music_4321
Headphoneus Supremus
- Joined
- Dec 7, 2008
- Posts
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- 340
Quote:
I was troubled for many months on my habit of listening to sounds. Despite the music playing gloriously in my ear canals, I realized that most of the time my mind keeps on focusing on the little thing. Like how the drums slam, the trumpets blow,the cymbals crash, or any other instruments playing. I enjoyed very much of "looking" at the sounds, and the quality of timbre of the gears. Having Flat-4-Sui really satisfies my craving for these "details", but deep down in my heart, I felt something wasn't right. Something.
... When I played familiar tracks out from the horn-like nozzles, the word "wrong" keeps on popping out of my mind like an alarm triggered. It sounds so wrong on my Bon Jovi, it sounds so wrong on the drums, well, everything but the vocals is off. And that was my maiden experience on PF which left me thinking: Would I get something like that at all?...
It was the singularity of the sound signature.
I realize that for one moment, I wasn't paying attention to the sounds. I am listening to the song as a whole. Honestly, in a typical perspective, PF is one of worst in terms of balance and FR to me. It is all mids. Well, occasionally, I an hear some drums here and there, and a little treble peak from time to time, but the feel is just unique. Gone are the little details which became my OCD, and now I find my music much more enjoyable when I don't have to (and can't) concentrate on finding the little men in the song.
I am weird. Not everybody would agree with me. I took an expensive way to change my music-listening experience. By the way, I saw the word: HI-FI printed on the box, I guess it could've insulted a few people who have different idea on what HIFI should be.
Thanks for reading my confession.
Very interesting post, autumnholy.
I think there's a chance you'll find more details in the music you listen to as you spend more time with, and get used to, your PFs; not necessarily details in the way other more analytical / clinical or bright-sounding IEMs present them, but simply details you may have not noticed before as you were so into the music itself—always a very good sign in my book!—, but details simply presented differently — this will likely take you by surprise—and perhaps even shock you—every now and again.
As time goes by, there's also a chance you may not find your IXs as weird sounding as you did (and perhaps still do these days) and find yourself enjoying more music / genres with them than you already do. After almost a year with my pair, I still get the odd surprise here and there and still remain somewhat puzzled as to what it is that makes these very peculiar phones such a compelling listen (for me).
Quote:
Quote:Music, IwishthatyouwouldstoptalkingabouttheK3003.
(You know that I am in the market for a dynamic or semi-dynamic vented design and those are on the list. I don't need the temptation just now.)
So do I. (And thanks for your kind words as well).
That makes me feel terribly sad and disappointed, woodcans. You see, seeing the K3003 thread normally has very little activity, and the recent activity there seemed to focus more on the GR07 than the AKGs (!), I thought this would be the ideal thread to talk about, and promote the sales of, (Austrian) snake oil.