SpringBiscuit
100+ Head-Fier
- Joined
- May 20, 2012
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it felt artistic and old school in 3rd picture, i like how you describe the sound =).
I don't think the goal is to be artistic so much as convey the sound of these unique earphones in a more comprehensible, albeit artistic, way. The Piano Forte series isn't black and white sounding. It definitely has more of a sepia quality.
It is dark but there are a lot darker sounding.
Hello and welcome back firoze!
So I've been going back and forth between the 1601s and 1602s for some time and find myself constantly struggling for words to describe their differences adequately and at the same time do these very special phones justice. Yes, I could be talking about how FAD not only brazenly ignored to address the 1601s' weaknesses and went ahead to make the 1602s sound even more off-beat. I could rant about how the 1601s at least had a massive soundstage to accompany their shamelessly mid-centric presentation and how the 1602s even deprive you of this and at times make you feel like Nipper, poking your snout into one of those old horn-speaker's openings. I could go on about strange echoes and resonances from their metal housings and how I could EQ the 1601s to a pretty decent "normal" sound signature, but would fail miserably at doing the same with the 1602s, 'cause they just seem to throw an all-enveloping veil of nostalgia over everything I listen to. I could... but that would mean to completely miss the point.
The truth is, much like MuppetFace and music_4321 have said, that you have to accept these Final Audios for what they are, not fight them. If you don't feel comfortable with spending that much money for something so idiosyncratic, then please do yourself a favor and stay away from their 160x models.
So, since I'm obviously at a loss for words, why not let pictures do the talking?
Here's how a real street scene might look like - and any accurate, true-to-the-source type of phone would render it just like that:
Here's how the 1601 would render the same scene, the very highs and lows shifted towards a colorful, glowing midrange:
And finally, the 1602s: that strange midrange glow's still there and probably even more intense, but everything's tinted in sepia, like an old movie or photograph:
Disclaimer: of course, none of this is to be taken literally and in reality the 1601s and 1602s sound much closer to each other than the pictures would suggest.
In fact, this is not so much an attempt to visualize sound signatures as an illustration of how I'd envision these pictures while listening to said phones.
Am I still making sense to you? I fear not. But then again, take a closer look at the pics...
^ I don't think the goal is to be artistic so much as convey the sound of these unique earphones in a more comprehensible, albeit artistic, way. The Piano Forte series isn't black and white sounding. It definitely has more of a sepia quality.
On a related note I'm listening to the FI-DC1601SB this morning, and I'm quite pleased by what I'm hearing. Coming from the 1602 series, their predecessor has similar qualities to those which made me fall in love with them. I can definitely hear the progression of concept from the 1601 to the 1602 however; the earlier models are more subtle though still quite unique, and if we are to say that the 1601 series is more "normal," it's only in the context of the truly uncanny 1602 series.
I'm finding the 1601SB to be more of a chameleon in comparison to the 1602SS and 1602SC. Trying the various tips included in the package, I find the sound changes more dramatically compared to what I was able to achieve through my experimentation with the fix-tipped 1602 models, even when using tips over their metal flanges.
At the moment I prefer the smallest-sized round (non-star) tips.
I think I'll probably give the 1601SS a miss and try the 1601SC sometime in the future, assuming I can actually find one in decent condition.
Listening to Patricia Barber's Norwegian Wood and now Dave Brubek's Strange Meadow Lark, piano is a magical thing on the 1602SS.
...So much for my concerns about jumping into an icy lake. These are simply amazing headphones.
These fit my ears better than my ES5. I kid myself not. They just slot right in and pretty much disappear. I can nod and shake my head vigorously and all that moves is the cable...
Quoted from Hideki Togi/ Gagaku Musician
"i'm delighted to see that there is still a manufacturer in Japan that is willingly to defy the conventional thinking and produce the truly unique high-end audio product."
i'm totally agree on this, they don't follow the market, they create a new one.