justinxbailey
Head-Fier
- Joined
- Feb 15, 2009
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I'm waiting for my quads.. another couple weeks..
Nice looking headphones.
How do you find the fit to be?
a little turn of events, I just received by email, a bill of $50.00 for the soft canal tips, oddly enough, I sent $50 (cash) along with the phones in a westone semi hard case by USPS priority. when i asked a week ago if they had received the phones, the rep confirmed that the phones arrived and work had begun. It's hard to believe that a usps employee would bother to open the package, unzip the case and take the $50.00 but leave the unique looking and possibly expensive headphones intact and then reseal the package and send them merrily along their way...
also, my second set of cables which I purchased (at a slightly discounted price due to a defect in the first cable) started debraiding within a month and when I informed them of this, I was told that cables aren't covered under warranty and that debraiding would be impossible unless the cables were caught or yanked (I can testify that the cables weren't ever yanked or caught onto something)
Currently experiencing some post-honeymoon syndrome with these quads. I found that my tastes have evolved and changed these past few months, so much so that the Quads' default signature isn't cutting it for me (not enough highs). Being used to a Beyer DT990 setup at home doesn't help that. I recently found the Etymotic ER4S and now am wondering why I spent so much on customs. So, just a word of caution - There's no turning back after you get customs. It's a gamble you live with.
I in no way mean this as a criticism but if you're finding the sound of the er4s to best the quads I'd try them with a few more sources. Having used the er4p for many years I love the way they sound and can see how they would sound more resolving and detailed out of a weaker source. However having used the quads on a range of sources sometimes I wasn't impressed but out of others that can really drive the lower end I found it really improved the entire spectrum.
My own opinion is sometimes when you hear a slight hiss with the quads you might be expecting that they're getting plenty of juice when in reality only the high frequency drivers are and the lows may need a bit more to sound great. WIth the er4ps - being a single driver - when you heard a bit of hiss you could be sure they were getting plenty of power and the low end could be expected to sound good.
In short I think the quads are very transparent. Some tracks sound just about the same as they would with much lower end songs but higher quality tracks from a source that pairs well are leaps and bounds above any sound I could ever get from the er4ps.
I in no way mean this as a criticism but if you're finding the sound of the er4s to best the quads I'd try them with a few more sources. Having used the er4p for many years I love the way they sound and can see how they would sound more resolving and detailed out of a weaker source. However having used the quads on a range of sources sometimes I wasn't impressed but out of others that can really drive the lower end I found it really improved the entire spectrum.
My own opinion is sometimes when you hear a slight hiss with the quads you might be expecting that they're getting plenty of juice when in reality only the high frequency drivers are and the lows may need a bit more to sound great. WIth the er4ps - being a single driver - when you heard a bit of hiss you could be sure they were getting plenty of power and the low end could be expected to sound good.
In short I think the quads are very transparent. Some tracks sound just about the same as they would with much lower end songs but higher quality tracks from a source that pairs well are leaps and bounds above any sound I could ever get from the er4ps.
When I compared the quads and etymotic HF5 (very similar to the er4p) the HF5 seemed much more detailed in the mids and highs (the treble was REALLY "detailed") I attribute this to that fact that the HF5's are extremely bass anemic and the quads are the exact opposite in terms of sound signature with a emphasis on bass (with any emphasis on bass, treble and mids will become washed out, no matter how small the increase. Also, the soundstage and positioning was different as well. Though the distance/soundstage was about the same, the quads made sounds taller, wider and fuller this makes for a more realistic portrayal of music but at the cost of clarity because at times, the sounds can seem to be fighting each other for space. Also, in terms of the bass, switching between the HF5 and quads, for music where bass is meant to be heard above others (rap, hiphop) the HF5s really lose out due to the bass rolloff. Subbass that is easily heard/felt (not "eye ball shaking" as many headfiers seem to describe any non neutral headphone) is virtually nonexistant coming from the HF5s and I found myself frequently filling in the bass details with my imagination. overall, the HF5's/er4p's are more detailed but only in the treble and mid range due to the bass deficiency. Because of that, I have found few IEMs that can beat it in terms of detail (maybe except for the hifiman re2 which is very similar in terms of sound signature.
also, because of the slightly recessed/recessed treble (very good extension but not very forward) the quads are a warm/relaxed sounding IEM, this is once again, detrimental to the detail
Right, so i just got my 1964 quads...Its my first custom iem EVER - My ears feel violated...raped....But the sound! Its freakin' amazing!! My ears will probably adjust to this over time...