I have been using my MS-2's a lot for lately is practicin on my Bass Guitar, since I live in a condo and really can't fire up even a practice Amp without annoying the neighbors. The slightly less thumpy low end of the MS2 has the by prouct of allowing them to handle more dynamic passage without farting out. It doesn't take much to get the 7506 and DT-250 totally distorted with a solid pluck on my E string, but the MS2 stays relatively composed by comparison.
Originally Posted by arteom /img/forum/go_quote.gif The MS2 would be a damn good thing for electronic but its missing one vital thing, deep..bass. |
Interesting you say that, was just noticing how much my Sony MDR-7506's outpound my MS-2 in the subsonic octaves. Don't get me wrong, those 30-50hz drum machine sounds are still there, just not as thunderous as my closed phones like the Beyer DT-250 or 7506. Really not a factor in a lot of classic rock and classical, but for Hip-Hop you might miss it a little.
What I have been using my MS-2's a lot for lately is practicin on my Bass Guitar, since I live in a condo and really can't fire up even a practice Amp without annoying the neighbors. The slightly less thumpy low end of the MS2 has the by prouct of allowing them to handle more dynamic passage without farting out. It doesn't take much to get the 7506 and DT-250 totally distorted with a solid pluck on my E string, but the MS2 stays relatively composed by comparison.