Yes, it's compared to the
E3.
E3 fit is much better than
Stealth fit. I don't need to press the
E3 to get bass. It's perfect from the get go, but I take care of placing the
E3 as suggested by DCA (the ears must touch the top and rear of the pads).
The sound varies inside the
E3 cup, but to a lesser degree compared to the
Stealth. Once positioned correctly on the head, The
E3 clamp stabilizes the headphones and the sound signature. My experience is different with the slightly lighter
Stealth. It tends to move. Its low clamping force participates to this phenomenon. Note that the
Stealth pads are shallow compared to the
E3 pad. I'm sure the shape of the pads is a major factor in the fit/clamp/passive isolation discrepancies I experience between the
E3 and the
Stealth. The AMTS development/deployment, on the other hand, impacts the sound signature stability, according to DCA.
E3 AMTS deployment takes cues from the
Corina AMTS that got released after the
Stealth &
Expanse.
Would a DCA clamp screw set change my
Stealth listening experience ? The clamp would be improved very probably. I would still need to position the
Stealth on my head very precisely, or I would experience shifts in sound signature from listening sessions to listening sessions. Sound signature shifts are lessened on the
E3.
Stealth bass, to me is subjectively better than
E3 bass yes. Because I heard it more defined, quicker/dynamic, and pure (no distortion). The
E3 on the other hand has a different kind of bass. It's quantity over quality, to my ears. It depends on what you want I guess... I'd say
Stealth sound overall is a bit more neutral and revealing than
E3 sound, the discriminating factor being the bass qualities, and the tuning choices ! Note that my goal is pure neutral audio reproduction for production and mixing. I won't do much casual music listening on my DCA in the future. Right now I listen to a lot of things on the
E3 to tune my ears to its sound signature. I don't want distortion on the low frequencies, because my job is to tune distortion in and maximize uniform translation across all monitoring systems (from Apple earbuds to ATC monitors)... But for listeners, the absence of distortion in the bass might make it less palatable, I guess ?
If budget permits, I might consider finding a
Stealth with a
DCA screw and plates clamp set to compare its sound to the
E3 in the studio.
If anybody knows a parisian hi-fi shop where I can listen to the
Corina, please share the info
.