resshin
New Head-Fier
- Joined
- Sep 25, 2010
- Posts
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my amp just crossed 100hrs burn-in. sounding superb with my HD650 and SE535
Can anyone speak to this question: How would the Stepdance compare to my TTVJ millett hybrid portable? I'm guessing stronger, tighter bass and bit more clinical sounding in the upper registers. Anyone?
I've not compared them directly since I sold my TTVJ last December, but the Millett was a warm and tubey amp with good power and weight, but with less detail than some of my other amps that I owned at the time (D10, P-51, 3MOVE). In comparing the Stepdance prototype to some of these above amps that I still own, I would say the Stepdance is more detailed and less tubey than a TTVJ portable millett hybrid, yet still warm and powerful. But clinical is not a description I would use to describe the Stepdance, although it is more aggressive than the TTVJ millett was it's not overly so.
i really think I want to order this amp
I went through the meier audio site and didn't see any info about how to buy a stepdance. What am I missing here?
I went through the meier audio site and didn't see any info about how to buy a stepdance. What am I missing here?
I have been asked for some time for a comparison of the Meier Headsix and Stepdance when used with the Westone ES5. My Stepdance was with Jan for a while because I wanted the low gain volume lowered. (It's just a 6 db difference but I find it useful with some of my music since the ES5 is very sensitive.) That allowed me some quality time with the iMod+Headsix+ES5 combo. Now the Stepdance is back and I am in a position to compare.
First off, the Headsix is a fine little amp with the ES5. It has good bass (one of its real strengths) and throws out a wide soundstage. I could be very happy staying with the Headsix+ES5 combination.
The one issue that I had is that the Headsix pot only gets into its absolute sweetest zone approaching 9:00. This is too loud for some of my music with the sensitive ES5 IEMs. This is a problem that the Headsix shares with many portable amps - hence the growing popularity of digitally controlled attenuators. I have Rockbox on my iMod, which allows for lowering of the line out level where desired, so that issue with the Headsix was addressed. Still one ideally does not mess with the bit stream of a line out. The Stepdance (especially with the gain lowered) has made that completely unnecessary. I have full control from its stepped attenuator (which is a lovely feature; channels are perfectly balanced at every volume level).
As good as the Headsix is with the ES5s, the Stepdance is that much better. By better, I mean primarily that it is weightier. It is surprising how well the ES5 responds to the extra current. The bass digs deep and grips. The overall sound through the mids is fuller. These are the differences that are obvious. More subtle is that the soundstage is more 3-dimensional and the overall transparency improved. The SQ of the iMod+Stepdance+ES5 is simply fantastic. Since I actually like the form factor of the Stepdance - and I love the attenuator - for me the upgrade is a no brainer. (It also doesn't hurt that the Stepdance does a pretty impressive job with my 600 ohm DT880s - extremely impressive for a portable. The Headsix cannot really compete in that realm.)
Again, I could be happy using either amp with the ES5 but the Stepdance is a material and worthy step up. Of course, it is bigger, more expensive and consumes batteries at a more rapid pace. However, there is no magic. As they say, 'Ya gets whats ya pay for.'
ianmedium, I did not love the Classic as a source. There is plenty of detail but to my ears it lacked body. On the other hand, lots of people on here are using the Classic as a source with good portable amps so YMMV.
I have no experience with the K701s.
Thanks for that Cooper, I have a feeling the amp will add rather than detract from the pleasure of quality of music.