I found that once I had it straightened out it stayed that way unless I did a lot of moving around. I also found the length was very manageable. Not important but I think it looks better and does afford protection to the cable.
Not so good if you get past tapping and start dancing around.
I knew I got something wrong…
Many thanks for your insights and experience.
My pleasure.
I have difficulties in having to put words on sound impression and sound quality. I'm way past my thirties and have relatively recently tried to explore this (expensive) fascinating forum. Being climbing "up the ladder" so to speak. After getting some decent gear, the first wow was trying 24 bit vs. 16 bit. : Couldn't put a word to the difference, but I felt it
The easiest way to say it is saying it the way it was designed: 16 bit means a dynamic of 16 steps.
24 bits one of 24 steps, 32… so you receive a better overall dynamic and the thing you instantly sense but what feels like you can lay your hand on it. Better microdynamics. The microdynamics, especially in the roll-off of a note, tone, vowel is part of the body of a sound. And this ‘body’ is one of the things making a sound organic, the so called warmth.
An effect you can sense best on ‘cold‘ sounding stuff as Yamaha, Lehmann, AKG, the Hifiman Sundara.
(If we hear cold, we tend to think it’s bad, which is a gut feeling and completely Bullschiit. Think about the AKG 701/702, which is an extremly fast, precise, analytical, spatial and very good sounding headphone. It‘s overall sound signature is cold. Best combine this with warm sounding stuff like the Marantz HD-DAC1 or the Mojo. If something (phone, amp, DAC) gets to cold it becomes hard, harsh. Not till then it becomes bad. Too warm is also bad: soft, muddy, unprecise. Too long/ artificial roll-offs and extreme crossfeeding can have this effect.)
(yes I am aware of snake oil and I like it if it adds to the SQ
).
Yeah, the good old snake oil. Voodoo. Even more this bad, bad psycho-acoustic thing, pure grifting…
(I‘m kidding, psycho-acoustic is the science of how your brain processes hearing. MIMI Hearing, Sennheiser, especially Bose are doing pretty much research about what happens in your brain while hearing.) Of course some can do very …lucrative things with that. (Watch out for Phonosophie. For example: A glass stick under your CD player, catching free photons… Uh, yes… oookaayy?)
There are things, that works. Some can hear, it some can‘t, some don’t like the effects and some don’t want to hear it. It‘s a never ending discussion.
Interconnect cables, headphone cables, speaker cables work, but they can not just improve your sound, they can even make it worse.
Digital enhancers sometimes work. The Jitterbug has audible effect on the Mojo.
Power filters work.
Having a separate power circuit for your H(ead/)igh Fi-, home cinema system works.
Sound bases, damping and coupling feet work. Wall mounting works.
The things I tried pretty hard, but could not sense the slightest effect:
- powercords
- silver solder (I bought it, so I will go on using it)
- shielded optical cables
- the Jitterbug with Oppo HA-2SE
- plugs
… coffee this morning.
…. Probably I'll wait a bit before deciding to mod the Grados. They sound very good indeed through the SE output
overly stiffness, no comfort due to the material, poor lenght and the way after the split cable that both cables seem to want to tangle together asap once they are put on stands. its really all pathetic
at least they sound great. ill get used to it but *** I look at the HD650 cable and that cable is 15$. why not use those type of simple cables?
Uhm, as spare parts? Ok, kidding. They work. In the lengendary Steve G.‘s words about cables that were in the box/by-packed :‘These are good, these are fine.‘ And he is right! Most can live with that.
The most audible effect, more than switching to balanced, I expierienced, was changing the Night Owls (‘Nightbird’-) cable into a Cardas Cross. It instantly became another phone.
The original reason was - it is the most horrible cable I ever carried around. I swear this thing has it’s own will!
…
another question: what source are you using out there?
Vinyl - 2 record stores around here. One is also my favorite café.
Flac - 24/192, 24/96 downloads, mostly Qobuz. Notebook/pad/ DAPs.
Audible - mobile phone. It‘s some mpeg1 Layer4 codec, I guess.
CD
Tape
DSD - Discs. A few Rock, Blues and Jazz discs
no DXD
no streaming. Tried Spotify for 2 years, Amazon Music 1 year, Tidal 2 years. Currently no streaming.
Never MQA! Downloaded a few tracks, bought several CDs - result: flac sounds much better.
is it worth to try anything over 24-44.1?
Jepp!
DSD - ‘bout 30 discs, asingle DSD64 download somewhere…
DXD - none
MQA - Quoth the raven, “Nevermore.“