DUNU releases EST 112, a triple hybrid in-ear with dual electrostatic tweeters
- Thread starter DUNU-Topsound
- Start date
QC team at DUNU factory is laughing nervously lolWe apologize for the sub-micron defects in the anodize.
We apologize for the sub-micron defects in the anodize.
I'll be sure to roast y'all when I get my unit in
https://tidal.com/track/26564502
The head stage is very expansive with great proportions without sounding fake.
Positioning is very accurate with excellent space cues.
A great iem for dense classical music.
The head stage is very expansive with great proportions without sounding fake.
Positioning is very accurate with excellent space cues.
A great iem for dense classical music.
Audio Fun
100+ Head-Fier
Indeed, the soundstage is holographic, imaging is also stunning! BTW, nice track!!
Last edited:
RikudouGoku
Member of the Trade: RikuBuds
haha, dont worry. You cant see tiny defects that show up with the macro camera with your own naked eye.We apologize for the sub-micron defects in the anodize.
Although I cant see anything wrong here either....
morndewey
1000+ Head-Fier
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The photos you posted are fantastichaha, dont worry. You cant see tiny defects that show up with the macro camera with your own naked eye.
Although I cant see anything wrong here either....
RikudouGoku
Member of the Trade: RikuBuds
Here is my graph:
This iem is a "jack of all genres, master of non" type. It is very versatile and has a very good ability to change its tonality to adapt to the track, whether it is to be brighter or warmer, note weight is also not too thick nor thin so it complements its versatility very well.
This does however limit its ability to play a specific genre to its full potential, because it does tend to either lack some more warmth or brightness to be fully tonally correct (happens mostly with the vocals).
And with some genres (particularly EDM and Hip-hop) the sub-bass quantity is a little bit lacking for my taste. Although it is definitely elevated above neutral it still lacks that extra bit to make it even more fun (thankfully the texture is good enough to "compensate" a bit for the quantity).
This iem is a "jack of all genres, master of non" type. It is very versatile and has a very good ability to change its tonality to adapt to the track, whether it is to be brighter or warmer, note weight is also not too thick nor thin so it complements its versatility very well.
This does however limit its ability to play a specific genre to its full potential, because it does tend to either lack some more warmth or brightness to be fully tonally correct (happens mostly with the vocals).
And with some genres (particularly EDM and Hip-hop) the sub-bass quantity is a little bit lacking for my taste. Although it is definitely elevated above neutral it still lacks that extra bit to make it even more fun (thankfully the texture is good enough to "compensate" a bit for the quantity).
I can agree with this from my testing too. Doesn't sound flat and still has some life to it.Here is my graph:
This iem is a "jack of all genres, master of non" type. It is very versatile and has a very good ability to change its tonality to adapt to the track, whether it is to be brighter or warmer, note weight is also not too thick nor thin so it complements its versatility very well.
This does however limit its ability to play a specific genre to its full potential, because it does tend to either lack some more warmth or brightness to be fully tonally correct (happens mostly with the vocals).
And with some genres (particularly EDM and Hip-hop) the sub-bass quantity is a little bit lacking for my taste. Although it is definitely elevated above neutral it still lacks that extra bit to make it even more fun (thankfully the texture is good enough to "compensate" a bit for the quantity).
IEMusic
Headphoneus Supremus
I imagine the versatile tuning/tonality is a big asset for its market position, as an affordable EST IEM, where consumers probably want a really good all-in-one IEM, rather than specialists.Here is my graph:
This iem is a "jack of all genres, master of non" type. It is very versatile and has a very good ability to change its tonality to adapt to the track, whether it is to be brighter or warmer, note weight is also not too thick nor thin so it complements its versatility very well.
This does however limit its ability to play a specific genre to its full potential, because it does tend to either lack some more warmth or brightness to be fully tonally correct (happens mostly with the vocals).
And with some genres (particularly EDM and Hip-hop) the sub-bass quantity is a little bit lacking for my taste. Although it is definitely elevated above neutral it still lacks that extra bit to make it even more fun (thankfully the texture is good enough to "compensate" a bit for the quantity).
I received the DK-3001 pro a week ago and it burned only 30 hours with the DX160, this IEM is a enjoyable, natural tone detailed cleanly, non harshe at all, soft tasty and quiet, the bass is great and really clean, it sinks into low bass quickly Without decay, I listened to all kinds of music including electronic It does a perfect job.
Now I wonder what the EST 112 would look like, especially since the price between thim is just 20
Now I wonder what the EST 112 would look like, especially since the price between thim is just 20
RikudouGoku
Member of the Trade: RikuBuds
Size comparison
Smaller than the Blessing 2 which is like a potato in my ears.
A bit bigger than the fh3.
A lot bigger than the blon bl-03.
Smaller than the Blessing 2 which is like a potato in my ears.
A bit bigger than the fh3.
A lot bigger than the blon bl-03.
The 112 is a chonky boi lolSize comparison
Smaller than the Blessing 2 which is like a potato in my ears.
A bit bigger than the fh3.
A lot bigger than the blon bl-03.
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