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I also like the look of older Grados quite a bit! The flat cups are a lot more stylish, IMO.
Yes, and from my experience the expansion and weight distribution and geometry are more practical factors --a grip to take off your headphones, change your pads; I used to pull my hair all the time when trying to remove my SR100 grabbing it by the gimbals, before I found a special technique of pulling on the headband just above the rodblocks-- than something that impacts the sound positively. The gains in sound quality from changing the shape/size/material of the cups IMO are so minor that it has got to be hard to tell if it's a positive or a negative change; though aesthetically it's always very pleasing.
I remember the
October 1992 Stereophile issue (scroll through the later photos to read) talked positively about the SR200-0 (-0, HP-1000 drivers) for the first 4/5 of the review and ended by saying that it had more "mid range punch" than the "slightly more refined" HP2... the reviewer seemed to have appreciated more the SR200-0 because he felt like it was priced more reasonably (keep in mind that 495 to 595$ for the HP2 and HP1 at the time was probably most expensive dynamic headphone to date). The SR200 had that primitive looking design ABS plastic "flat" cylindrical cups and was being compared to the complex proportions geometry, special aluminum alloy machined HP 1000 cups (very similar shape to that of the RS-1 but not as long and sticking out). Myself I always felt like they sounded "very much" the same also (they use the "same model" drivers; though they might differ very slightly by their matching, OEM version changes, burning/doping process)... though ultimately the HP 1000 does perform better at higher volumes and sounds noticeably more sensitive and resolving.
But yeah, to me the key to understanding the different grades/quality of Grado sound (their multiple product series and individual models) and to the "i" upgrade is all about the drivers (again, from what I experienced). Grado is Italian for "Degree", just like the grade they have for each of their drivers.
I can't speak of modding/damping though, but I'm sure they do improve things slightly and tune the sound to better suit your taste, in a similar way your choice of pads to use also does.
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You can add me to the commitment list.
Sure! though that "list" was more to exemplify my point
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Also, I really agree with that. Ownership of such things has a certain depth to it that plays out in the ongoing process of careful usage.
By the way, nice SR100. I'm looking for one with red lettering myself.
Oh yeah, well, it arrived to me with the right side falling off, I failed twice at repairing it with hot glue and then super glue, so I bought super strong "transparent" epoxy, but I did the mistake of putting too much --it was my first time working with this and I was getting impatient and didn't think of making a test on a dummy, and I wanted to listen to my new headphones :/--, so it left behind a "not so transparent" dripping formation of tacky white glue near the headband
... well at least it's solid, my own fault, on a headphone with a mistake, that I'm not going to sell to anybody. So I'm the one stuck with my own error.
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The red SR100 is a beautiful odd ball. If I ever get a chance and can afford it I'd grab one, too.
They all come with HP-1000 drivers in them and sounds macroscopically identical to the HP1-2-3: Great!
They are sturdier than they look and very portable and stealthier. The red paint also seem more durable than the white and gold paint (or maybe it's just that the owners coincidentally took better care of it, because I've never seen a "non-100% lettering" one). My pair was bought in February 1993 at Audio Advisor for 159U$D, I still have the bill ^^ (from the original owner who sold it on eBay).
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The sweat from your hands would do the most damage to the red lettering, more than anything else.
True! that thing is alkaline... fortunately for me though I have problematically (as in eczema and other diseases, lol) dry skin
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Right now I'm listening to the black metallic / pink drivers version, and it sounds better to my ears than its more recent variants. Smoother and dare I say---somewhat obtusely---more musical?
Totally! I compared a white drivers black anodized metal SR325 with my #1789 2005 SR325i and it sounded more holistic, smoother and less "u-shaped" to me... those are similar principles and reasons to why some of those Grado buffs still swear by their vintage RS-1 (smoother frequency response curve, and bassier balance too)
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Oh I didn't even mean HF-3, I was just thinking based on the PS-1 being a custom OEM order of 250 units, couldn't we organize a similar buy?
And how much was the HF-2? Same as the PS-500? I think $1000+ is a little nutty for any can, but that's me.
Anyways, I'd be interested depending on what we created (again, my thinking was why not come up with our own design, and have it OEMd, instead of just asking them to design us a headphone).
But who would be the manufacturer ("OEM")? wouldn't it be easier (and more affordable for everyone) if we'd pick a design Grado has already got the "molds" for?
The PS-1 was 1400$ but it crossed the world and changed companies/distributors twice before arriving in the hands of customers shipped from ToddTVJ. Head-Fiers (after the PS-1 stocks got depleted but who already wanted to make them happen again) knew that this had to inflate their final RRP, and that freshly manufactured PS-1 directly sold should have cost less.
HF-2 was 525 shipped to US customers by Todd Green, so about 500 dollars (and 100$ less than a PS-500).
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You included everything there.
The pink drivers were not pink to start off with. I have two pairs of black 325 with John Grado drivers, One of them has pink drivers and the other pair, which was NOS, has black cheese cloth. I kept the pink pair and sent the other pair to Rhydon for a full Magnum mod (all black).
My vintage RS-1's drivers are turning pink the more I use it... just kidding, but I feel like it's loosing it's white coloration/pigments and becoming more transparent
I never really like the black 325 with HP1000 drivers. They sound a bit dull to me and are really heavy.
(I love mine, even though I very much agree with your impression ["a bit dull"; but the HP 1000 drivers in general are a bit dull sounding too, and unaccentuated], I feel the same every time I reach for my pair; they still weight quite less than a full HP-1000, and because mine have the "stock arc" headband, they are the looser and the most comfortable on my head)
I think 325 went downhill from that point onwards and the worst being the gold ones. They all make your ears bleed with the bowl pads. The 325is are more refined but still too bright for most people.
The gold ones you're talking about (called "SR325i" by the way) were intended by John Grado to become the better ones (of the previous SR325, and to stand as the top of the Prestige line) actually, they were the first ones to be "i" upgraded because John felt the first silver SR325 were the weakest link of the series. "i" upgrade was essentially (or supposedly so) a positive change, and not the other way around
Gold lettered black anodized metal SR325 are the earliest one, they're superb . They are not the "gold ones" you're talking about.
I think I received my upgraded HP2i (!!), I got a mail notice at my door from today 8:20 AM (I was sleeping) and I'm not awaiting any other parcels requiring my signature upon delivery... I will go get that unknown package at 17:00 (about 3 hours from now in Québec) and come here to report right after!