*Re-post from other thread*
Unit #015 of DX320MAX Ti reporting in - got this in on Monday and right upon opening the box I was impressed. This unit is a solid hunk of metal - massive, shiny and super premium looking and feeling.
I got to listen to it with the IE900 & Tansio Mirai RGB first and compared it with the DX320 Edition X - another one of my recent favorite DAP discoveries. Will be trying with several more iem's in the coming days.
I am a huge fan of the voicing of iBasso's latest generation DAP's. They are going for transparency, dynamics, speed & in my honest opinion - class-leading resolution.
The DX320MAX TI SLAMS. It is extremely technical and essentially serves as a supercar in the porta-fi realm.
This is High Fidelity as it should be. Maybe some ears won't be able to handle the intense and exhilarating ride
For the better part of the last 3 years I've been on the lookout for a portable source that can compete with Hugo2 but nothing ever really compelling showed up. DX320x was the one to finally be sufficiently impressive but with all the added functionality, better portability & more features. DX320MAX probably even exceeds that performance of Hugo2 all while being a more practical product (in my opinion).
DX320MAX TI is voiced like the DX320x (transparent, dynamic, toe-tapping, fast) but with a more expansive stage and better imaging cues, and texturally it has more layered and incisive treble definition. It's super impressive. There is absolutely 0 smoothening of notes or transients, for better or for worse.
The 3 simple drawbacks for me where I still prefer the DX320X are the following:
- Portability
- Larger screen
- Swappable amp modules
These are the sacrifices that are needed in order to extract the highest level of performance today in mobile audio.
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Also of special note is the Tansio Mirai RGB. This is a fabulous iem but unfortunately against all expectations it's not up my alley.
We're talking TOTL technical ability and with the right musical pairings it's very difficult to fault. My main gripe is that the treble energy is beyond the realms of my tolerance with sub-optimal recordings or energetic tracks. The bass boost switch is basically mandatory for my enjoyment, but I wish there was a way of adding a low-pass filter to cut the highs down a bit (and consequentially I might not even need to boost the bass with this).
For any type of non-rock or metal music, this iem will shine. Its struggles are really found in the treble which is ironic as it is extremely impressive and in top 5 discussion if the music is well recorded or music is on the tamer side; but as soon as things ramp up and passages become complex, noisy and layered, the treble seems to falter a bit and compression becomes audible. It seems that the large amount of EST's are a blessing and a curse here, where perhaps copious amounts of power would be required for authoritative handling - I am not sure, but it does get quite bright.
For the few who have asked me how it compares to Penon Impact, I actually have to admit to preferring the Impact by a decent margin for its overall stable performance, though RGB with singer-songwriter/ vocal focused music is probably as good as it gets in what I have heard so far.
I can't wait to receive my Annihilator back from
@freeryder05 tomorrow - it will be fun to compare side-by-side and I will report back.