Ant man...I did mucho research and got mine with the 6BZ7's...they will send you a matched set.
Just try these..if your not happy I will buy them from you!!!
You can try many, many others and get lost in tube rolling etc..
I dont want that I want great sound, now and you dont have to spend megabucks on "rare" NOS tubes to get great and I mean world class sound out of your LCD2's with the Lyr...
The 6BZ7's are my favorite....would not even go close to the 6N1P or 6CG7 or 6GU7...I would try the EC88c's..again get a matched pair....from a reliable source...NOT Ebay!! LOL!!
Heres the post from Jason:
Okay, here's the official word on 6CG7 and 6GU7, based on Mike's stash of NOS JAN Phillips and NOS RCAs, respectively. Cliff's Notes version: Mr. Scary gets the Golden Tube Ear award. He's spot-on in subjective impression of the 6CG7, and the 6GU7 is actually worse, flabby and flatulent.
If you take a look at the tube curves on the datasheet, this isn't surprising. At the Lyr's cathode voltage, these two tubes are operating in a relatively nonlinear area. Measured distortion is about 1-2% at 5V out, versus Lyr's typical 0.05%-0.1% with 6DJ8/6922/E88CC types. They're also much lower gain. Compare gains:
E88CC = 10
6BZ7 = 12
6N1P = 13
6CG7 = 7
6GU7 = 6
The low gain is also indicative of operating low on the curve. The overall sound is slurred, fat, and odd--the tube table radio of yore.
Bottom line: for Lyr, stick to 6DJ8s and close relatives. The 6BZ7 is actually an early relative of the 6DJ8, with higher anode voltage capability, but still good linearity at lower voltages.
Personally, if we were going to use the 6CG7/6GU7s in an amp, we'd bypass them completely and use 6SN7s, since the better geometry makes a better tube--and we'd run it with a 400Vish rail, to get it in a linear operating area.
On the other hand, the taller 6CG7s and 6GU7s were easier to pull out of the chassis, so it's not all bad!
All the best!
Alex