dharmasteve
Headphoneus Supremus
Regarding the treble on the BVGP NS9. Like many IEMs we may want to tailor the sound to our liking. The BGVP equalises very well. On the HiBy R5 we have the wonderful MSEB, a systemwide equalisation system. For the NS9 adjusting the 'overall temperature' to 'cool' a couple of clicks, 'note thickness' towards 'crisp'. 'Sibilance' towards 'crisp', etc, etc the treble can be enhanced (there are more settings to play with). On the Amazon HD equaliser, it's possible to up the 14Hz a few decibels to bring some more treble into the mix. As you can see on the graph at 10K the treble has become very quiet it starts to raise again at about 16k but will not be noticeable to many ears. As a result some instruments lack the shimmer and shine, and notes in the treble area can be thicker than those IEMs with a more extended treble. In actual practice because the timbre is so very good it can still match many of the 'screechy trebles'.laleeee
The A7 is playing in the same league with the NS9, or its different categories ?
Steve
A7 is all round stronger but that should not distract from the great sound of the NS9. For treble freaks the NS9 may not have the high end energy like the LZ A7, but for mids and bass the NS9 is the business.
As a whole this is really a very good IEM for most music, up there with many above it in it's price range. Very easy to listen to, organic, analogue, full, not boring at all, plenty of emotion and soul in the music and with one of the best soundstages I have heard.....which makes a big difference. For about £100 or so, how do they do it, 2 DDs and 7 Knowles, Sonion, BA's?